Category: Movies

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Features Live Action Movies

Exit 8
(Hachiban Deguchi,
8番出口)

Director – Genki Kawamura – 2025 – Japan – Cert. 15 – 95m

*****

A commuter tries to leave the Tokyo Underground but finds himself retracing his steps within a repeating system from which there is no exit – out in UK and Ireland cinemas on Friday, April 24th

A packed carriage on the Tokyo Underground. A commuter (Kazunari Ninomiya from Letters from Iwo Jima, Clint Eastwood, 2006), heading to his first day at a new job, can’t help but notice a young mother whose baby is crying. This is not a situation anyone likes to find themselves in, least of all the young mother. One male passenger takes it upon himself to berate and belittle the woman for selfishly allowing her child to make a noise in such a crowded, public space, inconveniencing everyone present. On one level, is he simply voicing what everyone else in the carriage is thinking? On another, is he completely out of order? After all, the mother is not the child making the noise, and she is doing her best to calm it. The irate passenger is clearly not helping the situation.

Perhaps someone should intervene and tell the man to leave the woman alone.… Read the rest

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Features Live Action Movies

Primavera
(Primavera)

Director – Damiano Michieletto – 2025 – Italy, France – Cert. 15 – 110m

*****

A young Venetian orphan comes into her own learning to play the violin under her orphanage’s new Master of Music, Antonio Vivaldi – period drama is out in UK and Ireland cinemas on Friday, April 24th

A group of girls, all wearing similar dresses, fawn over a cat’s newly birthed litter of kittens. That doesn’t last long, as an older woman unceremoniously picks up the kittens one by one, stuffs them into a sack, goes to the huge wooden door of the courtyard, opens it, and throws the sack into the canal. In seconds we have gone from unbearably cute to unspeakably cruel.

The older woman is the Prioress (Fabrizia Sacchi) who presides over an orphanage in eighteenth century Venice. Baby girls are abandoned outside their doors, accompanied by half a memento – should the woman later wish to reclaim her daughter, she need only turn up at the orphanage bearing the matching half. The orphanage’s archive lists the details of every girl, complete with half memento. Many of the mementos are religious, such as an image of the Blessed Virgin Mary.

The orphanage is renowned for its orchestra.… Read the rest

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Documentary Features Live Action Movies

London’s Last Wilderness

Director – Pablo Behrens – 2026 – UK – Cert. 12a – 61m

*****

London’s Thames Estuary filmed and edited from the point of view of an alien – out in UK cinemas on Friday, April 24th

A genre bender of a documentary, this owes a great deal to Petropolis (Peter Mettler, 2009) which comprises aerial cinematography of the environmental wreck of Canada’s Alberta Tar sands. The subject of London’s Last Wilderness, however, is not an ecological catastrophe, however much its narration by intertitle might (mis)interpret it as the aftermath of a war zone. It is rather the estuary of the Thames, the river that further inland flows through London, which city puts in a brief appearance towards the end. Indeed, insofar as this has a narrative spine, it is of a journey from the largely uninhabited estuary inland to the metropolis itself.

Where Petropolis was shot largely from a helicopter by a cameraman, the results recalling nothing so much as the aerial footage that opens The Shining (Stanley Kubrick, 1980) and closes (because they bought the rights to it) Blade Runner (Ridley Scott, 1982), aerial photography has moved on considerably in the last fifteen of so years with the evolution of drones, today a major part of the filmmaker / cinematographer’s arsenal.… Read the rest

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Features Live Action Movies

Rose of Nevada

Director – Mark Jenkin – 2025 – UK – Cert. 12a – 114m

****1/2

A fisherman joins the crew of a mysteriously reappeared fishing vessel and finds himself inexplicably trapped 30 years in the past when it originally disappeared – out in UK cinemas on Friday, April 24th

30 years ago, the Rose of Nevada, a small fishing vessel, set sail from a small, Cornish coastal village and never returned. Now, suddenly, it reappears in the harbour with its captain looking for crew. Nick (George Mackay) and Liam (Callum Turner), but on their return after their first fishing trip, they arrive back not in the present but 30 years ago.

Apart from this peculiar slippage of time, everyone behaves as if nothing unusual is going on. Nick misses his partner and child. Liam finds himself with a new partner and child, and plays along, taking advantage of what circumstances have offered to him, which doesn’t seem so bad. 

Nick, however, feels increasingly isolated and uneasy in this situation.

Jenkin’s film plays out as a strange, enigmatic mystery.

Working as is his wont as director, cameraman and editor, not to mention sound designer and musician, Jenkin takes real pleasure in building up his story from a series of tiny details, necessitated to some extent by his use of a clockwork Bolex camera which can’t shoot a take longer than 27 seconds.… Read the rest

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Features Live Action Movies

Blades of the Guardians
Wind Rises in the Desert
(Biao Ren
Feng Qi Da Mo,
镖人
风起大漠)

Director – Yuen Woo-Ping – 2026 – China – Cert. 15 – 126m

*****

In ancient China, a bounty hunter with his small nephew in tow must transport a man across a desert to Chang’an – out in UK and Ireland cinemas on Friday, April 17th

The synopsis opening this review might make it sound like a bad film. It’s not. Humour me.

China’s Sui Dynasty (581 to 618 AD). Bounty hunter Dau Ma (Wu Jing from Ride On, Larry Yang, 2023; The Battle at Lake Changjin, Chen Kaige, Dante Lam, Tsui Hark, 2021; The Wandering Earth, Frant Gwo, 2019; Wolf Warrior, Wu Jing, 2015) travels with his small nephew Xiao Qi (Qianlang Ju) in tow. At an incident at a village inn he demonstrates his considerable fighting skill against a mark and his thugs to force the man to pay Dau Ma triple the price on his head to leave him alone.

Dau Ma is summoned before the town’s Governor Chang (Jet Li from Hero, Zhang Yimou, 2002; Black Mask, Daniel Lee, 1996); Once Upon a Time in China, Tsui Hark, 1991), who wants him to sign on to train Chang’s cavalry – an offer Dau refuses because as an ex-cavalry officer he has long since decided he is better off outside than inside the military system.… Read the rest

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Animation Features Movies

Akira
(アキラ)
4K
(IMAX)

Director – Katsuhiro Otomo – 1988 – Japan – Cert. 15 – 124m

*****

Manga artist turned director Katsuhiro Otomo’s cyberpunk classic returns to the big screen – back in over 350+ UK and Ireland cinemas, plus every IMAX screen from Friday, April 17th!

When Akira first appeared in the UK at the start of the nineties, Disney was busy reinventing the animated cartoon as a platform for the Broadway musical (Beauty And The Beast, Gary Trousdale, Kirk Wise, 1991; The Lion King, Rob Minkoff, Roger Allers, 1994) and there were debates about whether comics (or ‘graphic novels’) could be created for adults as well as kids.

As so often in technology and media, Japan was ahead of the game. Otomo had published his long-running comic book or manga Akira in 1982 and turned it into a feature six years later, challenging widely held Western notions of what animation was. You could make SF in movies (Voyage To The Moon, Georges Méliès, 1902) and you could make serious SF (2001, Stanley Kubrick, 1968), but animation was strictly for kids, at least in the English-speaking mainstream, and that as what Disney did.… Read the rest

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Features Live Action Movies

The Wizard of the Kremlin
(Le Mage du Kremlin)

Director – Olivier Assayas – 2025 – France – Cert. 15 – 137m

*****

Starting in 1990s Russia, an avant-garde theatre director morphs into first a TV producer then the mastermind behind the rise and rule of Vladimir Putin – out in UK cinemas on Friday, April 17th

2019. Roland (Jeffrey Wright) writing a book on a prominent Russian novelist and on a research trip to Moscow when he receives a message from someone who has materials that will interest him. So he accepts the invitation and is driven to a private house on the woodlands outskirts of that city where he is shown first editions and documentation pertaining to the writer.

All this, however, is a pretext to the main event. His host, Vadim Baranov (Paul Dano), starts to tell Roland his life story from his student days onwards. Which sets the scene for what is to follow: a portrait of a close-up portrait of a shadowy figure who was to become Vladimir Putin’s arch-manipulator and right-hand man.

Dismissive of Gorbachov, he takes us back to the early 1990s when the Soviet Union was collapsing and Boris Yeltsin was in the presidential ascendant. A time of gunfire and violence, when men of increasing wealth and power could be killed at any time, a fact illustrated by an SUV exploding mid-convoy along a Muscovite spaghetti junction.… Read the rest

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Features Live Action Movies

Rebuilding

Director – Max Walker-Silverman – 2025 – US – Cert. PG – 96m

****

A divorced man whose home has been destroyed by a forest fire begins to reconnect with his pre-teenage daughter – out in UK cinemas on Friday, April 17th

This opens with an image of red hot embers rising and falling a black night sky. A couple of brief, opening, expository shots is all we are shown of the tragedy, but it’s enough: much of the remainder of the narrative takes place against a backdrop of leafless, tall, burned trees, an area of likely great former beauty now reduced to desolation. This is not the cinema of big budget disaster scenarios with no-holds barred pyrotechnic effects: it’s something altogether much lower key and quieter, an exploration of the effect of natural disasters on the lives of those people who survive them.

The fire has destroyed the 20 acres of property on the edge of the forest where Dusty (Josh O’Connor from The History of Sound, Oliver Hermanus, 2025; Mothering Sunday, Eva Husson, 2017; God’s Own Country, Francis Lee, 2017) lives, an area of outstanding natural beauty. He sells off his surviving livestock at an auction, then calls in on his ex-wife Ruby (Meghann Fahy from The White Lotus, TV series, 2022) who lives in the nearby town with their pre-teen daughter Callie-Rose (Lily LaTorre) and his mother-in-law Bess (Amy Madigan from Weapons, Zach Cregger, 2025; Pollock, Ed Harris, 2000; Field of Dreams, Phil Alden Robinson, 1989).… Read the rest

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Features Live Action Movies

The Blue Trail
(O Último Azul)

Director – Gabriel Macaro – 2025 – Brazil, Netherlands, Mexico, Chile – Cert. 12a – 86m

***1/2

A 77-year-old woman, learning she is to be rehoused at a state home for the elderly, refuses to comply, instead setting out to fulfil a long-held dream – out in UK cinemas on Friday, April 17th

Tereza (Denise Weinberg), 77, is doing fine thank you very much, supporting herself with a job in an alligator slaughterhouse. All that changes when the government lowers the age at which people are considered too old to be economically productive and relocated to the out of town elderly home known simply as The Colony, about which details are in scant supply. The name carries with it specific cultural associations, since The Colony was a notorious, Brazilian psychiatric prison used for the purposes of removing from mainstream society individuals deemed undesirable or unacceptable for whatever reason by the authorities, as portrayed in the drama Nobody Leaves Alive (André Ristum, 2023). Further afield, in Chile, the name conjures the equally if not more notorious detention centre of the Pinochet regime which features in the drama The Colony (Florian Gallenberger,2015). The name of the institution doesn’t bode well on either account.… Read the rest

Categories
Documentary Features Live Action Movies

Kinaesthesia

Director – Gerald Fox – 2026 – UK – Cert. 15 – 97m

**1/2

A journey through the dream imagery of silent cinema and its cinematographic effects, augmented by present day stagings before the camera – out in UK cinemas on Friday, April 17th

Long fascinated by dream imagery in cinema, director Fox attended the Harvard course run by its Professor of Film Studies Vlada Petrić (1928-2019) to which this documentary essay is dedicated, being based on and quoting intensely from the latter’s theories.

Additionally, it just about works as a useful primer in silent cinema for the uninitiated provided you’re aware of its inherent biases and limitations. These may well be linked to the films (or film libraries) for which producer-director Fox secured rights, because there’s a far greater amount of French movies than you might expect. Or, these may may simply reflect Petrić’s theories and tastes.

Either way, the selection of movies here also leans towards the avant-garde in not only France but also the US. Then it throws in specific films from Griffifth (Edgar Allan Poe, 1909; The Avenging Conscience / Thou Shalt Not Kill, 1915) and Hitchcock (The Ring, 1927), China’s Romance of the Western Chamber (Hou Yau, 1927) and Japan’s A Page of Madness (Teinosuke Kinugasa, 1926).… Read the rest