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Men

Director – Alex Garland – 2022 – UK – Cert. 15 – 100m

***

An urban woman dealing with separation and bereavement encounters several men with the same face in an English village – out in cinemas on Wednesday, June 1st

A face passes before the eyes of Harper (Jessie Buckley) as her husband James (Paapa Essiedu) falls to his death from the balcony above their London flat. It’s the Spring. She drives to a house in the country – strictly speaking, in a small rural village – which she’s rented for two weeks to get away from it all.

There, she meets well-to-do landlord Geoffrey (Rory Kinnear) who shows her round the property and hands over the keys. He’s an affable and chivalrous sort of chap who insists of bringing her bags in from the car and can’t stop talking; he might have walked straight in from the previous century or even the one before. He mentions that the TV reception can be a bit iffy, especially when it’s raining, and also recommends a visit to the village pub.

She’s glad when he’s left and promptly calls her partner Riley (Gayle Rankin), who she will be in touch with this way on and off throughout the narrative and who will eventually drive over to see her, the only time we ever see Riley in the flesh.… Read the rest

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Vortex

Director – Gaspar Noé – 2021 – France – Cert. 15 – 142m

*****

An elderly man struggles to care for his ailing wife who has dementia – out in cinemas on Friday, May 13th

Discounting the lengthy titles detailing among other things the various film clips and images used, this throws us a series of images in a pillarboxed 4:3 format with curved corners at the edges (suggesting a projected slide show or physical, analogue photographs mounted in an album) then the young Françoise Hardy singing “Mon Amie La Rose” loads irony into the proceedings: the rose is fresh and speaks to us of love, the singer young and yet to be ravaged by the passage of time. (It’s not mentioned here, but last year, Hardy announced she could no longer sing as a result of cancer treatments, which lends the video a certain poignancy today – even more so in the context of this film.)

Then the man we’ll call the father (Dario Argento, director of such Italian gialli as Suspiria, 1977; Tenebrae, 1982) waves through windows across a courtyard at the woman we’ll call the mother (Françoise Lebrun from The Mother And The Whore, Jean Eustache, 1973) and they meet up for a glass of wine on their balcony.… Read the rest

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West Side Story (2021)

Director – Steven Spielberg – 2021 – US – Cert. 12a – 156m

*****

This reimagining of the landmark 1961 musical feels fresh and completely different, yet strangely familiar at the same time – out in cinemas on Friday, December 10th

The original adaptation of Broadway show West Side Story (Jerome Robbins, Robert Wise, 1961) is widely reckoned one of the great movie musicals. It’s basically Romeo And Juliet reworked with rival houses replaced by rival ethnic gangs, the Jets and the Sharks. From the moment a former member of one gang falls for a young girl from the other ethnic group, their romance is doomed.

As well as remarkable songs (music: Leonard Bernstein, lyrics: Stephen Sondheim), the thing people remember is the incredible, almost otherworldly choreography. If this had not been a musical but a straightforward teenage youth drama, the gangs would have walked or run through the streets in packs. Here, though, they dance and glide as a synchronised group, and the never less than magical result proves highly effective.

So if you’re going to remake West Side Story, you’d better have some pretty good ideas because a carbon copy would be pointless. Enter Steven Spielberg. Like many people, he’s grown up with the 1961 movie and knows it intimately.… Read the rest

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Barking Dogs Never Bite (Flandersui gae)

Director – Bong Joon Ho – 2000 – South Korea – 110m

****1/2

Available exclusively on Curzon Home Cinema from Friday, September 18th.

Lecturer Yun-ju (Lee Sun-jae) is looking out the window of his apartment in a block of flats and having been recently passed over for a professorship is on the phone to a colleague, but can’t concentrate because of a persistent dog barking. He resolves to do something about it. Chancing later upon a dog without an owner near his front door, he takes it up to the roof but then, unable to drop it off the balcony, takes it down to a basement corridor and traps it in an old wardrobe.

Maintenance office worker Park Hyun-nam (Doona Bae) is visited by a little girl in a yellow waterproof to get her missing dog posters officially stamped so that they won’t get taken down.

Hen-pecked by his working, pregnant wife Eun-sil (Kim Ho-jung), Yun-ju learns from a colleague that the person who got the professorship has died so the position should now be his – for a $10 000 bribe. And the barking hasn’t stopped – he got the wrong dog because the little girl’s posters mention that the missing dog can’t bark following a throat op.… Read the rest