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The Odyssey
(2026)

Director – Christopher Nolan – 2026 – US – Cert. 15 – 172m

**** (regular cinema version, not the 70mm IMAX print)

While Odysseus is lost presumed dead returning home from the Trojan Wars to his island Kingdom of Ithaca, his wife is confronted with multiple suitors – out in UK cinemas on Friday, July 17th

For anyone unfamiliar with the classical Greek literature source, Homer’s Odyssey is about a journey (with which meaning the word odyssey is synonymous in modern parlance). Odysseus (Matt Damon) fights for ten years (a time span unclear in the new film) in the Trojan Wars, then spends another ten getting home to his island Kingdom of Ithaca (the film is clear that he’s away a total of 20 years).

Homer doesn’t play out his narrative in linear form, but goes back and forth, for instance using flashbacks. Nolan’s screenplay uses a framing device of Odysseus’ wife Penelope (Anne Hathaway) holding out against numerous suitors hoping she’ll marry one of them and make him king, remarkably similar to that other recent, inferior adaptation of (the Ithaca bits of) the Odyssey, The Return (Umberto Pasolini, 2024), except that Nolan’s instincts for casting are a lot stronger and he has a bigger crew and budget with which to play.… Read the rest

Categories
Features Live Action Movies

A Light
Never Goes Out
(Deng Huo Lan Shan,
Dang Fo Laan Saan,
燈火闌珊,
lit. Waning Light)

Director – Anastasia Tsang – 2022 – Hong Kong – Cert. 15 – 103m

****

The widow of a Hong Kong neon sign maker attempts to fulfil his last wish in constructing a specific neon sign, despite new regulations outlawing them – out in UK cinemas on Friday, May 12th #ALightNeverGoesOut

Mei-heung (Sylvia Chang) hangs around an amusement arcade coming to terms with the loss of her husband Bill (Simon Yam) who died just six weeks ago. He believed in luck and wishes coming true, and once won on a machine she thought a scam by inserting a coin whilst facing away from the machine. In their younger days, he proposed to her by fixing various neon lights on timers so that every time she’d make a wish, a switched off neon street sign would light up. Discovering her hard-nosed, go-getter daughter Prism (Cecilia Choi from Detention, John Hsu, 2019) has dumped Bill’s effects at the local communal recycle bin, she tries to retrieve them, falling foul of a cop more interested in enforcing rules than community spirit.

Bill was a much better craftsman than businessman, and packed in his business ten years ago so as to obtain a university grant for Prism.… Read the rest