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See How They Run

Director – Tom George – 2022 – UK – Cert. 12a – 98m

**

A barely competent Inspector and a trainee WPC investigate a backstage murder at The Mousetrap in 1950s London’s theatreland – out in UK cinemas on Friday, September 9th

London West End, 1953. Following his involvement in a fight at a party to celebrate the hundredth performance of The Mousetrap at The Ambassadors Theatre, blacklisted Hollywood film director Leo Kopernick (Adrien Brody), hired by John Woolf (Reece Shearsmith) to make a film of the play, gets into fisticuffs with the play’s leading man Richard “Dickie” Attenborough (Harris Dickinson) over the latter’s wife and co-star Sheila Sim (Pearl Shanda).

Later, Kopernick is murdered backstage by a mystery assailant. Perhaps it’s pertinent that Kopernick has ruffled numerous feathers in and around the production, not least foppish, English literary figure Mervyn Cocker Norris (David Oyelowo) who has been hired to write the script and despises everything Kopernick stands for, a feeling which proves in flashback to be mutual.

Thus begins a whodunit based around the world’s longest running play. The police are called in, with Commissioner Harold Scott (Tim Key) assigning alcoholic Inspector Stoppard (Sam Rockwell) and film buff and over-enthusiastic trainee WPC Stalker (Saoirse Ronan) to the case.… Read the rest

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Luzzu

Director – Alex Camilleri – 2021 – Malta – Cert. 15 – 95m

****

As he repairs the small boat that’s been in his family for generations, a fisherman grapples with both his role as a new parent and the economic changes threatening his livelihood – on Curzon Home Cinema (CHC) from Monday, June 27th

While out on the sea in his small boat known as a ‘luzzu’, lone fisherman Jesmark (Jesmark Scicluna) notices water in the bottom of his boat and realises the vessel is in urgent need of repair. His friend David (David Scicluna) both helps him beach the craft in an appropriate location for doing the work and gives him work as crew on David’s more modern boat.

When they catch a swordfish out of season which must be thrown back according to EU regulations, Jes protests that it’s dead and no-one throws these fish back. David, mindful of his liability, phones the authorities to ask if they can keep it, then throws it back. Just as well, because an inspector (Anthony Ellul) checks the vessel on their return to port.

Taking their catch to market, where they are bottom of the pile, they watch the seller fail to interest buyers in their catch and then frantically hawk it around local restaurants in the hope of shifting it while still fresh, to no avail.… Read the rest

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Features Live Action Movies

The H Man
(Bijo
To Ekitai-ningen,
美女と液体人間)

*****

Director – Ishiro Honda – 1958 – Japan – Cert. X – 86m

The H Man (lit. Beauty And The Liquid People) was scripted by Takashi Kimura, who, as Jasper Sharp notes in the accompanying booklet, wrote monster movies for Honda where the monsters were liquid, gas (The Human Vapor, 1960) and mutant man-mushrooms (Matango, 1963). All these can be read as the elements constituting the clouds – or mushroom clouds – of nuclear bombs dropped on Japan or tested near it.

Yet after opening with nuclear explosion stock footage, the film swiftly morphs into a police procedural in which various characters mysteriously disappear… [read more]

Over at All The Anime, I review Eureka!’s Ishiro Honda Blu-ray double bill of The H Man and Battle In Outer Space.

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Features Live Action Movies

Ishiro Honda
Double Feature
The H Man
(Bijo
To Ekitai-ningen,
美女と液体人間)
and
Battle
In Outer Space
(Uchu Daisenso,
宇宙大戦争)

The H Man

*****

Director – Ishiro Honda – 1958 – Japan – Cert. X – 86m

Battle in Outer Space

*****

Director – Ishiro Honda – 1959 – Japan – Cert. U – 90m

Alongside the standalone release of Mothra (1961) comes a double bill of two more Toho science fiction movies directed by Ishiro Honda with special effects by Eiji Tsuburaya: , The H Man (1958) and Battle In Outer Space (1959). The Toho studio is associated more with monster movies than any other genre, notably Godzilla (1954) and Mothra. The superior entries in this cycle tend to be the ones they directed, including the initial 1954 film which ticked all the right boxes to prove a massive success.

When no-one at Toho was quite sure what had made Godzilla work, the pair collaborated on a number of different SF films before everything came together on Mothra. The H Man is a monster film dressed up in gangster trappings while Battle in Outer Space is an epic with space stations, flying saucers, rocket ships, an alien moon base and alien mind control… [read more]

Over at All The Anime, I review Eureka!’s Ishiro Honda double bill Blu-ray.