Mia Wasikowska Archives - Jeremy C. Processing

Director – Adrian Chiarella – 2025 – Australia – Cert. 15 – 88m

*****

Following treatment by a faith healer, two gay teen lovers are stalked by a being that for each of them resembles the other – out in UK cinemas on Wednesday, September 2nd

This is at once a drama and a supernatural horror movie made from a gay perspective. At no point (unless I missed it) does the film refer to anyone or anything called Leviticus. Perhaps that’s the name of the monster (who is not named in the film). Perhaps it’s a reference to the Book of Leviticus in the Bible – possibly not such a stretch since key plot elements involve a local, fundamentalist Christian church community – and such gathered groups tend to believe the Bible to be true word for word (rather than, say, using it as a text to be read and engaged with, taking into account its historical context and trying to make sense of it in today’s world).

Naim (Joe Bird from Talk to M e, Danny & Michael Philippou, 2022) and Ryan (Stacy Clausen) hang out together in the area around their small outback town. Naim is unnerved by the sight of a snake digesting a toad.… Read the rest

Bergman Island

Director – Mia Hansen-Løve – 2021 – France, Belgium, Germany – Cert. 15 – 112m

First half *****

Second half **

A working, filmmaking couple spend time on the island where celebrated director Ingmar Berman lived, now a niche tourist attraction based around his life and movies – out exclusively on MUBI from Friday, July 22nd

Two writer-directors who are also a couple Chris (Vicky Krieps) and Tony (Tim Roth) fly in to spend time and write at the Bergman Estate on Fårö Island in the Baltic Sea, just off the coast of Sweden. This is the site that legendary Swedish film and theatre director Ingmar Bergman left as a legacy to the world, where people could apply for residencies to help in their creative or academic work, watch his films on 35mm and browse his personal audio, video and book library. Chris and Tony thus find themselves alone in Bergman’s private viewing theatre watching Cries And Whispers (Ingmar Bergman, 1972).

Both are involved with screenplays: when he’s over at the Bergman Centre, she sneaks a look in his large notebook entitled ‘F’ which contains extensive notes and erotic drawings veering towards the sadomasochistic. On a later occasion, she stands him up by not joining the Bergman Safari coach tour around the island, complete with a tour guide describing the site where Through A Glass Darkly (Ingmar Bergman, 1961) plays on a screen.… Read the rest