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Features Live Action Movies

The End We Start From

Director – Mahalia Belo – 2023 – UK – Cert. 15 – 102m

***1/2

As parts of the UK are flooded and submerged by an ecological disaster, a woman births a baby she must then bring up – on Digital from Monday, March 4th following its release in UK cinemas on Friday, January 19th

On the one hand, this starts off with a woman (Jodie Comer) giving birth and then experiencing the process of being a new mother, with all the joys and stresses that entails. On the other, this shows the UK being overtaken and flooded by an eco-disaster, and how people respond to that situation both individually and en masse. The second scenario is reminiscent of any number of disaster and / or science fiction movies about flooding, apocalypse or dystopia (When Worlds Collide, Rudolph Maté, 1951; Children of Men, Alfonso Cuarón, 2006; Waterworld, Kevin Reynolds, 1995): if you approach this movie expecting something like that, you’re going to be disappointed, because although that element is very much present in the film, it’s little more than the backdrop.

It plays more like a road movie, in which the heroine – the husband having dropped out of the narrative towards the end of the first reel – meets a series of people on her travels, each of whom offer their own individual insight into the state of things and how the new mother might move forward.… Read the rest

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Features Live Action Movies

#Manhole
(#マンホール)

Director – Kazuyoshi Kumakiri – 2023 – Japan – LEAFF Cert.15 – 99m

***

A man falls down a manhole following his stag night and turns to social media to get help and, hopefully, escapeplays in the Official Selection at the 2023 London East Asia Film Festival (LEAFF) which runs from Wednesday, October 18th to Sunday, October 29th.

The opening minutes of #Manhole resemble any number of Japanese movies you can think of as Shunsuke Kawamura (Yuto Nakajima) attends a surprise party put on by work colleagues at his local watering hole. It’s a good night, suggesting he’s well loved (albeit on a fairly superficial level) and he leaves extremely drunk, briefly saying goodbye to best mate Etsuro Kase (Kento Nagayama from Love Life Koji Fukada, 2022; Villain, Lee Sang-il, 2010) whose well-intentioned present – a lighter – may not be so much use to Kawamura now that he’s given up smoking. Or so it would seem at that point in the proceedings.

Kawamura must have drunk a good deal more than he realised because as he staggers home, he falls down a manhole off of which someone, by accident or design, has left the cover. His upper leg is badly cut.… Read the rest

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A Chinese
Ghost Story
(Sien Lui Yau Wan,
倩女幽魂)

Director – Ching Siu Tung – 1987 – Hong Kong – Cert. 15 – 95m

*****

Some of the most seminal offerings of the commercial Hong Kong cinema are the product of creative wizard Tsui Hark. The producer who first gave John Woo his niche as bullet strewn action director on A Better Tomorrow (1986) also ensured director Ching Sui Tung’s place in fantasy film’s Hall of Fame with this stunning little offering.

The Hong Kong supernatural, fantasy genre is itself defined almost single-handedly by Tsui’s groundbreaking epic Zu: Warriors From the Magic Mountain (1983). CGS both typifies the genre and proves one of its finest examples. CGS spawned two sequels for what Tsui describes as “sentimental reasons – when the ghost died at the end, we want her to come back pretty badly.” He admits the sequels weren’t as good, though.

CGS opens in a downpour as a rain sodden Leslie Cheung (known to Western audiences from such diverse fare as A Better Tomorrow and art house hit Farewell My Concubine, Chen Kaige, 1993) watches a grim, head lopping argument between two bandits as he does his cowardly best to look inconspicuous. His work as a debt gatherer suffers something of a setback as he discovers the ink in his books has run with the damp, so once he arrives in the nearby town he’s unable to collect the payments he’d expected.… Read the rest

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Paris Memories
(Revoir Paris)

Director – Alice Winocour – 2022 – France – Cert. 15 – 105m

****

A woman tries to recall her memories of a Paris terrorist attack – out in UK cinemas on Friday, Aug 4th

Were it not for a singularly unconvincing sex scene (as in, why are these two characters having sex?) about ten minutes before the end, this might have been one of my films of the year. That knocks it down from ***** to ****. That gaffe aside – and it’s a monumentally huge one – this is, otherwise, most impressive.

It starts off with Mia (Virginie Efira) in her Paris flat, feeding the cat, dropping and clearing up a glass, and talking with her partner Vincent (Grégoire Colin), a surgeon who heads up a hospital department. She rides her motorbike to her radio station workplace, where she has a gig as a Russian-French translator. Afterwards, in the evening, she meets Vincent in a restaurant for a meal, but he gets a call from the hospital and has to go back in. After a bit, she heads for home, but it’s raining heavily, so she stops off at another restaurant to have a drink and wait out the rain.… Read the rest

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Animation Features Movies

The Tunnel
To Summer,
The Exit
Of Goodbyes
(Natsu
E No Tunnel,
Sayonara
No Deguchi,
夏へのトンネル、
さよならの出口)

Director – Tomohisa Taguchi – 2022 – Japan – Cert. – 83m

****

Damaged boy meets damaged girl one summer to discover a tunnel in which time passes much faster and innermost desires are fulfilled – from the 2023 Annecy International Animation Festival in the Official Competition section and out in UK cinemas on Friday, July 14th

A rural railway platform in the rain. Puddles on the platform. The tannoy states that the train is delayed by half an hour because it has collided with a deer. The standing boy explains to the sitting girl who isn’t from around these parts that that often happens in this region and offers her his umbrella. At first, she refuses thinking him a bit of a creep, but then comes round. They swap names and numbers on their phones so that she can return his umbrella. They read each other’s names out loud: she reads Tano Kaoru; he reads Hanashiro Anzu.

Next day, Kaoru (voice: Ouji Suzuka) takes the train to high school where the class is introduced to a new girl: it’s Anzu (voice: Marie Iitoyo). Like her initial coldness towards Kaoru, she ignores various girls attempts to be sociable and has a run in with the girl class bully Kawasaki (voice: Arisa Komiya), punching the latter in the face and causing a nosebleed when Kawasaki “accidentally” drops the old manga in which Anzu is engrossed onto the floor.… Read the rest

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Evil Dead Rise

Director – Lee Cronin – 2022 – New Zealand, Ireland – Cert. 18 – 97m

****

When the Necoromicon is opened in a tower block, demons bloodily attack and possess members of an all-female nuclear family who try to fight them off – out in UK cinemas on Friday, April 21st

One of two films about living in a high rise released this week.

The first bookend: the sound of a fly buzzing around the auditorium, is if to state that this is a film about technique. Almost immediately, a POV shot travelling rapidly along a river then a lake recalls The Evil Dead (Sam Raimi, 1979). If you know the original, you’ll feel like you’re in good hands. The camera homes in on the characters as they interact with one another (a girl trying to relax on the pier, a boy goofing around nearby) and you get a strong idea of who they are. The acting is surprisingly good. Which means that, when people start being possessed by demons (which they do pretty quickly), you have a sense of what’s been lost, what’s been taken away. Pretty swiftly, you have to emotionally let the possessed go and get on the side of those still alive trying to survive the possessed demons.… Read the rest

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Animation Features Movies

Weathering With You
(Tenki No Ko,
天気の子,
lit. Child Of Weather)

Director – Makoto Shinkai – 2019 – Japan – Cert. 12a – 112m

***1/2

A runaway teenage boy in a constantly raining Tokyo falls for a girl who can replace rain with sunshine – Makoto Shinkai’s feature returns to cinemas for one day only on Wednesday, April 5th, ahead of the release of Shinkai’s new film Suzume on April 14th

A bravura opening shot pulls from rainswept Tokyo in through a hospital window to a girl waiting by a patient’s bedside, recalling nothing so much as the heroine of everyone’s favourite anime identity thriller Perfect Blue (Satoshi Kon, 1997) reflected against a train carriage window with a Tokyo cityscape visible beyond, but where Kon uses such imagery as an entry point to multilayered realities, Weathering With You’s vision never really extends beyond trying to recreate and repeat the formula that rendered its director’s previous Your Name (Makoto Shinkai, 2016) such a runaway success.

Like Your Name, Weathering With You centres on a teenage boy / girl romance but instead of the gender body swap and time travel devices in the earlier film – which probably shouldn’t have worked but somehow did – Weathering has an equally flimsy plot device about a girl named Hina who possesses the ability to turn rain into sunshine.… Read the rest

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Rimini
(Rimini)

Director – Ulrich Siedl – 2022 – Austria, France, Germany – Cert. 18 – 114m

*****

A singer of romantic songs performs to elderly female fans (in more ways than one) in an off-season seaside town as his past catches up with him – in cinemas from Friday, December 9th following its screening in the BFI London Film Festival 2022

An old man (Hans-Michael Rehberg, who died in 2016 and whose last lensed appearance on film this performance, split between this film and Siedl’s Sparta, 2022, represents) is lost in a care home where he’s a patient. None of the doors will open. His son (Michael Thomas) arrives and takes him to the man’s wife’s funeral.

His son travels to the off-season, Italian seaside resort of Rimini for bookings as Richie Bravo (presumably his stage rather than his real name, although this is never clarified) at hotels to sing romantic songs to his admiring, elderly, female fan base. The dull, monolithic hotel buildings have exotic names like Soleil and 007 belying their inherent blandness.

In between those performances and traipsing around through heavy rain and snow, he engages in sexual congress in hotel rooms with a small number of his most devoted fans including the single Anna (Claudia Martini) and the married Emmi (Inge Maux).… Read the rest

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Emily

Director – Frances O’Connor – 2022 – UK – Cert. 15 – 130m

varies between ** and ****

An imagined account of how Emily Brontë wrote Wuthering Heights – out in UK cinemas on Friday, October 14th

The three Brontë sisters Charlotte (Alexandra Dowling), Emily (Emma Mackey), and Anne (Amelia Gething) live with their brother Branwell (Fionn Whitehead) and their chapel minister father Patrick (Adrian Dunbar) in the large parsonage in the West Riding of Yorkshire’s village of Haworth. The three girls have a lively, literary imagination, make up numerous stories for their own amusement, and spend much time outside in the landscape of the moors. A young curate Weightman (Oliver Jackson-Cohen) arrives in the village, piquing the girls’ interest, and Charlotte soon departs for a distant teaching post. Emily likes her own company and spends much time alone on the moors.

Branwell is accepted by the Royal Academy to study painting, but drops out and returns to the village, where he and Emily get into mischief together, chiefly by spying on one of the neighbours at night through their window and getting chased off the premises several times by dogs before Branwell eventually gets caught and has to endure punishment from father.… Read the rest

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In Front Of Your Face
(Dangsin Eolgul Ap-eseo,
당신얼굴 앞에서)

Director – Hong Sang Soo – 2021 – South Korea – Cert. 12a – 85m

*****

A Korean-born actress returns from the US to spend time with those close to her and attend a meeting with a director for a possible acting job – out in UK cinemas on Friday, September 23rd

A woman on a sofa. She gets up but can’t wake the woman sleeping in the bedroom. Later Sangok (Lee Hyeyoung, the sofa one) and Jeongok (Cho Yunhee, the bedroom one) talk – Jeongok had been having a really vivid dream – and go out for coffee and breakfast to a pleasant lakeside café, followed by a visit to the local café run by Jeongok’s son and his girlfriend. Sangok has a meeting with a director later at a restaurant to discuss a possible film project. Going there in the taxi, she gets a message from director Jaewon (Kwon Haehyo) on her phone that the venue changed, so changes the destination. Her admiring host makes her feel at home enough to explain her situation – and why she feels unable to do the film, which leaves him in a state of shock.

In the latter part of his career, director Hong has honed his personal filmmaking style and vocabulary into a distinctive form uniquely his own.… Read the rest