IT Archives - Jeremy C. Processing

Deadline
(自殺通告)
(2025)

Deadline (自殺通告) (2025)

Director – Kiwi Chow – 2025 – Hong Kong, Taiwan, UK – Cert. 15 tbc – 118m

****

A secondary school focused on maximising exam results is upset by pending suicide and use of performance-enhancing drugs – plays as part of the UK’s Hong Kong Film Festival which runs from Friday, September 25th to Sunday, 4th October at various venues

The students of En-Shan Secondary School, clad in distinctive uniforms of purple shirt with militaristic shoulder boards and dark grey tie, perform aggressive workout moves as they chant their school litany extolling hard work leading to success. Principal Kung (Anthony Wong Chau Sang from Infernal Affairs, Andrew Lau, Alan Mak,2002; Hard Boiled, John Woo, 1992; My Name Ain’t Suzie, Angie Chen, 1985 – this latter showing in this year’s HKFF) encourages them in the idea that present suffering leads to later success.

The ubiquitous iSmart system contains a database of vocabulary the students must master to game the exam system; its latest 2.3 iteration uses eye-tracking software to record how much time the pupil is taking in direct eye contact with the teacher. It makes the surveillance technology of Happyend (Neo Sora, 2024) sound amateurish by comparison, even if, overall, Deadline is the more satisfying viewing experience.… Read the rest

Klokkenluider

Director – Neil Maskell – 2022 – UK – Cert. 15 – 84m

*****

A couple have seen something; two men are assigned to look after them as they wait in the middle of nowhere for a journalist to come and interview them – a subscription exclusive on BFI Player from Thursday, February 22nd

Mr. Appleby (Amit Shah) and Mrs. Appleby (Sura Dohnke) arrive at the house on the outskirts of a small village in Belgium they’ve booked for a party. Appleby is not their real surname, and nor will there be a party. He is what the Dutch call a ‘klokkenluider’ or bell ringer, slang in that language for whistleblower. He has approached a newspaper and is following instructions. They are at the house awaiting the arrival of a journalist to interview them.

Meanwhile, Brits Kevin (Tom Burke) and Ben (Roger Evans) are driving to meet them. They have guns in the boot. We don’t really see them at first. For the first few minutes, they are shown only in little details cropped or in shade so as to be almost unrecognisable – a fragment of a detail in a wing mirror here, a view beyond a car window part obscured by a reflection there – and they choose their words carefully so as not to give away anything more than they need to.… Read the rest