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Features Live Action Movies

Let it Ghost
(Meng Gui 3 Bao,
猛鬼3寶)

Director – Wong Hoi – 2022 – Hong Kong – 100m

***

Three unlikely ghost stories from Hong Kong: an actor shoots a ghost scene with a real ghost, a young man’s girlfriend is possessed by a ‘horny ghost’, and a sweet romance develops as a cute little girl haunts a shopping mall – plays at the NFT on Friday, July 14th at 8.30pm as part of Focus Hong Kong 2023 at BFI Southbank which runs from Wednesday, July 12th to Saturday, July 15th

A ghost story shot anywhere else would probably set out to scare and unsettle, but in Hong Kong they have never hesitated to mix up their horror with other, seemingly incompatible genres. The first entry in this compendium of three ghost stories plays with notions of truth, reality and artifice through the time worn device of a film within the film, the second is a lightweight, gender-fluid, sex comedy while the third is a sentimental tale about a cute child and the passing of the era of the 1990s shopping mall.

In the first story, Scary Prison, a real ghost gets involved in the shooting of a TV series episode involving a ghost. The series is The Incarcerated Detective, set in a prison where the eponymous policeman investigates and apprehends evildoers among the inmates with his catchphrase, “Justice… always stands on the side of… Justice.”… Read the rest

Categories
Features Live Action Movies

Hypnotic

Director – Robert Rodriguez – 2023 – US – Cert.15 – 93m

**

A police detective stumbles upon a conspiracy involving people with mind-bending powers – out in UK cinemas on Friday, May 26th

An underlying insistent rhythm opens Hypnotic, the clicking of a pen in a hand. It belongs to the therapist of Danny Rourke (Ben Affleck) and disturbs his recurring memory. He’s in the park watching his seven-year-old daughter. For a moment, his attention wanders. Then he realises she’s gone. Before that, he saw a man, who he is sure must have kidnapped her. The therapist wants to know, does he feel fit enough for active duty?

Then he’s in the squad car with police partner Nicks (JD Pardo), responding to a tip off about an imminent armed robbery of a safe deposit box in a bank. From the CC TV van at the site, he spots two armed security van guys before panning over to the suspicious man (William Fichtner) speaking to a woman on a park bench. She rises and, suddenly convinced there’s a heatwave, starts peeling off layers of clothing as she walks. He says something to the two van guys. After Rourke has talked his way into the bank vault and discovered a Polaroid of his vanished daughter bearing the name Dellrayne inside the safe deposit box, the suspicious man says something to a bank teller, who admits him and the two van guys to the vault.… Read the rest

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Features Live Action Movies

Censor

Director – Prano Bailey-Bond – 2021 – UK – Cert. 15 – 84m

****

In the 1980s so-called ‘video nasties’ era, a BBFC examiner increasingly confuses horror films with reality – on MUBI from Sunday, October 31st

A peculiarly British film in that it pertains to the way so-called ‘video nasties’ were dealt with by the UK censor in the 1980s. With the rise of video technology, a legal loophole meant that while cinema films were given a certificate by the UK censor, films released straight to video were not. A number of horror films far more violent and bloody than the censor would allow for cinema exhibition thus found their way onto VHS videotape, into video stores and onto the nation’s home TV screens via the video player.

Sections of the UK press ran stories of ‘video nasties’ suggesting that seeing such videos would corrupt children and impressionable members of society. One or two Tory MPs campaigned for changes to the law, resulting in the 1984 Video Recordings Act. Now videos came under the BBFC’s remit (it changed its name from the British Board Of Film Censors to the British Board Of Film Classification) and video titles were examined then passed, passed with cuts or banned.… Read the rest

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Features Live Action Movies

Every Time I Die

Director – Robi Michael – 2019 – US – 97m

***1/2

Reality disintegrates around a man tormented by the accidental, childhood death of his sister – on VoD from Monday, October 26th

People who’ve apparently died then come back to life have often reported the sensation of going down a dark tunnel towards the light, which they then haven’t reached because they’ve been brought back to life. That motif is realised a repeated, clumsy special effect at various points in Every Time I Die, along with more subtle and arguably more successful variants on the same theme, such as a child waking up in a hospital room where the door is slightly ajar revealing a light source beyond.

Other elements recur too: protagonist Sam (Drew Fonteiro) repeatedly feels a pain in his head and blacks out, only to repeatedly come to or wake up in another scenario. He wakes as a young lad of eight (Kenneth Moronta), a camera on the table in front of him, in the hospital room with the door ajar and the light beyond, Then he wakes up, in that device we’ve seen so many times in movies where it was all a dream. Here he wakes staring at the face of Mia (Melissa Macedo) who has spent the night with him and now must leave early to go back to her husband Tyler (Tyler Dash White), a soldier recently returned from several months away on active duty.… Read the rest

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Documentary Features Live Action Movies

Dick Johnson
Is Dead

Director – Kirsten Johnson – 2020 – US – 89m

*****

The director imagines the death of her dad in a film which celebrates both the man himself and the art of cinema – on Netflix worldwide from Friday, October 2nd

I was alerted to this movie both because not only was Johnson’s prior Cameraperson (2016) excellent but also the subject matter of this new film looked promising. Johnson spent three decades as the cameraperson on numerous documentaries (among them Farenheit 9/11, Michael Moore, 2004 and Citizenfour, Laura Poitras, 2014) before making her previous feature out of interesting bits and pieces of footage she had lying around. Her new film is highly personal and almost fits into the home movies or personal diary school of film making – lent an inevitable, additional gravitas given Johnson’s prior artistic and technical career.

C. Richard Johnson (b. 1932 – ) is Kirsten Johnson’s dad. One day, like all of us, he is going to die. So his daughter decided that while he was still alive she would make a film about his dying, filming his possible deaths and staging his funeral service ahead of time.

There’s a huge contradiction at the heart of this idea.… Read the rest

Categories
Features Live Action Movies

Pan’s Labyrinth
(El Laberinto
Del Fauno)

Director – Guillermo del Toro – 2006 – Mexico – Cert. 15 – 119m

*****

In the aftermath of the Spanish Civil War, a young girl must complete three tasks for a mysterious faun in an underground kingdom – in UK cinemas from Friday, November 11th 2006.

Mexican director del Toro is best known as a director of big budget Hollywood horror-ish effects fests like Mimic (1998), Blade II (2004) and Hellboy (2004). More impressive however – and less easily generically defined – are the two movies he’s made in Spain set in the immediate aftermath of the Spanish Civil War. The Devil’s Backbone (2001) is a ghost story with an alien ambience reminiscent of visionary SF writer J.G.Ballard. Pan’s Labyrinth (2006) is arguably even more ambitious: at once a no holds barred fantasy / horror outing and a brutal and violent war drama. And much, much more besides.

Following a fairytale prologue concerning a subterranean princess’ departure from her underground kingdom for the surface world where her former identity is unknown, young girl Ofelia (Ivana Baquero) travels cross-country with her mother Carmen (Ariadna Gil) to live with Carmen’s new husband Vidal (Sergi López), a ruthless Captain in Franco’s army obsessed with stamping out the remaining rebel forces.… Read the rest