Categories
Documentary Features Live Action Movies

Anselm
(Anselm
– Das Rauschen
Der Zeit)

Director – Wim Wenders – 2023 – Germany – Cert. PG – 93m

****

An exploration of the work of German artist Anselm Kiefer and the influences which lie behind it – 3D documentary plays the 2023 London Film Festival which runs from Wednesday, October 4th until Sunday, October 15th, and will be out in UK cinemas on Friday, December 8th

Wim Wenders seems to step effortlessly between narrative and documentary feature films, and you never feel that he considers one or the other more important. To him, they are all movies. As with his earlier Pina (2011), similarly about an artist – the choreographer Pina Bausch – this is another portrait of an artist shot in 3D. Wenders’ subject here, again eponymously designated by Christian name, is Anselm Kiefer, a practitioner of the plastic rather than the performing arts.

From the outset, it’s clear that the film needs to be seen in 3D. Wenders’ camera moves deliberately and formally around maquettes that resemble life-sized women wearing dresses, but without the women in them so that they stand as empty objects, often with strange constructions in the space where you would expect their neck and heads to be. The forest setting in which Wenders films them seems almost as significant as the maquettes themselves as we slowly pass by an upright tree trunk between the sculpture and us.… Read the rest

Categories
Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen:
Tokyo Stories

Director – David Bickerstaff – 2023 – UK – Cert. 15 – 90m

*****

Japan generally and Tokyo specifically are viewed through that city’s art and photography – out in UK, Irish and worldwide cinemas on Tuesday, May 23rd

The refreshing thing about this latest entry in producer Phil Grabsky’s excellent Exhibition On Screen series is that it breaks the mould. Like Vermeer The Greatest Exhibition (David Bickerstaff, 2023), it is centred around a particular art exhibition, in this instance 2022’s Tokyo: Art + Photography show at Oxford’s Ashmolean Museum. That event sought to give a perspective on the country of Japan generally and the city of Tokyo specifically through its art, both historical and contemporary. The Ashmolean is well-placed to do this, given that it already houses a wide-ranging, historical Japanese collection. Sadly, it means that if this film whets your appetite and makes you want to visit the exhibition, you can’t then do so because it’s been and gone. In a way, though, that’s not so dissimilar from the Vermeer exhibition, which had sold out before the documentary about it appeared.

While the film is swift to acknowledge areas of Japanese culture as diverse as manga (one of the first shots of Tokyo features a giant image of manga and anime favourites Dirty Pair) and traditional Japanese music (a stringed and a woodwind instrument are shown being played by musicians without any explanation or even naming of the instruments), such elements remain largely in the background.… Read the rest

Categories
Features Live Action Movies

Crimes
Of The Future
(2022)

Director – David Cronenberg – 2022 – Canada – Cert. 18 – 107m

*****

Even as two performance artists enact bizarre public rituals exploring the unlikely boundaries between sex, surgery and mutation, a young boy who eats plastic is murdered by his mother – out in UK cinemas on Friday, September 9th

Back in 1970, underground filmmaker Cronenberg made a film called Crimes Of The Future, inspired by the title of an unseen poem in an art film he’d seen several years earlier. That 1970 film, consisting of a cast on a campus of modernist architecture shot in colour without sync sound and deploying a monologue voice-over alternating with blocks of weird, improvised sound effects, bears little relation to this new one, except that it likewise briefly and peripherally features a dancer. More significantly, it also features a character whose body produces new organs. We don’t see them in that film, we merely hear a verbal description.

Fast-forward to the present and Cronenberg has had a career from the late 1970s through the 1990s making cinema features packed with icky special effects about something called The New Flesh followed by a series of (arguably) more mainstream, arthouse movies. To those who know the whole body of work, they’re all of a piece; however, to the newcomer they can be overwhelming or potentially offensive.… Read the rest