Category: Art

LAIKA presents
Wildwood
The Exhibition

Post author By Jeremy Clarke
Post date October 22 2026
No Comments on LAIKA presents
Wildwood
The Exhibition

LAIKA presents Wildwood The Exhibition

at the Design Museum, Kensington, London, to tie in with the release of their new film Wildwood

Like previous Laika offerings, latest production Wildwood (Travis Knight, 2026) is highly innovative, inventive and imaginative, pushing the boundaries of the cinematic and stop-frame mediums into places audiences haven’t seen them go before. It sounds an unlikely proposition, but if you were to remove the magical spectacle of stop-frame animation from Wildwood – or for that matter from any of Laika’s films – you would potentially have an incredible exhibition of small scale sets, puppets and models.

You could augment this using a series of explanatory videos talking about the various processes involved In the filmmaking. In terms of stop-frame, you could show animators at work, bringing puppets into life.

The legendary stop-frame animation company have done exactly that. have done exactly that. Following in the footsteps of the LAIKA Frame x Frame exhibition covering Laika’s first five films at BFI Southbank in 2024, the company have now partnered with Kensington’s Design Museum to put together a fascinating exhibition about the film.

I should declare at this point that I was lucky enough to see the exhibition having viewed the film a few days previously.… Read the rest

Art Exhibitions Immersive Music

Middlesex Hospital Blues

Curators – Iain Forsyth, Jane Pollard – 2026 – UK

****

A chapel interior is repurposed as a reinvention of Derek Jarman’s final film Blue – exhibition / installation at Fitzrovia Chapel from Friday, October 16th to Wednesday, November 18th

Pollard and Forsythe’s third and final installation / exhibition at the Fitzrovia Chapel is a deceptively simple setup.

With the space opening from mid-morning to midday to five or six pm depending on day of the week, most visitors will be entering the building from daylight – although, as the evenings creep in, towards the end of the day, and losing an extra hour of daylight in the evening after the clocks go back an hour on Sunday, October 25th, some visitors may be entering from fading light or even darkness.

Entering from daylight as this visitor did, one is immediately struck by the lighting.

In a reimagining of the late director Derek Jarman’s final film Blue (1993), the interior is lit in that colour, which has the effect of locking the architectural interior into a sort of perpetual twilight, and not one in which the light goes slowly from light to dark but which seems more or less fixed. … Read the rest

Tags ‘caught in the web of capital’, 1987, AIDS, armour, artwork, Arup, blue, Byzantine, chapel interior, church interior, collective care, contemplative space, death, Derek Jarman, dying, empathy, exhibition, experimental, final film, final journey, Fitzrovia, Fitzrovia Chapel, font, gay man, hospital, hospital uniforms, Iain Forsyth, installation, International Klein Blue, Jane Pollard, knight, LGBTQ, light sculpture, light show, lighting, London NHS teaching hospitals, loudspeaker system, medieval dignitary, meditative space, mercy, Middlesex AIDS unit, Middlesex Hospital, Middlesex Hospital Blues, minimalist, music, numinous, paint hue, personal tragedy, Princess Diana’s dress, Raj Patel, reflectIion, reflection, repurpose, sculpture, Simon Fisher Turner, sound field, The Spirit of the World, Tilda Swinton, tomb, transcendence, twilight, two-way mirror, upright couples embracing, Verbal texts, vocal collective, Yves Klein

Art Immersive Movies Animation Shorts

Water Body

Water Body

Artists / Directors – Barney Steel, Ersin Han Ersin, Robin McNicholas – 2026 – UK – 25m

*****

A sensory experience centred around a moving image of the Thames as part of the global water network based on data sets – installation at St. Martin-in-the-Fields crypt 12:30-21:00 hours from Saturday, October 3rd to Sunday, October 18th as part of the London Film Festival’s LFF Expanded strand

A little waiting area shows a series of hand-crafted hangings by artist Elena Landinez showing various river tributaries before you enter the experience space proper. Before entering that space, you are alerted to the fact that the experience includes a total blackout section, also that there are pottery vessels handmade by ceramicist Ludmilla Balkis inside the space for you to take containing water that was cloud some two weeks ago, from which you can drink. Seating is mostly bean bags on the floor, and a single row of conventional seating at the back.

So I’m sitting on a seat at the back – or is it the back? – not really knowing what to expect. The lights go down: total blackout. All around me, sounds. (These started, I think, before the blackout, as if little rivulets of water were running somewhere.)… Read the rest

Tags abstract, Antarctica, Astrida Neimanis, Barney Steel, blackout, blue, ceramic, cloud, colour, computer model, data set, Earth, Elena Landinez, Ersin Han Ersin, Europe, five senses, global water network, globe, hand-crafted, hanging, installation, James Bulley, LFF, LFF 2026, LFF Expanded, LFF Expanded 2026, London Film Festival, London Film Festival 2026, Ludmilla Balkis, map, Mark Rothko, Marshmallow Laser Feast, migration, movement, nature, patterns in motion, penguins, planet, plankton, pottery vessels, River Thames, river tributaries, rivulet, Robert McFarlane, Robin McNicholas, seabirds, sharks, simulation, sip, sound field, species, species migration, surface, surface area, Thames Estuary, turtles, waiting area, water, whales

Art Exhibitions Movies Features Live Action

Exhibition on Screen
James McNeill Whistler

Post author By Jeremy Clarke
Post date September 14 2026
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James McNeill Whistler

Exhibition on Screen: James McNeill Whistler

Director – David Bickerstaff – 2026 – UK – Cert. U – 90m

*****

A look at the work of 19th Century painter Whistler, seen through the lens of the 2026 Tate Britain exhibition – out in UK cinemas from Tuesday, 15th September

Before watching this latest Exhibition on Screen feature, I was able to visit Tate Britain’s stunning James McNeill Whistler show, which sits very much at the film’s core. The film had the effect of making me want to go back for further visits.

Exhibition on Screen’s film opens with shots of a Victorian concert hall interior where the unseen Whistler (voice: Bret Jones) is addressing the room with his spoken lecture on art, something the film will return to towards its close. After a montage of brushes, painting surfaces and palettes, establishing shots of Tate Britain take us straight into the current Whistler show. “People sometimes think of Whistler as being based in French art, and sometimes as being based in British art,” explains Carol Jacobi, Curator of British Art 1850-1915, Tate Britain, “whereas…he was very much an independent…and very much leading the avant-garde in both those countries.”

Susan Grace Galassi, Curator Emeritas, The Frick Collection, New York, who considers Whistler one of the greatest American artists, notes that he didn’t distinguish between fine or applied art, that he was as great a painter as he was a printmaker.… Read the rest

Tags 1855, 19th century, 2026, A. O. Koritskii, America, American, American South, aristocrats, Arrangement, art, Art Critic, art historian, art history, art lessons, artisan, avant-garde, backstreets, bars, birthplace, blue Japanese porcelain, bohemian, Boston, Bret Jones, British art, brushes, butterfly, Can-Can, Carol Jacobi, Charles Baudelaire, Charles Lang Freer, Chelsea, chief engineer, Coastal Survey, coastline, coin, collection, commission, common people, concert hall, Connecticut, countryside, critic, cult of personality, curator, dancer, dandy, Dante Gabriel Rossetti, David Bickerstaff, display, disreputable, draughtsmanship, draw, drawing, drawings of coastlines, East End, England, etch, etching, everyday life, exhibition, Exhibition On Screen, F.R. Leyland, fabric, falling out, family, feud, fine and applied art, Finette, France, freedom, French art, Gustave Courbet, Harmony, Henry Murger, house brushes, independent, interior, interior design, irascible, James McNeill Whistler, Japan, Japanese, Japanese porcelain, Kensington, La Vie Boheme, lecture on art, letters, life size photographs, London, Lowell, Manet, Massachusetts, military surveyor, Mme Gérard, modern life, Modernism, money and payment, monogram, moral, motif, New York, Nocturne, one good eye, ordinary, outsider, painter, painting, painting as painting, painting surfaces and palettes, panel, Paris, Patricia de Montfort, peacock, peasants, Phil Grabsky, poet, Pomfret, porcelain, Pre-Raphaelite, printmaker, printmaking, prostitutes, provocateur, Rachel Campbell-Johnston, railway construction, railway engineer, railways, Rembrandt, responsible male, river, river bridges, river painting, River Thames, Rotherhithe, rural and urban, Russia, Salon d’Exposition, self-portrait with a pipe, self-promotion, self-publishing, shelving, ships, smoking a cigarette, Southerner, Spanish wall coverings, St. Petersburg, St. Petersburg Academy of Fine Arts, St. Petersburg to Moscow, Stephen Calloway, sting in the tail, story, struggling artist, studies, subject, surveyor, Susan Grace Galassi, Symphony, Tate Britain, temper, Thames, The Frick Collection, The Peacock Room, UK, upbringing, urban, Velázquez, Victorian, Wapping, West Point Military Academy, Whistler, Whistler’s mother, workmen

Art Movies Features Live Action

The Christophers

The Christophers

Director – Steven Soderbergh – 2025 – US, UK – Cert. 15 – 100m

Two siblings hire a young art restorer to forge some of their famous artist father’s unfinished paintings before he dies so they can collect on their posthumous sale – out exclusively on digital platforms from Monday, 20th July

Professional art restorer Lori Butler (Michaela Coel) runs a London fast food stall between painting restoration gigs. Then she gets a phone call and meets in a pub with Barnaby (James Corden) and Sallie (Jessica Guning), the son and daughter of ageing artist Julian Sklar (Ian McKellen) who, worried that their father is about to die imminently from a medical condition, want to ensure he (for which read Lori) ‘completes’ (for which read ‘forges’) the third, unfinished series of paintings known as the Christophers after the model Julian used.

Against her better judgement, she accepts the gig, and finds herself playing the ruse of working as Julian’s assistant, basically an excuse for getting into his studio and forging the completed works on canvas as a nest egg for his children who, it later transpires, have already sold the as yet unpainted works to a buyer for a tidy sum.… Read the rest

Art Movies Animation Features

Son
Of The White Mare
(Fehérlófia)

Post author By Jeremy Clarke
Post date June 23 2021
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Of The White Mare
(Fehérlófia)

Son Of The White Mare (Fehérlófia)

Director – Marcell Jankovics – 1981 – Hungary – Cert. 12 – 86m

*****

Based on Hungarian folk legends, the story of three sons of the white mare who must free three princesses from their dragon husbands and restore the kingdom from chaos – from the Annecy International Animation Festival 2026 which runs from Sunday, 21st June to Saturday 27th June

This has a script sourced from Hungarian folk tales. While it’s very cinematic, the writing is similar to religious texts like the Bible or mythological stories like the Iliad where events are related in a paired down, straightforward way no matter how far removed from everyday experience they might be. Thus, there’s a prologue about three princes begging their father for their inheritance so they can marry, only for their foolish new brides to disobey the patriarch and explore all the castle’s locked doors until they unwittingly unleash a dragon and are sucked into its domain.

In the ensuing chaos, the only hope comes when the white mare births two sons then escapes into the woods pregnant with a third. She weans him for eight years until her milk makes him strong enough to uproot a tree.… Read the rest

Art Movies Features Live Action

Leonora
in the Morning Light
(Leonora
im Morgenlicht)

Post author By Jeremy Clarke
Post date May 29 2026
No Comments on Leonora
in the Morning Light
(Leonora
im Morgenlicht)

©Mirjam Kluka, Dragonfly films, Alamode Film

Leonora in the Morning Light (Leonora im Morgenlicht)

Directors – Thor Klein, Lena Vurma – 2025 – Germany, Romania, Mexico, UK – Cert. 15 – 103m

In Mexico, France, Spain and the England of her childhood, Surrealist painter Leonora Carrington must confront her personal demons – out in UK and Ireland cinemas on Friday, May 29th

Deserted hillsides, a sliver of a road, eventually a tiny red car moving along it, to the accompaniment of a pulsating electronic score suggesting the present day. Another stretch of road: the car drops off the woman, in stylish trousers and blouse, who smokes observing the landscape. The driver gets out to photograph her, much to her displeasure, but he’s run out of film.

An illustrated title card: Death. Xilitla, Mexico, 1951. The man takes her to the rooming house of Edward (Ryan Gage), leaving her as he promises to look after their son. Outside the window, she can hear the two men discuss all that has happened to her. Her madness.

She and Edward are riding with others in the back of a lorry on a road. In Spanish, she asks a woman on the lorry (Yasmira Escárrega) about her amulet – “a sacred stone that illuminated the path through the underworld”.… Read the rest

Tags 1938, 1939, 1940, 1951, adaptation, Alexander Scheer, amulet, André Breton, animal spirit, arrested, art, art history, artist, Cassandra Ciangherotti, Cat Jugravu, Chiki Weisz, consulting room, Dali, death. Xilitla, delirium, Denis Eyrley, doctor, drawing, drawing room, electric shock therapy, Elena Poniatowska, England. childhood, family, fathers and daughters, field, France, Garden of Eden on Earth, gates of hell, gendarme, German alien, German invasion of France, Germany, Heaven, holocaust survivor, horse, hospital, hunt, hyena, Irish, journey, jungle, key, lake, Las Pozas Gardens, Lena Vurma, Leonora Carrington, Leonora in the Morning Light, locked door, lorry, lover, Luis Gerardo Méndez, madness, marketplace, Max Ernst, memory, Mercedes Bahleda, Mexico, mural painter, nanny, novel, Olivia Vinall), painter, painting, paradise, Paris, path through the underworld, Peggy Guggenheim, photography her, Remedios Varo, Romania, Ryan Gage, sacred stone, San Martin D’ardeche, Santander, shoot, South Of France, spider’s web, sprite, staircase, Surrealism, Surrealist, Surrealist gathering, Thor Klein, title cards, UK, viewing platform, Vivienne Soan, Wren Stembridge, writing, Yasmira Escárrega

Art Exhibitions Movies Documentary Features Live Action

Exhibition on Screen
Frida Kahlo
Special Edition
with new material from
the making of an icon

Post author By Jeremy Clarke
Post date May 19 2026
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Frida Kahlo
Special Edition
with new material from
the making of an icon

Exhibition on Screen: Frida Kahlo – Special Edition
with new material from the making of an icon

Director – Ali Ray – 2020, 2026 – UK – Cert. U – 93m, 101m

*****

The tragic yet resonant life of Mexican artist Frida Kahlo, and her transformation into a modern, cultural icon – out in UK cinemas from Tuesday, May 19th

As dour piano chords play, a title announces that Frida Kahlo held only three solo exhibitions in her lifetime. This is contrasted with an auction where “one of her most complex self portraits” The Dream (The Bed) / El Sueño (La Cama) (1940) auctions for a starting price of $22m and selling for $47m. As of November 2025, this was the highest ever value for a work by a female artist achieved at an auction.

Now, in 2026, the Museum of Fine Arts, Houston and the Tate Modern, London collaborate on a major exhibition entitled Frida: the making of an icon, opening on Friday, June 19th at the Tate. Exhibition on Screen’s Special Edition of their 2020 film concludes with ten minutes of newly shot footage of that exhibition.

Frida works at a writing desk as she (voice: Diana Bermudez) reads the latter she is composing.… Read the rest

Tags 1910 Mexican Revolution, a German immigrant, abortion, activist, advertising, affair, Alfredo Vichis Roque, Ali Ray, Amelia Mesa-Bains, androgynous, animals, Anna Chancellor, anti-birth, anti-colonial, architect, art, art exhibition, artist, Astrid Hadad, athletics, attention-seeking, auction, bedridden, biographer, biographies, bisexual, bleeding, bleeding womb, blood, blood vessel, bone treatment, boyfriend, braid of flowers, brand, Brandels University, brown-skinned heroine, buried, bus accident, Carlos Phillips Olmedo, Carmen Lomas Garza, Casa Azul, Catherine Wood, Catholic, celeb, censorship, Chicano, Christian, Christian symbolism, civil rights, civil war, clothes, colonialism, colour photographer, Communist Party, communities, confined, consumer culture, corpse, counterculture, cracked landscape, Cristina Kahlo, curator, day and night, defiant, defiant gaze, desolation, Detroit, Diana Bermudez, dictatorship, Diego Rivera, Diego Riviera, disability, divorce, divorce proceedings, doctor, doctor’s orders, dog, dog deity, Dolores Olmedo Museum, earring of a hand, earrings, exhibition, Exhibition On Screen, faith journey, fathers and daughters, female body, fingerprint, folk culture, fractured spine, Frida Kahlo, Frida Kahlo Museum, Frida: the making of an icon, Gabriel Porras, gallery, Gannit Ankori, gay identity, gender fluidity, global brand, global food supply, green, group show, Hayden Herrara, Hilda Trujillo, Hindu, Hindu symbolism, historian, hope, hospital visits, housebound, Houston, husbands and wives, hybridisation of plants, iconicity, identity, injury, Interim Director, Juan O’Gorman, Las Cachuchas, Latin American Art, Le Corbusier, left-wing, letter, library, London exhibition, love affairs, Luther Burbank, Madonna and child, male and female, man plant, manifesto, Mari Carmen Ramirez, marriage, Mary McCartney, matriarchy, medical bills, medical training, menagerie, Mexican art, Mexican Woman, Mexico, Mexico City, Mexico City’s National Preparatory School, miscarriage, mixed race, mothers and daughters, mouth, Munchausen syndrome, mural, Muralism, museum, Museum of Fine Arts, myth, nails, naive painting, necklace of thorns, new government, new social movement, New York, newspaper article, Nickolas Muray, nun, opening night, opposites, ornate rings, orthopaedic brace, pain, painting, Paris, philosopher, Polio, politics, portrait, posing for photographs, pre-Hispanic art, pregnancy, Professor of Art History, prostitute, public buildings, religious paintings, Renaissance, retablos, retablos artist, revolution, revolutionary, roots, rules, Rupert Garcia, San Francisco, sartorial identity, schooling, scientist, self-portrait, sexual violence against women, sisters, skull, solo exhibition, Spain, Spanish / Indian descent, Spanish colonialism, spider-monkey, stabbed to death, still life, student movement, studio, sun and moon, surgery, surgical scissors, Surrealism, Tate External Curator, Tate Modern, Texas, the Blue House, The Human Condition, three quarter portraits, Tijuana, Tobias Ostrander, torso, tourist boats, Tracey Emin, trauma, UK, umbilical chord, underworld, US, vaginal blood, Warhol, Warholesque silkscreen print, wealth, women artists, work from photographs, workers' rights, writer, writing desk, Xolotl, Yasumasa Morimura, yin and yang

Art Exhibitions Movies Documentary Features Live Action

Exhibition on Screen
Turner & Constable

Post author By Jeremy Clarke
Post date March 9 2026
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Turner & Constable

Exhibition on Screen: Turner & Constable

Director – David Bickerstaff – 2026 – UK – Cert. U – 93m

****

A journey through the current Tate Britain show and art history about the two rival landscape painters – out in UK cinemas from Tuesday, March 10th

This latest Exhibition on Screen entry kicks off in uncharacteristic fashion with photographic shots of landscape (typical of views that used by painters Turner and Constable) accompanied by an excerpt from the poem Richmond by James Thomson (1834-1882), a favourite of both painters whose work will be similarly deployed (voiced by Robert Lindsay) at appropriate intervals throughout this documentary.

However, the film soon moves into more familiar territory with shots of present day London and of the Tate Britain’s current Turner & Constable exhibition, with visitors admiring some of the paintings on display. Amy Concannon, Manton Senior Curator, Historic British Art, Tate Britain, notes that this show represents the first time the two painters have been displays side by side on such a vast scale. Turner & Constable were born within a year of one another, which became a catalyst for the current show’s displaying them together.

Artist, writer and broadcaster Lachlan Goudie talks about the “dazzling” influence of both artists on the likes of Delacroix.… Read the rest

Tags 1768, 1802, 1806, 1815, 1819, 1820s, 1832, Alps, Amy Concannon, art, art exhibition, art historian, artist, artists’ sketchbook, bought and sold, British artist, British national consciousness, broadcaster, brushstroke, business, canal, castle, child prodigy, Claude Lorrain, commerce, Constable, Constable clouds, country, country boy, countryside, Covent Garden, critical attention, Curator of British Art 1790-1850, David Bickerstaff, declaration of peace, Delacroix. Nicola Moorby, drawing, East Anglia, Exhibition On Screen, fields and skies, France and England, French Revolution, grain exportation, grand scenery, hairdressing, hanging committee, Historic British Art, Impressionism, Industrial Revolution, inflections of light, Italy, James Thomson, Lachlan Goudie, landscape, landscape painting, light and shade, llandscape, lock gate, London, make money, Manton Senior Curator, milling, mountains, Napoleonic Wars, national consciousness, National Gallery, notes would enable him to construct artist’s studio, observer, oil painting, open fields, paint, painter, painting, painting in the studio, painting outdoors, plein air, political system, print shop, pub, RA, RA member, radical, railway engine, red light district, representation of light, Richard Johns, rival landscape painters, rivalry, River Stour, Robert Lindsay, Royal Academy, rural, science and technology, shop window, shop window display, sketchbook, social injustice, Somerset House, Suffolk, Tate Britain, the Lake District, the Louvre, theatre, tourist locations, travel, travel restriction, treaty, Turner, Turner & Constable, Turner’s sunsets, UK, University of York, upheaval, upward mobility, urban, urban type, viaduct, visual, visual research, Wales, war and peace, watercolour, well-heeled, wig-making, writer, yellow, yellow paint

Art Exhibitions Immersive Music

Miseris Succurrere Disco
(I Learn to Help
Those in Need)

Post author By Jeremy Clarke
Post date March 7 2026
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(I Learn to Help
Those in Need)

Miseris Succurrere Disco (I Learn to Help Those in Need)

Curators – Iain Forsyth, Jane Pollard – 2026 – UK

****

A chapel interior is repurposed as a reflection on how personal tragedy can awaken empathy, mercy and collective care – exhibition / installation at Fitzrovia Chapel from Friday, March 6th to Wednesday, March 25th

It’s a strange phenomenon when you attend an exhibition / installation and the unfamiliar venue is, to you, as exciting as the event itself. Iain Forsyth and Jane Pollard’s new outing isn’t a film, but an exhibition, the second of three they’ve created in this particular space as it turns out. And the space they’ve deployed is fabulous, a new one on me.

The Byzantine-inspired Fitzrovia Chapel, as the name implies, is situated in the heart of Fitzrovia, the area of London North of Oxford Street between Regent Street and Tottenham Court Road. It’s the chapel of the former Middlesex Hospital, one of London’s flagship NHS teaching hospitals, which was closed in 2006. You may be familiar with the chapel from King Charles’ 2024 Christmas broadcast.

The venue is open on particular days, often Monday, Tuesday, Wednesday, but not every week, and opening times can vary if the space is hosting an exhibition.… Read the rest

Tags AK Patterson, Alicudi women, altar, aroma, artist, Arup, atmospheric, awaken, bathe, blinding, Byzantine, candelabra, Chang’e, chapel interior, collective care, composition, contemplative space, Denim-Sykes, disco, discotheque, doll's heads, electric lightbulb, Emmanuel Biard, empathy, enhanced acoustic, exhibition, experimental, Fitzrovia, Fitzrovia Chapel, font, gloomy, golden light, gothic, Helen Walpole, hospital, human warmth, Iain Forsyth, installation, Jane Pollard, King Charles, King Charles ’ 2024 Christmas broadcast, King’s Christmas broadcast, Latin, light sculpture, light show, light sources, lighting, London NHS teaching hospitals, marshmallow, meditative space, mercy, Middlesex Hospital, minimalist, Miseris Succurrere Disco, motto, music, NHS, NYX, olfactive design studio, performance space, personal tragedy, petrichor, Plumm, pre-NHS, pre-recorded, Rachel Oyawale, rain, reflection, relief, renewal, repeating circles, repurpose, Rhianna Compton, scenographer, scent, scents, sculpture, Sian O’Gorman, Tai Shani, tiled floor, transcendence, Turner Prize, UCH, Unresurrectable Biologies: Un-Undead 1, Virgil’s Aeneid, vocal collective, vocalist