Tag: New York

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Features Live Action Movies

Star Wars
The Mandalorian
and Grogu

Director – Jon Favreau – 2026 – US – Cert. 12A – 132m

****

The mercenary Mandalorian and his infant charge, the Yoda-like Grogu, must rescue the young Rotta the Hutt who has been kidnapped by gangsters – out in UK IMAX cinemas on Friday, May 22nd

The character of the MandalorIan resembles a bounty hunter from the early Star Wars films but is, in fact, a Mandalorian warrior sworn not to remove his mask. And he has an apprentice Grogu, who is to all intents and purposes a baby version of Yoda, the character who first appeared in The Empire Strikes Back, although Grogu isn’t actually Yoda, but a different character of a later generation. For those completely new to Star Wars, Yoda was both a Jedi Master skilled in harnessing the Force and a diminutive, otherworldly creature performed by a puppeteer. Audiences immediately warmed to him. Unlike Yoda, Grogu is too young to talk (although he does make suspiciously verbal sounding utterances from time to time) and you might think he would be unbearably cute and make the film difficult to watch. But he isn’t, not at all.

When franchise creator George Lucas still owned Lucasfilm, Star Wars: Episode I – The Phantom Menace, George Lucas, 1999 introduced the irritating, kiddie-oriented character of Jar Jar Binks, widely regarded as an error of judgement. … Read the rest

Categories
Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen
Frida Kahlo
Special Edition
with new material from
The making of an icon

Frida Kahlo, The Two Fridas, 1939 © EXHIBITION ON SCREEN

Director – Ali Ray – 2020, 2026 – UK – Cert. U – 93m, 101m

*****

The tragic yet resonant life of Mexican artist Frida Kahlo, and her transformation into a modern, cultural icon – out in UK cinemas from Tuesday, May 19th

As dour piano chords play, a title announces that Frida Kahlo held only three solo exhibitions in her lifetime. This is contrasted with an auction where “one of her most complex self portraits” The Dream (The Bed) / El Sueño (La Cama) (1940) auctions for a starting price of $22m and selling for $47m. As of November 2025, this was the highest ever value for a work by a female artist achieved at an auction.

Now, in 2026, the Museum of Fine Arts, Houston and the Tate Modern, London collaborate on a major exhibition entitled Frida: the making of an icon, opening on Friday, June 19th at the Tate. Exhibition on Screen’s Special Edition of their 2020 film concludes with ten minutes of newly shot footage of that exhibition.

Frida works at a writing desk as she (voice: Diana Bermudez) reads the latter she is composing. You notice the ornate rings on her fingers, her lavish earrings, the green and yellow jungle design of her print dress as she talks about “too much pain… It will take me years to get out of this mess I have in my head.… Read the rest

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Features Live Action Movies

Ridley, Ripley,
Thelma & Louise

Alien

Director – Ridley Scott – 1979 – US – X – 116 mins 35 secs

*****

Blade Runner

Director – Ridley Scott – 1982 – US – AA – 117 mins 04 secs

*****

Thelma & Louise

Director – Ridley Scott – 1991 – US – 15 – 129 mins 22 secs

*****

Bumped back to the front of this website on the occasion of Film Tottenham’s screening of Thelma & Louise in their Action Woman season on Sunday, May 17th

At the end of Alien, Ripley (Sigourney Weaver), having defeated the monster, strips down to her underwear only to discover that she hasn’t defeated it at all and it’s still in the space shuttle with her in the archetypal Hollywood false ending of recent years. It begged the question, why did Ripley remove her clothing at this point if not for the obvious gratification of the male members of the audience (and, one should add, the accompanying box office returns)?

At the end of Thelma & Louise, the eponymous heroines (Geena Davis and Susan Sarandon respectively), on the run after the former’s rapist has been murdered after the event by the latter, find themselves trapped between the Grand Canyon’s gaping precipice on one side of them and massed hordes of police marksmen, ready to open fire if they don’t surrender, on the other.… Read the rest

Categories
Documentary Features Live Action Movies

Ada
My Mother the Architect

Director – Yael Melamede – 2024 – US – Cert. 12a – 81m

***1/2

A portrait by her New York-based daughter of top Israeli architect Ada Karmi Melamede – out in UK cinemas on Friday, May 1st

This opens with the filmmaker daughter asking her architect mother if she wants to speak English or Hebrew. The mother is happy to speak both. For the titles, we watch her hands drawing / designing buildings on white paper as we hear various one-liners about her qualities as an architect.

Daughter Yael lists “ a few things you should know about my mother.” Ada Karmi Melamede is eighty and goes to the office every day. She is one of a family of architects who built Israel from the ground up. She left Israel twice, once to study in London and once to spend time in New York, where Yael and her family grew up. She returned to Tel Aviv in 1983 and her career took off: she has been working ever since. The Israel Supreme Court. Airports. Universities.

Architecture seems to be her model for discussing the world. She talks about the importance of roots in buildings, decrying glass towers that have no roots, of which she clearly thinks there are too many.… Read the rest

Categories
Features Live Action Movies

They Will Kill You

Director – Kirill Sokolov – 2025 – US – Cert. 15 – 94m

****

A young woman, searching from her missing sister, takes a job as a cleaner in a mysterious, wealthy, New York apartment block – horror action movie is out in UK cinemas on Friday, March 27th

This has been sold as a horror / paranoia conspiracy thriller about a New York apartment building in the mould of Rosemary’s Baby (Roman Polanski, 1968). Yet while its opening set up has echoes of that film, it turns out to be something altogether very different.

Asia Reaves (Zazie Beetz from The Bad Guys, Pierre Perifel, 2022; Joker, Todd Phillips, 2019; Deadpool 2, David Leitch, 2018), her younger sister Maria (Myha’la from Dead Man’s Wire, Gus van Sant, 2025; Bodies Bodies Bodies, Halina Reijn, 2022) in tow, flees their abusive father. He tracks them down in a grocery store, outside which she later shoots and hospitalises him before going on the run alone.

Ten years later, she applies for a housekeeper’s job at the Virgil, a nine-storey New York apartment building. The door is answered by Irish building superintendent Lily (Patricia Arquette from Boyhood, Richard Linklater, 2014; Lost Highway, David Lynch, 1997; True Romance, Tony Scott, 1993) who introduces her to a few of the tenants in the lobby including Sharon (Heather Graham from Austin Powers 2; The Spy Who Shagged Me, Jay Roach, 1999; Boogie Nights, Paul Thomas Anderson, 1997) and Kevin (Tom Felton – Draco Malfoy from the Harry Potter films, 2001-2011) before showing her to her room.… Read the rest

Categories
Dance Features Live Action Movies Music

The Testament
of Ann Lee

Directed by Mona Fastvold
Certificate 15
130 minutes
Released 27 February and on Disney+ from 13 May

Few films accurately chronicle a specific, historical Christian sect, fewer still do so as a musical. I knew virtually nothing about the Shakers, before seeing The Testament of Ann Lee, which is based on a true story. | found much to admire in their religion, yet I was appalled by two aspects.

Read the rest of my Reformed magazine review here.

Read my later review for this website here.

The Testament of Ann Lee is on Disney+ from Wednesday, March 13th following its release in cinemas in the UK on Friday, February 27th 2026

Teaser Trailer (Cert. 12a, which really gives no indication of some of the more extreme elements in the film):

Trailer

Categories
Features Live Action Movies

Marty Supreme

Director – Josh Safdie – 2025 – US – Cert. 15 – 149m

*****

In the 1950s, a young New Yorker with the odds against him is determined to become a top table tennis player – in cinemas from Friday, December 26th

Manhattan’s Lower East Side, the 1950s. Marty Mauser (Timothée Chalamet) has a dream. It is, admittedly, a pretty odd dream which involves him rising to the top of a sport to which no-one in his native America currently pays any attention: table tennis. Also, he is possessed of the quintessentially New York sensibility of the street smart hustler who can, he believes, sell anything to anyone. A mere 23 years of age, he is naive and optimistic, but if you think that means the hard realities of day-to-day living are about to grind him down, you’ve got another think coming. For Marty is nothing less than a force of nature, blessed with unshakeable self-belief. And he needs it, because in this seriocomic rollercoaster of a sports drama, the odds seem to be increasingly stacked against him at every turn.

On top of all this, Marty is at once the person who through shrewd manoeuvring on the one hand makes his own luck and slowly builds his own destiny, and through hubris on the other has an unfortunate tendency to shoot himself in the foot..… Read the rest

Categories
Features Live Action Movies

Past Lives

Director – Celine Song – 2022 – US, South Korea – Cert. 12a – 105m

*****

After emigrating with her family from South Korea to North America, a Korean-American is sought out in New York by her now-adult childhood sweetheart from back in Korea – streaming exclusively on StudioCanal Presents

Have you heard the one about the Korean woman sitting between a Korean man and a WASP man in a bar in New York? Is the Korean man her partner? Is the WASP man her partner? Following this unforgettable opening image and a voice-over in which someone tries to work out the loyalties and relationships pictured, flashback 24 years to Korea’s Seoul for a chunk of narrative also involving Canada’s Toronto. Then jump forward 12 years for a further chunk of narrative in both Seoul and New York. Finally, jump forward a further 12 years to the present day for a final chunk of narrative in New York.

Intrigued? You’ll get to know two very Korean kids, who at age 12 or thereabouts in Seoul start dating. The girl, Na Young (Moon Seung-Ah), is already choosing a Westernised name, Nora Moon, in preparation for her family’s emigration to Toronto; the boy Jung Hae Sung (Leem Seung-min) has no such conflict and is firmly locked into a Korean identity.… Read the rest

Categories
Features Live Action Movies

Relay

Director – David Mackenzie – 2024 – US – Cert. 15 – 112m

*****

A corporate whistleblower who has changed her mind hires a fixer to give her the leverage she needs to safely vanish and start a new life, only it doesn’t work out like that – out in UK cinemas on Friday, October 31st

Sometimes companies do bad things, and when you think they couldn’t do any worse, they set out to coerce or intimidate former employees attempting to expose them. How widespread this is in real life is anyone’s guess, but it makes for great copy and feeds into paranoid left wing ideas about the immorality of corporate capitalism. Don’t get me wrong: just because you’re paranoid, as the saying goes, it doesn’t mean they’re not out to get you.

To illustrate the point, this narrative opens with Hoffman (Matthew Mayer from Bringing Out The Dead, Martin Scorsese, 1999; Dogma, Kevin Smith, 1999, reissued in cinemas next week (Friday, November 7th); and Funny Pages, Owen Kline, 2022) entering a near empty New York restaurant to surrender a set of incriminating documents to McVie (Victor Garber from Family Law, TV series 2021-2025; Argo, Ben Affleck, 2012; Alias, TV series, 2001-6), safe in the knowledge that another copy of said documents will be mailed to an appropriate recipient should McVie not co-operate and ensure Hoffman’s safety.… Read the rest

Categories
Features Live Action Movies

Happyend
(HAPPYEND) 

Director – Neo Sora – 2024 – Japan – Cert. 12a – 113m

***

Two schoolboys play a prank on their despotic principal, who turns it into an excuse to introduce a high tech surveillance system – out in UK and Irish cinemas on Friday, September 19th

In a future dystopian Kobe, Japan, that looks remarkably like the present day Kobe, Japan, a group of highschoolers fail to get past the tough, power-dressed, Chinese lady bouncer to a club because they’re underage. A couple of the boys, Yuta (Hayato Kurihara) and Kou (Yukito Hidaka), wandering down a nearby back alley, notice a man in a dark vest taking a crate of beer into the building, strip off their white shirts to reveal similar dark vests underneath, and use crates of beer to gain back door access. Inside, the DJ is electrifying, the beat is strong and the gig is everything they had hoped. There is a police raid, but Kou can’t get Yuta to leave. Somehow, they and the DJ end up being the only ones there, and he gives them a talisman as a mark of respect and tells them to come back for the second set, which is better. But they don’t chance their luck.… Read the rest