Categories
Animation Features Movies

Dragonkeeper
(Gardiana de Dragones)

Director – Li Jianping, Salvador Simó – 2023 – Spain, China – Cert. PG – 98m

****

Faced by powerful forces of empire and a ruthless traitor, a girl must accompany an old dragon to ensure the survival of its egg – out in UK cinemas on Friday, September 27th

Ancient China. As revealed in a voice-over and an ancient, panoramic, wall-hanging scroll, the empire of the humans united with the dragons to successfully defeat necromancy. But then, the Emperor turned on the dragons, hunting them.

A long time after these events have occurred, a hard-nosed trader Master Lan (voice in the English language version: Tony Jayawardena) and his wallas are receiving some goods at a trading post when they stumble upon an abandoned baby girl. One of the wallas notices strange, blue-lit rocks floating near the baby. The group take the girl back across mountain ranges and vast plains to their small town.

Around eight years later, Ping (voice: Mayalinee Griffith) is living in that town, in the care of an old lady Lao Ma (voice: Sarah Lam), and feeding her pet rat Hua Hua (non-dialogue voice: Jonathan David Mellors) who lives in a hole in a storehouse and often goes with her in her jacket or any container or bag she might be carrying.… Read the rest

Categories
Features Live Action Movies

Woman Of Fire
(Hwanyeo,
화녀)

Director – Kim Ki-young – 1971 – South Korea – Cert. 18 – 98m

*****

A married couple’s housemaid seduces the husband, ensnaring him in a love triangle from which there is no escape – 4K Restoration played at the London East Asia Film Festival (LEAFF) (European Premiere) and screens again 6.30 at the ICA on Friday, November 5th book here as part of a strand dedicated to actress Youn Yuh-jung (Best Supporting Actress, Minari) at the London Korean Film Festival (LKFF) which runs from Thursday, November 4th to Friday, November 19th

Kim Ki-young is probably better known for his breakthrough film The Housemaid (1960) than any other title. Not only did the film establish him as a maker of dark films about twisted relationships, it also inaugurated something of his trademark style. While a real watershed in Korean cinema generally and Kim’s career in particular, the material was something he felt he could do a lot more with: he remade it directly not once but twice as Woman Of Fire (1971) and Woman Of Fire ‘82 (1982). Where the highly effective original was shot in both black and white and the old 4:3 Academy format, the two remakes like many of his later films were both colour and scope, and made full use of both, giving them additional qualities lacking in the original.… Read the rest

Categories
Features Live Action Movies

Death,
Desire
And Rat Poison

An introduction to the films of Korea’s late and, lamentably, largely unknown director Kim Ki‑young – originally published in Manga Max, Number 8, July 1999. Reprinted here to coincide with London East Asia Film Festival (LEAFF)’s screening of Woman Of Fire (1971) on Friday, October 29th. If you missed it, the restoration screens again on Friday, November 5th as part of a strand dedicated to actress Youn Yuh-jung at London Korean Film Festival (LKFF) which runs from Thursday, November 4th to Friday, November 19th

Kim Ki-young

It seems unthinkable that the world could have failed to recognise a director whose 2.35:1 widescreen visuals compare favourably with Seijun Suzuki and John Boorman and whose marriage of technique with subject matter is as terrifying as anything by Dario Argento or Alfred Hitchcock. Nevertheless, when 1997’s Pusan International Film Festival (PIFF) ran a retrospective season of films by Kim Ki-young (the first of a proposed series of annual events showcasing Korean directors) it quickly became clear to astonished audiences that the unthinkable had indeed happened. Sadly, on February 4th 1998 – within six months of his new-found international acclaim – Kim and his wife died in a fire in Korean capital Seoul.… Read the rest