The Odyssey – Jeremy C. Processing

The Odyssey
(2026)

Director – Christopher Nolan – 2026 – US – Cert. 15 – 172m

**** (regular cinema version, not the 70mm IMAX print)

While Odysseus is lost presumed dead returning home from the Trojan Wars to his island Kingdom of Ithaca, his wife is confronted with multiple suitors – out in UK cinemas on Friday, July 17th

For anyone unfamiliar with the classical Greek literature source, Homer’s Odyssey is about a journey (with which meaning the word odyssey is synonymous in modern parlance). Odysseus (Matt Damon) fights for ten years (a time span unclear in the new film) in the Trojan Wars, then spends another ten getting home to his island Kingdom of Ithaca (the film is clear that he’s away a total of 20 years).

Homer doesn’t play out his narrative in linear form, but goes back and forth, for instance using flashbacks. Nolan’s screenplay uses a framing device of Odysseus’ wife Penelope (Anne Hathaway) holding out against numerous suitors hoping she’ll marry one of them and make him king, remarkably similar to that other recent, inferior adaptation of (the Ithaca bits of) the Odyssey, The Return (Umberto Pasolini, 2024), except that Nolan’s instincts for casting are a lot stronger and he has a bigger crew and budget with which to play.… Read the rest

Contempt
(Le Mépris)

Director – Jean-Luc Godard – 1963 – France – Cert. 15 – 103m

*****

Review originally published in What’s On In London when the film was reissued in 1996 – out in cinemas in a 4K remaster from Friday, 2nd June and on 4K UHD, Blu-ray, DVD & digital from Monday, 26th June 2023

Made back in 1963 in the latter days of the French New Wave, Jean-Luc Godard’s Contempt (Le Mépris) anticipates J.G. Ballard’s seminal, 1973 novel Crash, subsequently and controversially filmed by David Cronenberg in 1996. Alongside a director in a film studio (Godard casts the great Fritz Lang, who famously made the silent classic Metropolis at UFA in 1926 before a subsequent career in Hollywood on westerns and crime thrillers), Contempt boasts a central protagonist obsessed by his wife’s sexual peccadilloes, not to mention bleak, domestic, modernist architecture and mythical car crash aftermaths.

The camera lingers lovingly over the latter to George Delerue’s unforgettable and heavily romantic score, but pays little attention to the actual moment of impact (even less than in Cronenberg’s Crash).

It’s one of Godard’s best films and possibly his most accessible. Director Lang struggles to film The Odyssey at CineCitta with unsympathetic producer Jeremiah Prokosh (a towering Jack Palance) who waxes lyrical about life and art while seducing Camille (a stunningly contemptuous Brigitte Bardot), wife of hired screenwriter Michel Piccoli.… Read the rest