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Blue Film

Blue Film

Director – Elliot Tuttle – 2025 – US – Cert. 18 – 85m

*****

As a gay cam performer visits an older punter to discover they have a shared past, their encounter breaks many taboos – out in UK cinemas on Friday, September 11th

Somewhere in L.A., Aaron Eagle (Kieron Moore) appears in his underwear on cam to web audiences. His platform of choice allows punters to tip him cash tokens as and when either he encourages them or they like what they see. And, who knows, at the end of the night, if you pay the right amount, he might come round to your house…

One of his punters tonight is a much older man (Reed Birney) whose face is concealed by a balaclava mask. Who tips, then turns him off and lies back to relax to music. Later, Aaron will come round for this one night to this punter’s house. Unaware that they have a shared connection from their past lives.

Disturbingly, there are also snippets in the mix of home video footage of a small boy. Wholly innocent footage – or it would be were it not for its one-way communication sex cam context – which renders this footage quite upsetting as your mind starts to make connections warranted or unwarranted. … Read the rest

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Features Live Action Movies

Kalman’s Day (Kálmán-nap)

Director – Szabolcs Hajdu – 2023 – Hungary, Slovakia, US – Cert. none – 72m

*****

In Kálmán and his wife’s house, another couple gather to celebrate his birthday in what turns out to be a devastating drama about relationships falling apart and coming to an end – premieres in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

NSFW. And we wouldn’t have it any other way.

This is adapted from a stage play, never a great selling point for your current scribe because it can lead so easily to stagebound cinema, but inventive camerawork ensures that doesn’t happen here.

The setting is a couple’s home in the woods, and it starts off with housewife Olga (Orsi Tóth) on the phone to a woman Zita (Nóra Földeáki) so in love with the sound of her own voice that at one point Olga leaves the room (and the screen) and drifts out of earshot, only to return some while later, and we realise that although we have missed a huge amount of verbiage, we have missed absolutely nothing in terms of significant content. To cut a long story short, Zita and her husband are coming over today as planned for Olga’s husband Kálmán’s birthday and wants him wants to sign a form saying she and her family live at the house Olga and Kálmán occupy because they want to get one of their kids into a school in its catchment area.… Read the rest