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Evil Dead Burn

Director – Sébastien Vaniček – 2026 – New Zealand – Cert. 18 – 110m

*

A French-born widow visits her bereaved American husband’s family for his funeral, and demonic mayhem ensues – less fun than it sounds horror franchise entry is out in UK cinemas on Friday, July 10th

After her husband Will (George Pullar) is killed in a car accident, Alice (Souheila Yacoub) stays with his gathered family at their home for the funeral. She is French, and there’s a definite feeling that his family doesn’t like her very much, a situation compounded by his demise. Her late husband’s father Edgar (Errol Shand) is consumed with grief. Will’s younger brother Joseph (Hunter Doohan) and hs girlfriend Thya (Lucine Buchanon) don’t reallty know what to make of her. Her mother-in law Susan (Tandi Wright) is trapped in a desolate marriage with a man she was once passionate about. And the family’s half-senile grandmother Polly, (Maude Davie) is convinced Alice has stolen from her.

Polly’s late husband was obsessed with the Necronomicon, the fabled Book of the Dead that runs through the foundation of the Evil Dead franchise, and so it is that the family into whose proximity Alice finds herself thrust, turn, one by one, into demons.… Read the rest

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Features Live Action Movies

Hard Boiled
(Lat Sau San Taam,
辣手神探)

Director – John Woo –1992 – Hong Kong – Cert. 18 – 128m

*****

One of the greatest action pictures ever made – 4K Restoration plays as part of Bullets and Brotherhood: the Films of John Woo at BFI Southbank from Friday, 3rd July to Friday, 31st July, and is also out on 4K UHD and Blu-ray

Woo’s directorial valediction to Hong Kong, at least for a time as he attempted to break Hollywood, rehashes his now familiar territory of brotherhood, loyalty and betrayal, etched in trademark bullets and blood with grander and greater operatic flourish than his earlier efforts. On-screen alter-ego Chow Yun-fat (The Killer, John Woo, 1989; An Autumn‘s Tale, Mabel Cheung, 1987) is cast for the first time in Woo not as gangster but cop, bonding with a ruthless triad hit man Alan (Tony Leung Chiu-wai from Bullet In The Head, John Woo, 1990, In The Mood For Love, Wong Kar-wai, 2000; Lust Caution, Ang Lee, 2007; Shang-Chi And The Legend Of The Ten Rings, Destin Daniel Cretton, 2021). For good measure, Woo throws in therising, young gangster killing the old leader to take over the mob from A Better Tomorrow (John Woo, 1986) (here played by Anthony Wong and Kwan Hui-sang respectively).… Read the rest

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Features Live Action Movies

Bullet in the Head
(Diexue Sietou,
喋血街头)

Director – John Woo – 1990 – Hong Kong – Cert. 15 – 126m

*****

Three teenage friends forced to leave Hong Kong by a gang war find themselves in the middle of the horrors of war-torn Vietnam – plays as part of Bullets and Brotherhood: the Films of John Woo at BFI Southbank from Friday, 3rd July to Friday, 31st July

John Woo’s American canon never quite produced anything comparable to his earlier, groundbreaking Hong Kong actioners which, as well as being much more violent, possess a stronger emotional core – perhaps none more so than Bullet In The Head, a Far East Asian cross between Rebel Without A Cause (Nicholas Ray, 1955) and The Deer Hunter (Michael Cimino, 1978) with Salvador (Oliver Stone, 1986) thrown in for good measure.

Arguably Woo’s most personal HK outing, falling as it does outside the cop / triad actioners for which he’s best known, it was originally intended as a prequel to the two A Better Tomorrow films (1986, 1987) Woo made with producer Tsui Hark. However, following creative differences, Tsui retained megastar (and Woo onscreen alter-ego) Chow Yun Fat for A Better Tomorrow III Love and Death In Saigon (Tsui Hark, 1989) while Woo took the material and developed it on his own, acting uncharacteristically as his own producer.… Read the rest

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Features Live Action Movies

Hard Target

Director – John Woo – 1993 – US – Cert. 18 – 100m (UK version), 86m (US version)

****

John Woo’s US debut is a New Orleans remake of The Most Dangerous Game with action star Jean-Claude Van Damme – plays as part of Bullets and Brotherhood: the Films of John Woo at BFI Southbank from Friday, 3rd July to Friday, 31st July

Essentially the first of two remakes of The Most Dangerous Game / The Hounds Of Zaroff (Ernest B. Schoedsack, Irving Pichel, 1932, shot using the same cast, crew and jungle sets as King Kong, (Merian C. Cooper, Ernest B. Schoedsack, 1933) – the second being Surviving The Game (Ernest R. Dickinson, 1994) – this updates the original’s remote island to the urban jungle of and countryside surrounding New Orleans, making its mad game hunter (Lance Henriksen taking on the role originally played by Leslie Banks) prey not on lost seafarers but unemployed down and outs on dry land.

In true New Right nineties spirit, the hunter of humans has now graduated from being merely a gratifying personal sport for deranged psychopaths to a lucrative business attracting high rolling, thrill-seeking clients who get to pull the trigger themselves.… Read the rest

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Features Live Action Movies

The Killer
(Dip Huet
Seung Hung,
喋血雙雄)

Director – John Woo – 1989 – Hong Kong – Cert. 18 – 110m

*****

Having accidentally blinded a nightclub singer in a hit, a gunman takes on one last job to fund the operation to restore her eyesight – 4K Restoration plays as part of Bullets and Brotherhood: the Films of John Woo at BFI Southbank from Friday, 3rd July to Friday, 31st July

Following the success of A Better Tomorrow (1986), this secured John Woo the international interest that would eventually bring Hollywood offers. Woo further distils A Better Tomorrow’s themes of brotherhood, loyalty and betrayal through the device of a cop first facing off against and subsequently bonding with the assassin he’s pursuing; many consider The Killer Woo’s finest achievement.

Professional assassin Ah Jong (Chow Yun-fat) accidentally blinds nightclub singer Jennie (Sally Yeh) with a stray bullet in a hit to become the focus of his guilt. Detective Li Ying (Danny Lee) is trying to catch him.

The backdrop is already familiar Woo and Hong Kong gangster genre territory – triad hits and betrayals, working cops misunderstood by their superiors. The action set pieces rank among the director’s finest: the opening night club slaying, the Dragon Boat Festival hit followed by the fight on the beach, car chases and multi-storey car park shoot outs, all topped by the brilliantly choreographed and seemingly endless final shoot out wherein killer and cop join forces in a church surrounded by unfriendly gangsters.… Read the rest

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Animation Features Movies

Rogue Trooper

Director – Duncan Jones – 2026 – UK – Cert. 15 tbc – 90 m

*****

In the ongoing war between the North and the South, a small elite fighting unit is dropped onto the planet to clear the way for advancing forces – premieres in the Annecy International Animation Festival 2026 which runs from Sunday, 21st June to Saturday 27th June

To the uninitiated, Rogue Trooper was one of the staple strips of groundbreaking British comic 2000 A.D. I mention this because to a critic coming in cold to the script, where main characters are confusingly named as numbers like 19 or 27, it’s a near-impossible film to synopsise.

Which is not to say that there isn’t a plot – there most definitely is one – more that it’s difficult to sort out what’s going on from the get-go. Although this is essentially science-fiction, it may also represent one of the strongest, on-the-ground portrayals of the fog of war the cinema has given us, with much of the battlefield action quite literally shrouded in a permanent haze of smoke from gunfire and explosions.

In addition, wider shots of views of the planet deliver impressive vistas which hark back to background painting effects in movies Forbidden Planet (Fred M.… Read the rest

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Animation Features Movies

Ghost In The Shell
(Kokaku Kidotai,
攻殻機動隊)
(1995)

Director – Mamoru Oshii – 1995 – Japan, UK, US – Cert. 15 – 83m

****1/2

A cybernetically rebuilt, female, government agent and her male sidekick pursue a mysterious computer hacker known as The Puppet Master through Hong Kong plays in the Annecy International Animation Festival 2026 which runs from Sunday, 21st June to Saturday 27th June.

Review originally published in What’s On In London in 1996.

Ghost In The Shell is the first (and hopefully not the last) anime feature to be jointly financed by America, Japan and Britain (our very own Manga Entertainment). Although superficially pigeonholeable as teenage boy’s market material (nothing wrong with that per se), Ghost is considerably more intelligent than that implies. Its plot is highly complex: suffice it to say that cybernetically rebuilt female agent Kusanagi and male sidekick Bateau are pursuing a mysterious computer hacker known as The Puppet Master through Hong Kong.

Kusanagi, who makes her first appearance stripping off her clothing, jumping off a skyscraper roof and crashing through a window below to riddle a criminal pleading “diplomatic immunity” with bullets, employs thermoptic camouflage which renders her invisible to the naked eye in a matter of seconds. It’s an impressive touch, additionally furnishing such great moments as a fugitive ankle-deep in an urban canal suddenly finding himself hit, gripped and thrown around by an invisible assailant.… Read the rest

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The Wizard of the Kremlin
(Le Mage du Kremlin)

Director – Olivier Assayas – 2025 – France – Cert. 15 – 137m

*****

Starting in 1990s Russia, an avant-garde theatre director morphs into first a TV producer then the mastermind behind the rise and rule of Vladimir Putin – out in UK cinemas on Friday, April 17th

2019. Roland (Jeffrey Wright) writing a book on a prominent Russian novelist and on a research trip to Moscow when he receives a message from someone who has materials that will interest him. So he accepts the invitation and is driven to a private house on the woodlands outskirts of that city where he is shown first editions and documentation pertaining to the writer.

All this, however, is a pretext to the main event. His host, Vadim Baranov (Paul Dano), starts to tell Roland his life story from his student days onwards. Which sets the scene for what is to follow: a portrait of a close-up portrait of a shadowy figure who was to become Vladimir Putin’s arch-manipulator and right-hand man.

Dismissive of Gorbachov, he takes us back to the early 1990s when the Soviet Union was collapsing and Boris Yeltsin was in the presidential ascendant. A time of gunfire and violence, when men of increasing wealth and power could be killed at any time, a fact illustrated by an SUV exploding mid-convoy along a Muscovite spaghetti junction.… Read the rest

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Kung Fu Hustle
(Kung Fu,
功夫)

Director – Stephen Chow Sing Chi – 2004 – China – Cert. 15 – 99m

*****

Set in the 1940s, this is at once a comedy, a romance, an effects fest, an action movie, a violent gangster thriller and a treatise on Buddhist values – out in UK cinemas on Friday, June 24th, 2005

An hilarious treat from start to finish, Kung Fu Hustle foregrounds Hong Kong’s ability to bend genres. At once a comedy, a romance, an effects fest, an action movie, a violent gangster thriller and a treatise on Buddhist values, it also manages to throw in a hugely enjoyable, first reel dance sequence and a speeded up chase sequence reminiscent of Warner Bros. classic Roadrunner cartoon shorts (Chuck Jones, 1949-1962) and The Wizard Of Speed And Time (Mike Jittlov, 1988). Which summary doesn’t even begin to do it justice.

Columbia gave director/star Stephen Chow Sing Chi a mega-budget for Kung Fu Hustle but have commendably neither pruned nor dubbed as Miramax (Disney) did on his previous outing Shaolin Soccer (Stephen Chow, 2001). Chow’s extraordinary vision is thus allowed full rein in his native Cantonese tongue to side-splitting effect.

The 1940’s plot involves landlord, landlady and tenants of down and out Pig Sty Alley confronted by the fearsome Axe Gang after low life hustler and loose cannon Sing (Chow) turns up there and throws his weight around pretending to be a Gang member.… Read the rest

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Animation Features Live Action Movies

The Last Blossom
(Housenka,
ホウセンカ)

Director – Baku Kinoshita – 2025 – Japan – Cert. 15 – 90m

*****

A man lives with his wife and child… only they are not really his wife and child – out in UK cinemas on Friday, March 27th

Here’s a movie that breaks all the moulds. I could (and will) tell you several things about it, any of which would (and will) immediately spark preconceptions about what it is. And those preconceptions would (and will) be wrong.

If we start off with it as a drama about family life, which it arguably is, that doesn’t quite give you the full idea. This is a pretty strange family: it’s effectively a single parent mum Nana (voice: Hikari Mitsushima) and her baby son Kensuke who have been taken in by the kindly Minoru Akutsu (voice: Junki Tozuka) who wants to help them. Akutsu is in love with Nana, but he’s the quiet type and can’t bring himself to verbally express his love for her. (Which, I guess, makes this into a romantic drama of sorts. Certainly a tale of unrequited love, albeit an odd one.) And over the years, as the boy grows, the man comes to think of the boy as his own son.… Read the rest