Categories
Art Exhibitions Immersive Music

Middlesex Hospital Blues

Middlesex Hospital Blues

Curators – Iain Forsyth, Jane Pollard – 2026 – UK

****

A chapel interior is repurposed as a reinvention of Derek Jarman’s final film Blue – exhibition / installation at Fitzrovia Chapel from Friday, October 16th to Wednesday, November 18th

Pollard and Forsythe’s third and final installation / exhibition at the Fitzrovia Chapel is a deceptively simple setup. 

With the space opening from mid-morning to midday to five or six pm depending on day of the week, most visitors will be entering the building from daylight – although, as the evenings creep in, towards the end of the day, and losing an extra hour of daylight in the evening after the clocks go back an hour on Sunday, October 25th, some visitors may be entering from fading light or even darkness.

Photo © Jeremy Clarke

Entering from daylight as this visitor did, one is immediately struck by the lighting. 

In a reimagining of the late director Derek Jarman’s final film Blue (1993), the interior is lit in that colour, which has the effect of locking the architectural interior into a sort of perpetual twilight, and not one in which the light goes slowly from light to dark but which seems more or less fixed. … Read the rest

Categories
Art Exhibitions Immersive Music

Miseris Succurrere Disco
(I Learn to Help
Those in Need)

Miseris Succurrere Disco (I Learn to Help Those in Need)

Curators – Iain Forsyth, Jane Pollard – 2026 – UK

****

A chapel interior is repurposed as a reflection on how personal tragedy can awaken empathy, mercy and collective care – exhibition / installation at Fitzrovia Chapel from Friday, March 6th to Wednesday, March 25th

It’s a strange phenomenon when you attend an exhibition / installation and the unfamiliar venue is, to you, as exciting as the event itself. Iain Forsyth and Jane Pollard’s new outing isn’t a film, but an exhibition, the second of three they’ve created in this particular space as it turns out. And the space they’ve deployed is fabulous, a new one on me. 

The Byzantine-inspired Fitzrovia Chapel, as the name implies, is situated in the heart of Fitzrovia, the area of London North of Oxford Street between Regent Street and Tottenham Court Road. It’s the chapel of the former Middlesex Hospital, one of London’s flagship NHS teaching hospitals, which was closed in 2006. You may be familiar with the chapel from King Charles’ 2024 Christmas broadcast.

The venue is open on particular days, often Monday, Tuesday, Wednesday, but not every week, and opening times can vary if the space is hosting an exhibition.… Read the rest

Categories
Movies Features Live Action

Past Lives

Past Lives

Director – Celine Song – 2023 – US, South Korea – Cert. 12a – 105m

*****

After emigrating with her family from South Korea to North America, a Korean-American is sought out in New York by her now-adult childhood sweetheart from back in Korea – streaming exclusively on StudioCanal Presents

Have you heard the one about the Korean woman sitting between a Korean man and a WASP man in a bar in New York? Is the Korean man her partner? Is the WASP man her partner? Following this unforgettable opening image and a voice-over in which someone tries to work out the loyalties and relationships pictured, flashback 24 years to Korea’s Seoul for a chunk of narrative also involving Canada’s Toronto. Then jump forward 12 years for a further chunk of narrative in both Seoul and New York. Finally, jump forward a further 12 years to the present day for a final chunk of narrative in New York.

Intrigued? You’ll get to know two very Korean kids, who at age 12 or thereabouts in Seoul start dating. The girl, Na Young (Moon Seung-Ah), is already choosing a Westernised name, Nora Moon, in preparation for her family’s emigration to Toronto; the boy Jung Hae Sung (Leem Seung-min) has no such conflict and is firmly locked into a Korean identity.… Read the rest

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Movies Features Live Action

Kontinental ’25 (Kontinental ’25)

Kontinental ’25 (Kontinental ’25)

Director – Radu Jude – 2025 – Romania – Cert. 15 – 109m

****

Although operating within the bounds of the law, a bailiff is smitten with guilt and remorse for the effect of her job on a ‘client’– out in UK cinemas on Friday, October 31st

Carrying large bags, he scavenges at the bases of tree trunks in the woodlands, swearing profusely when his foot goes a foot in to the stream when he tries to fill his water bottle. In a bizarre nod to the dinosaurs of Jurassic Park (Steven Spielberg, 1993) – or more likely those briefly seen in The Tree of Life (Terrence Malick, 2011), he rests beside a dimetrodon sculpture then smokes a cigarette by a dilophosaurus. He rides a ski lift, passes a father and small son on their bikes on a footbridge, downs his packed lunch with vodka on a river bridge. He hangs around cafes asking for either work or five lei. He says “fuck you” after the woman offering him an early Sunday morning cleaning job has left. He gets hassled by a robot dog. He returns to his boiler room home.

While he sleeps, the bailiff Mrs Orsolya Ionescu (Eszter Tompa) knocks on his door, gendarmes in tow, to evict him, Ion (Gabriel Spahiu).… Read the rest

Categories
Movies Animation Features

Flow
(Straume)
(2024)

Flow (Straume) (2024)

Director – Gints Zilbalodis – 2024 – Belgium, France, Latvia – Cert. U – 84m

*****

A cat must survive rising water levels as they engulf both the countryside and cities – remarkable, dialogue-free, computer animated feature is out now on 4K UHD, Blu-ray and DVD

Like his earlier Away (2019), Zilbalodis’ new CG animated movie features characters who don’t speak. The central character is a cat, and you’d be forgiven, after years of animated films about cats in which they talk, for expecting the same here, but Zilbalodis isn’t interested in anthropomorphised talking animals. He’s clearly interested in animals, and in characters, but the cat here has been derived from watching and studying cats in real life and their behaviour in the real world. There’s a long history of this in drawn animation, typified by the classic Disney films, where it was all about what you could achieve with a paper and pencil, studying from life, making drawings of characters move.

These days, the medium has moved on, and unless one is being purist and working with pencil and paper for the sake of making drawn animation the way it was made roughly a century ago (and there’s nothing whatsoever wrong with doing that), you would use computers as Zilbalodis does.… Read the rest

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Art Exhibitions Movies Documentary Features Live Action

Exhibition on Screen
Michelangelo
Love and Death

Exhibition on Screen: Michelangelo – Love and Death

Director – David Bickerstaff – 2017 – UK – Cert. U – 91m

*****

Sixteenth Century Renaissance sculptor Michelangelo remains one of the greatest artists of all time, yet his overreaching ambition frequently proved his undoing – back out in UK cinemas to tie in with the 550th anniversary of Michelangelo’s birth from Tuesday, May 20th

“From a fountain of mercy… my suffering is born.” These words (voiced by James Faulkner as Michelangelo) accompany images of a present day sculptor (Marco Ambrosini) working away at a piece of marble in his studio. The writings of Vasari (voice: Lawrence Kennedy) take up the story. A boy was born to a noble family in 1475. Art Critic and Author Jonathan Jones places Michelangelo among the greats, like Leonardo da Vinci, Rembrandt, Picasso. He deals with the strangest, darkest and most difficult stuff. He is the original famous artist. He had two biographies written about him in his lifetime, and took great interest in them, helping bring them to fruition. He painted, sculpted, built architecture, wrote poetry, even built military fortifications. This was the time when artists started being regarded as creative geniuses, according to Art Historian Jennifer Sliwka.… Read the rest

Categories
Movies Animation Features Live Action

Beetlejuice

Beetlejuice

Director – Tim Burton – 1988 – US – Cert. 15 – 92m

***1/2

A recently deceased couple hire a bio-exorcist to rid their former house of its new, yuppie occupants – review originally published in Samhain, 1988

Whilst its opening shot recalls the aerial opening of The Shining (Stanley Kubrick, 1980) segueying into that of The Witches Of Eastwick (George Miller, 1987), this film has been described as a reworking of Ghostbusters (Ivan Reitman, 1984) and The Exorcist (William Friedkin, 1973) (!) from the ghost’s point of view. The plot concerns a couple (Geena Davis and Alec Baldwin) who die and then find that their house – which they have to live in as ghosts – is bought by an horrific collection of yuppie trendies.

The couple try to carry on as normal, picking up the occasional useful tip from a weighty tome entitled ‘The Handbook for the Recently Deceased’ (or diseased, as they first pronounce it!) and despite warnings from their afterlife caseworker Juno (played by veteran Hollywood actress Sylvia Sidney) they decide to employ the self-styled bio-exorcist Beetlegeuse (Michael Keaton) to frighten off the new occupants.

The single most memorable image of Beetlejuice is that of a desert landscape peopled by sea monster-like worms, reminiscent of nothing so much as a surrealist version of Frank Herbert’s Dune.… Read the rest

Categories
Movies Documentary Features Live Action

Anselm
(Anselm
– das Rauschen
der Zeit)

Anselm (Anselm – das Rauschen der Zeit)

Director – Wim Wenders – 2023 – Germany – Cert. PG – 93m

****

An exploration of the work of German artist Anselm Kiefer and the influences which lie behind it – 3D documentary plays the 2023 London Film Festival which runs from Wednesday, October 4th until Sunday, October 15th, and will be out in UK cinemas on Friday, December 8th

Wim Wenders seems to step effortlessly between narrative and documentary feature films, and you never feel that he considers one or the other more important. To him, they are all movies. As with his earlier Pina (2011), similarly about an artist – the choreographer Pina Bausch – this is another portrait of an artist shot in 3D. Wenders’ subject here, again eponymously designated by Christian name, is Anselm Kiefer, a practitioner of the plastic rather than the performing arts.

From the outset, it’s clear that the film needs to be seen in 3D. Wenders’ camera moves deliberately and formally around maquettes that resemble life-sized women wearing dresses, but without the women in them so that they stand as empty objects, often with strange constructions in the space where you would expect their neck and heads to be.… Read the rest

Categories
Art Exhibitions Movies Documentary Features Live Action Music

Exhibition on Screen
Klimt & the Kiss

Exhibition on Screen: Klimt & the Kiss

Director – Ali Ray – 2023 – UK – Cert. 12a – 90m

*****

A look at one of the world’s favourite paintings, housed in Vienna’s Belvedere Museum, and the wider body of work of the artist who created it – out in UK cinemas on Monday, October 30th for one day only

All lovers of art have their blind spots. That’s partly why we go to exhibitions, to fill in the gaps in our knowledge. Gustav Klimt’s The Kiss is one of those images everyone knows, since it’s been widely reproduced as prints, while movie buffs know it from the opening museum sequence of Bad Timing (Nicolas Roeg, 1980) and as a major influence on the visuals of The Thief And The Cobbler (Richard Williams, 1993). Beyond that, however, my knowledge of both Klimt and the painting itself are sparse. This latest entry in producer Phil Grabsky’s excellent Exhibition On Screen series about art is therefore most welcome since it proves highly informative about both.

Accompanied by a perfectly judged piano score of sequences of notes rising and falling, it opens on out of focus images of gold surfaces before showing us a detail of the two heads in the painting viewed not, as you might expect, straight on, but from a side angle.… Read the rest