Tag: jazz

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Features Live Action Movies

The Conversation

Director – Francis Ford Coppola – 1974 – US – Cert. 12a – 113m

*****

A surveillance expert records a conversation between two people, then worries about turning the recording over to his corporate client as contracted – 50th anniversary 4K Restoration is out on UHD, Blu-ray and DVD on Monday, July 15th

There’s nothing else quite like The Conversation in cinema.

Union Square, San Francisco. People milling around. Among them, a couple (Frederic Forrest and Cindy Williams) having a conversation. Also in the square, a man in a plastic mac (Gene Hackman). And another man (Michael Higgins) following them around, holding a bag. And, at two separate windows above the square, two long range microphones.

The first man, Harry, enters a nearby van, inside which is his recording assistant Stan (John Cazale). He’s shortly followed by the other man, Paul, who believes the couple spotted him trailing them.

Harry pays a nighttime visit to his girlfriend Amy (Teri Garr). She wants him to spill his secrets. He claims he has none. He leaves, with her telling him not to bother to come back.

He goes to work in his office, situated at one end of the floor in an otherwise deserted warehouse.… Read the rest

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Features Live Action Movies

Kingdom of the
Planet of the Apes

Director – Wes Ball – 2024 – US – Cert. 12a – 145m

*****

The fourth entry in the current franchise reboot takes place several generations after the previous three films when apes live in scattered communities and humans have lost the power of speech – out in UK cinemas on Thursday, May 9th

Noa (Owen Teague) has deep-seated feelings of failure. His father is the head of the Eagle Clan, a tribe of chimps who live in symbiosis with trained eagles, and Noa thinks nothing of scaling the highest local rock face to steal his own eagle egg for later bird rearing. He goes on such quests with his two loyal friends, the male Anaya (Travis Jeffery) and the female Soona (Lydia Peckham). He also values the wisdom of Raka (Peter Macon), an orangutan with considerable knowledge of the generations-old teachings of Ceasar.

Noa spots a human girl (Freya Allan) sneaking around the village and environs. A short while later, all hell breaks loose as a cavalry of masked apes attack and burn the village. Noa resolves to leave the safety of the local valley and venture into the land beyond on horseback, accompanied by Raka. They soon realise the non-speaking girl is following on foot, and no sooner have they coax her into joining their quest than they run into first a herd of humans at a small forest pool, then the mounted masked gorillas from whom they must rescue the silent girl.… Read the rest

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Documentary Features Live Action Movies Music

Getting It Back:
The Story of Cymande

Director – Tim MacKenzie-Smith – 2022 – UK – Cert. 12a – 90m

****

How a promising, innovative black 1970s band failed to crack the UK music business, only for their music to take on a life of its own through various later, popular musical movements – out in UK cinemas on Friday, February 16th and out on BFI Blu-ray, BFI Player Subscription, iTunes and Amazon Prime on Monday, 26 February

Film critics have their blind spots (there are films you’d assume I’ve seen which I never have) and so too do serious music listeners, among whom I number myself. Prior to this film, I had never heard of Cymande. That’s surprising to me, actually, because I started seriously listening to music in the 1970s and have never stopped (although, significantly, rap and hip-hop, which came later, never really did it for me). And Cymande, it turns out, were a band of the early 1970s. It’s not mentioned in this film, but they played a couple of sessions for legendary UK Radio One DJ John Peel where it’s likely I would have heard them, had I started listening regularly to his show earlier than 1974, after they recorded a session.

The narrative in MacKenzie-Smith’s documentary runs something like this: in the 1950s and 60s, Britain invited numerous Commonwealth citizens from Caribbean islands like Jamaica, St.… Read the rest

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Animation Features Movies Music

Blue Giant
(BLUE GIANT)

Director – Yuzura Tachikawa – 2023 – Japan – Cert. 12a – 120m

*****

Three 18-year-olds form a jazz band with the aim of playing at Tokyo’s top jazz club – out in UK cinemas on Wednesday, January 31st and Thursday, February 1st

Before this property was a movie – an animated movie – it was a manga. Which, on one level, is nothing that out of the ordinary in Japan (see, for instance, basketball movie The First Slam Dunk, Takehiko Inoue, 2022) but on another is extraordinary. Blue Giant is about music, specifically jazz, even more specifically teenager Dai Miyamoto (voice: Yuki Yamada; musicianship: Tomoaki Baba) who gives up basketball and decides he wants to be the best tenor sax player in the world. He rehearses intensively by the banks of the river in the city of Sendai where he lives, leaving for Tokyo at age 18 and talking his way into moving in with old pal Shunji Tamada (voice: Amane Okayama; musicianship: Shun Ishikawa).

Unsure where to start, Dai visits a bar named Jazz – Take Two where the friendly Mama-san Akiko (voice: Sayaka Kinoshita), who no longer hosts live jazz gigs there, takes pity on him and plays him selections from her vast wall of jazz LPs.… Read the rest

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Documentary Features Live Action Movies Music

In The Court
Of The
Crimson King:
King Crimson
At 50

Director – Toby Amies – 2022 – UK – Cert. 15 – 86m

****1/2

Life behind the scenes members of the latest iteration of the band King Crimson, the revolving door institution helmed for half a century by musician Robert Fripp, as they rehearse and perform a tour – out in UK cinemas from Friday 7th April

Rather like the band King Crimson, what you see here is at once what you get and something entirely different.

The phrase “Toby’s camera” (which I’ll use later) seems apt. One doesn’t usually speak so personally of a director, and it’s not the case that I personally know Toby Amies or anything like that. Yet there’s a beguiling intimacy about this documentary. From the evidence here, King Crimson founder, guitarist and keyboard player Robert Fripp is a perfectionist liable to be thrown if something isn’t quite right: he describes all previous iterations of the band, something of a revolving door in which he’s been the sole constant member over the years, as painful and tells us that the current version of the band (together since 2013) is the one with which his experience has been happiest.

At one point, Toby mentions that he feels like he’s interviewing for the job of making the film as he’s shooting it.… Read the rest

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Features Live Action Movies

The Servant

Director – Joseph Losey – 1963 – UK – Cert. 12 – 115m

*****

A highly capable working class manservant slowly takes control of his foppish, upper class master’s life – out in cinemas on Friday, September 10th

Barrett (Dirk Bogarde) enters the curiously unlocked Chelsea house of Tony (James Fox) to interview for the position of manservant. He finds the unkempt Tony asleep in a chair. He seems to fit Tony’s bill and gets the job. Tony got the house very cheap, although it’s in need of repair and decoration. Barrett has any number of useful suggestions, but Tony overrides one or two of them. A servant should know their place, after all.

At a club Tony tells his date Susan (Wendy Craig) that he’s involved in clearing jungle to build three cities. When he brings her back to the house, she finds her attempts at both romantic intimacy and imposing her ideas on his home consistently thwarted by Barrett’s intrusions.

Barrett secures a job for his “sister” Vera (Sarah Miles) as a maid. She is actually his lover. And she sets about seducing Tony. All of this will come to a head, with Tony throwing the pair of them out.… Read the rest

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Animation Documentary Movies Music Shorts

Stationary
Peaceful Protest

Directors – Xhosa Cole, Shiyi Li – 2021 – UK – cert. 15 tbc – 11m

*****

Sax player Xhosa Cole recounts a #blacklivesmatter rally in Birmingham while Shiyi Li provides incredible animated images – from Sheffield DocFest 2021

There doesn’t seem to be a lot of animation at Sheffield DocFest – maybe there is and I’ve yet to find it –  but there IS this terrific little short. The soundtrack is sax player Xhosa Cole’s monologue about driving to Birmingham for a Black Lives Matter rally which people of black, white and numerous other skin hues are attending. Beforehand, he debates whether to take his horn, and does so. At the rally, he runs into his old sax teacher and the pair improvise a duet, defusing a confrontation between a black woman and a black policewoman the details of which he never knows, showing great respect for both parties.

Set against the earnest voice-over are representational images of the narrative veering towards the abstract: Shiyi Li’s kinetic coloured shapes swirl around in a manner worthy of pioneering experimental animator Len Lye, who likewise often set his visuals against jazz music. Li’s imagery flirts with infographic iconography – for example, a walk on foot into the venue traverses a carpet which is also an arrow conveying a purpose, a sense of direction.… Read the rest

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Music

vs Amp

Colin Webster: baritone saxophone, Fender Twin Reverb and Bassman Amps.

All tracks recorded live. No overdubs, effects or edits.

Raw Tonk Records RT050 / 2021

LP + DL

*****

Remarkable. With no overdubs or other studio trickery, Webster manages to make his sax sound variously like a weird electronic effect, a duck, a didgeridoo, a fog horn, the engine of a prop aircraft, a lawn mower and, in the final moments of the last track, the sound of water disappearing down a plug hole. And that’s just side one!!!

The opening of side two sounds like a double bass (but it’s Colin’s sax). At another point, I could swear I was listening to the mating call of a walrus or the much lighter in tone song of some species of bird.

I realise what I’m writing here is probably open to misinterpretation, so just to clarify, this album is really, really impressive. To my ears, at least.

Buy on Bandcamp.

Note: This review started life as a review on my Bandcamp page after I bought the album. Their allowed word count was too small. I didn’t want to cut it as what I’d written would have lost something.

Categories
Features Live Action Movies

Shirley

Director – Josephine Decker – 2020 – US – Cert. 15 – 107m

****

Notorious author Shirley Jackson and her professor husband are seen through the eyes of a young couple invited to stay in their house – in cinemas and on Curzon Home Cinema from Friday, October 30th

The real life Shirley Jackson was an author who wrote fiction. She’s known to cinemagoers for the book The Haunting Of Hill House (1959) that was filmed twice for the movies as The Haunting, once brilliantly (Robert Wise, 1963) and once killed dead by an overabundance of gratuitous special effects (Jan de Bont, 1999) and more recently was turned into a Netflix TV series (Mike Flanagan, 2018). That book may not be mentioned here, but the piece of her writing that does get a mention is The Lottery, her notorious short story which appeared in 1948 in The New Yorker Magazine, where she published much of her fiction.

This new film adapts Susan Scarf Merrell’s comparatively recent, fictional book Shirley: A Novel (2016) in which she examines Shirley Jackson and her academic professor husband Stanley Edgar Hyman through the eyes of a young, pregnant woman who moves into their household along with her husband who is hoping to secure an assistant literature professor’s post at the local college in Bennington, Vermont under Stanley.… Read the rest

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Documentary Features Live Action Movies Music

Bill Frisell:
A Portrait

Director – Emma Franz – 2017 – US – 118m

*****

Jazz guitarist Bill Frisell is a unique talent, a shy man and an extraordinary individual about whom fellow musician turned director Franz has made a remarkable film – now on DVD, BD and VoD

This extraordinary character study of one of the most significant jazz guitarists of modern times is remarkable not only for the portrait it paints of Frisell himself but also for the noteworthy list of names it interviews in passing. The newcomer with little knowledge of who’s who in jazz could take a notebook and and acquaint themselves with a remarkable number of incredible musicians of one sort or another, from the late drummer Paul Motian through more familiar, popular stars like singer Paul Simon and guitarist Bonnie Raitt to big band orchestra leader and composer Michael Gibbs. Indeed, the latter’s 2009 concert at London’s Barbican Centre featuring Frisell bookends the film allowing Franz to close on ‘Throughout’, the first of Frisell’s self-composed tunes the guitarist ever recorded. And that’s just one reason why you should watch Bill Frisell: A Portrait.

Australian independent director Franz worked for a while as a musician herself, which means that her director’s eyes and ears are attuned to what musicians do in composition and performance as well as how their minds work.… Read the rest