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Godland (Vanskabte Land)

Director – Hlynur Pálmason – 2022 – Denmark, Iceland – Cert. tbc – 138m

***1/2

Winter is coming. In the late nineteenth century, a Danish priest who is also an amateur photographer travels to an Icelandic island to oversee the construction of a church before Winter comes – plays in the BFI London Film Festival 2022 which runs from Wednesday, October 5th to Sunday, October 16th in cinemas and on BFI Player.

The late nineteenth century. Lutheran priest Lucas (Elliott Crosset Hove) meets with his Church of Denmark bishop regarding his forthcoming ministry to a remote village in Iceland where he is to oversee the construction of a church building before the harsh winter sets in. While that’s his official, designated task, the young man being something of an enthusiast for the newly emerging art of photography decides to take a camera and tripod with him to document his journey, and to this end, rather than take the simplest, safest and quickest route to his destination, he resolves to travel cross-country. (Although the film is a work of fiction, it was inspired by an actual series of photographs taken on a similar journey around this period.) He is allocated an Icelandic guide Ragnar (Ingvar Sigurðsson) to accompany him.… Read the rest

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The Shape Of Water

Loving the alien

The Shape Of Water
Directed by Guillermo del Toro
Certificate 15, 123 minutes
Released 14 February 2018

There’s a tradition in horror films and fairytales that the monster is bad. The Shape Of Water is a fairytale that features a monster (Doug Jones) who is viewed very differently by different characters. To the military security man, Strickland (Michael Shannon), it’s an affront to the image of God, in which man is created, which must be brutally subdued. To the scientist and Russian agent, Hoffstetler (Michael Stuhlbarg), he’s an intelligent being from whom our species has much to learn and who should be kept alive at all costs and treated with respect – rather than killed and dissected as the authorities suggest. And to the mute cleaning lady, Elisa (Sally Hawkins), who subsequently falls in love with him, he’s someone who responds to hard-boiled eggs and Benny Goodman records, and sees her for herself rather than for her so-called disability… [read more]

Read the full review in Reform, February 2018.

Trailer:

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Features Live Action Movies

The Ice Cream Truck

Director – Megan Freels Johnston – 2018 – US – Cert. 15 – 96m

**1/2

A housewife newly moved in to a suburb is unnerved by the creepy, local ice cream man and van… with good reason, as it turns out – on VoD and DVD from Monday, March 1st

Having just moved back into the neighbourhood where she grew up, Mary (Deanna Russo) should probably be worried that it looks a lot like the location of classic shocker Halloween (John Carpenter, 1979) with its pavements bordering lawns and hedges around residential houses. (There’s now prowling, gliding camera here though – the shots are mostly static.)

The locality also now boasts the traditional American ice cream truck, a simple, slow moving van which still serves exactly the same traditional ice cream that it has for generations. The ice cream man himself (Emil Johnsen) seems almost a parody of his profession, addressing both children and adults alike with archaic lines like, “hello there, young fellow.”

She takes an immediate dislike to nosy next-door neighbour Jessica (Hilary Barraford) but nevertheless accepts an invitation to a barbecue where it’s promised drink will flow celebrating the recent graduation of local couple’s son Max (John Redlinger – who feels a lot older than 18) who she meets on her way to the party as he hangs out with his girlfriend Tracy (Bailey Anne Borders) to smoke pot.… Read the rest

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Mrs. Noisy (ミセス・ノイズィ)

Director – Chihiro Amano – 2019 – Japan – Cert. 12a – 106m

****

A writer and young mother struggling with an elusive second novel finds herself dealing with a noisy, futon-beating neighbour in a rapidly escalating row exacerbated by viral internet videos – plays online in the Japan Foundation Touring Film Programme 2021 in the UK

Two women neighbours get involved in a petty feud which escalates out of all proportion, fuelled by videos on the internet. While parts of the feud are riotously funny to watch, this is less a comedy and more a warning as to how badly things can go wrong between ordinary people isolated in their separate domestic units in our ever-evolving technological age of phone cameras and social media. The housing block in urban Japan could just as easily be in any city in the UK. It looks all too horribly familiar.

Having published one hugely successful novel, Maki (Yukiko Shinohara) gives birth to a daughter and resolves to use the experience to feed into the next novel. She keeps writing, but her publishers tell her that nothing she’s written is up to par. Six years on Maki, her husband Yuichi (Takuma Nagao) and their small daughter Nako (Chise Niitsu) move into a new flat in a new block hoping that the change of scene will be just what Maki needs to get the writing back up to standard.… Read the rest

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Creepy (Kuripi: Itsuwari no rinjin, クリーピー 偽りの隣人)

Director – Kiyoshi Kurosawa – 2016 – Japan – Cert. 15 – 130m

****

Currently on BFI Player as part of 21st Century Japan, MUBI as part of The Uncanny Universe of Kiyoshi Kurosawa and Eureka Video Dual Format BluRay/DVD.

The following review originally appeared in Funimation UK.

Kiyoshi Kurosawa’s new crime thriller Creepy draws on Vertigo, Psycho and Audition.

The latest film by Kiyoshi Kurosawa to receive a UK cinema release is an extraordinary and highly original crime thriller with more than a passing nod to two better known Alfred Hitchcock films. Its opening reworks that of Vertigo (1958) while certain later narrative elements owe much to Psycho (1960) although not the parts of that film which are usually aped or recycled in other movies. It also recalls Takashi Miike’s notorious Audition (1999) in its overall structure. Yet despite these clear influences, Creepy is very much its own film.

Vertigo‘s first scene opens with the rung of a ladder grasped moments afterwards by a human hand. This develops into a chase sequence in which the vertigo of Detective ‘Scottie’ Ferguson (James Stewart) causes a cop to fall to his death. Creepy‘s first scene opens with bars over a window.… Read the rest

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Bluebeard (Haebing, 해빙)

Director – Lee Soo-youn – 2017 – South Korea – 115m

****

A Korean Twin Peaks clone. A doctor becomes increasingly suspicious of his downstairs butchers’ shop neighbours: are they chopping people up and dumping their remains in the Han River?London Korean Film Festival (LKFF) 2017 teaser screening

Dr. Byun Seung-hoon (Cho Jin-woong) is working at a colonoscopy clinic where the owner puts in the occasional appearance. The drugs they use have the unfortunate side effect of making their patients talk freely just like people do in their sleep. One day he’s treating the demented father (Goo Shin) of his landlord Sung-geun ( Kim Dae-myung) who runs a butcher shop on the ground floor below his cramped apartment when the old man starts talking about where to put body parts such as the legs and the torso. When the TV news reports on a woman’s body found in pieces in the Han River, Byun puts two and two together.

When Dr. Byun is accosted by Sung-geun the same evening, the two go to the former’s flat and consume drink and food. Medical textbooks are stacked in piles. That’s all he reads. Oh, and mystery novels. He likes the latter because, he says, they provide him with answers… Another evening, his ex-wife comes over and tries to mend their relationship but it doesn’t work and she storms out after a furious row.… Read the rest