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Fez Summer ’55
(” 55″ خمسة وخمسين)

Director – Abdelhai Laraki – 2023 – Morocco – Cert. none – 114m

****

An 11-year-old boy navigates the rooftops of a Moroccan city while insurgents plot the overthrow of French colonialists in private courtyards and sometimes confront the occupying police in the streets – premieres in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

The old medina of Moroccan city Fez, a lattice of narrow streets where there is room for no more than pedestrian traffic. Or, to 11-year-old boy Kamal (Ayman Driwi), a network of rooftops and walkways allowing him to go anywhere. His freedom on the top of the city stands in sharp contrast to the country’s political reality: occupied by France, with their police patrolling the streets. The locals either keep their heads down or agitate for the return of their exiled ruler, Sultan Mohammed V.

The story is very much told from Kamal’s point of view. He is at once possessed of a child’s enthusiasm for life and from his rooftop vantage point able to see things unseen by most of the narrative’s adults most of the time. Yet, he is hampered by his immaturity and lack of understanding of what’s really going on.… Read the rest

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Mind-Set

Director – Mikey Murray – 2022 – UK – Cert. 18 – 90m

***1/2

A woman seeks her way out of a relationship crisis via an affair with a new work colleague – drama masked as deadpan comedy is out in UK cinemas and on demand on Friday, October 6th

NSFW

Lucy (Eilis Cahill) and Paul (Steve Oram) have grown tired of one another. She works days at an uninspiring office job, bringing in the bread and butter money. He works from home as a screenwriter, with one filmed script to his credit. The film received poor reviews because, as she charitably says, the director did a poor job. Paul is now working on another screenplay, about “a space cadet coming to terms with his sexuality”, and there is a possibility that Nick (Jason Isaacs) might just make it happen.

Hosting a party, the couple give a tour of the premises. Paul opines about the virtues of the bidet in the bathroom – it can wash your cock or your vag if, say, you were at a party – while Luce notices the new bloke from work Daniel (Peter Bankolé) has turned up, presumably invited by one of her work colleagues.… Read the rest

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Inland Empire

Director – David Lynch – 2006 – US – Cert. 15 – 180m

*****, *, or somewhere in between

Immersing herself in the role she plays in the movie she’s currently shooting, an actress loses herself in it as she becomes increasingly divorced from reality – 4K remaster is out in UK cinemas on Friday, May 26th then Blu-ray / DVD on Monday, June 19th

I first watched this when it came out in 2007. I wasn’t sure what to make of it then and, revisiting it for the first time in roughly a decade and a half, I’m still not sure what to make of it now. It’s a Hollywood film in the sense that Lynch is highly respected in Hollywood, yet it’s not a Hollywood film in the sense that it steadfastly refuses to play by any rules other than Lynch’s own – and whatever those rules are, they are almost certainly made to be broken.

To attempt to impose a plot on the film is probably a mistake. Most commercially produced movies have a script, characters, a plot and can be judged on their narrative coherence, technical expertise and the actor’s performances. Technical expertise may be a good place to start.… Read the rest

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Mr. Vampire IV
aka
Mr. Vampire
Saga IV
(Geung See
Suk Suk,
靈幻先生)

Director – Ricky Lau – 1988 – Hong Kong – Cert. 12 – 96m

***1/2

A feud between Taoist and Buddhist neighbours, and a tentative romance between their boy and girl apprentices, are interrupted by the arrival of a coffin, from which a hopping corpse escapes – out on Blu-ray in the UK on Monday, May 22nd as part of Eureka! Video’s Hopping Mad: The Mr. Vampire Sequels

The fourth and final ‘official’ Mr. Vampire film (i.e. to be made by Sammo Hung / Leonard Ho’s Bo Ho Films company).

This once again shakes up the formula to deliver something different from its predecessors. Where the third film replaced the franchise’s jiangshi (hopping corpses) with flying ghosts, this fourth entry brings jiangshi back again and yet, curiously, they only come into play in about half of the film. The other half concerns two next door neighbours who don’t get on with one another. As with the previous films, the knockabout comedy sensibility holds the whole thing together.

The second major change is the conspicuous absence of star Lam Ching-ying who previously played the jiangshi-fighting, Taoist priest. According to the Blu-ray booklet’s helpful essay on these films by James Oliver, this appears to be down to the fact that Lam simply wasn’t available, a theory backed up by the fact that he subsequently worked again with most of those involved in the franchise.… Read the rest

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Godland
(Vanskabte Land)

Director – Hlynur Pálmason – 2022 – Denmark, Iceland – Cert. 12a – 138m

***1/2

Winter is coming. In the late nineteenth century, a Danish priest who is also an amateur photographer travels to an Icelandic island to oversee the construction of a church before Winter comes – out to rent on Amazon Video, Sky Store, Chili, Rakuten TV, BFI Player and Curzon Home Cinema from Friday, May 5th

The late nineteenth century. Lutheran priest Lucas (Elliott Crosset Hove) meets with his Church of Denmark bishop regarding his forthcoming ministry to a remote village in Iceland where he is to oversee the construction of a church building before the harsh winter sets in. While that’s his official, designated task, the young man being something of an enthusiast for the newly emerging art of photography decides to take a camera and tripod with him to document his journey, and to this end, rather than take the simplest, safest and quickest route to his destination, he resolves to travel cross-country. (Although the film is a work of fiction, it was inspired by an actual series of photographs taken on a similar journey around this period.) He is allocated an Icelandic guide Ragnar (Ingvar Sigurðsson) to accompany him.… Read the rest

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Animation Features Movies

Blind Willow,
Sleeping Woman
(Saules Aveugles,
Femme Endormie)

Director – Pierre Földes – 2022 – France, Canada, Luxembourg, The Netherlands – Cert. 15 – 100m

*****

Three characters experience the aftermath of the 2011 Tokyo earthquake in a story based on six Haruki Murakami short stories – animated feature is out to rent on BFI Player and Curzon Home Cinema from Friday, May 5th

This is an animated feature based on six Haruki Murakami short stories which comes not, as you might expect, from Japan, but rather from one of the few other countries that can reasonably be said to have an animation industry: France. Writer-director Pierre Földes, whose father Peter is an award-winning animator, further confounds expectations by making a film of six Murakami short stories… [Read the full review at All The Anime…]

Blind Willow, Sleeping Woman is out to rent on BFI Player and Curzon Home Cinema from Friday, May 5th.

It was out in cinemas in the UK on Friday, March 31st.

Trailer:

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The Shape Of Water

Loving the alien

The Shape Of Water
Directed by Guillermo del Toro
Certificate 15, 123 minutes
Released 14 February 2018

There’s a tradition in horror films and fairytales that the monster is bad. The Shape Of Water is a fairytale that features a monster (Doug Jones) who is viewed very differently by different characters. To the military security man, Strickland (Michael Shannon), it’s an affront to the image of God, in which man is created, which must be brutally subdued. To the scientist and Russian agent, Hoffstetler (Michael Stuhlbarg), he’s an intelligent being from whom our species has much to learn and who should be kept alive at all costs and treated with respect – rather than killed and dissected as the authorities suggest. And to the mute cleaning lady, Elisa (Sally Hawkins), who subsequently falls in love with him, he’s someone who responds to hard-boiled eggs and Benny Goodman records, and sees her for herself rather than for her so-called disability… [read more]

Read the full review in Reform, February 2018.

Trailer:

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The Ice Cream Truck

Director – Megan Freels Johnston – 2018 – US – Cert. 15 – 96m

**1/2

A housewife newly moved in to a suburb is unnerved by the creepy, local ice cream man and van… with good reason, as it turns out – on VoD and DVD from Monday, March 1st

Having just moved back into the neighbourhood where she grew up, Mary (Deanna Russo) should probably be worried that it looks a lot like the location of classic shocker Halloween (John Carpenter, 1979) with its pavements bordering lawns and hedges around residential houses. (There’s now prowling, gliding camera here though – the shots are mostly static.)

The locality also now boasts the traditional American ice cream truck, a simple, slow moving van which still serves exactly the same traditional ice cream that it has for generations. The ice cream man himself (Emil Johnsen) seems almost a parody of his profession, addressing both children and adults alike with archaic lines like, “hello there, young fellow.”

She takes an immediate dislike to nosy next-door neighbour Jessica (Hilary Barraford) but nevertheless accepts an invitation to a barbecue where it’s promised drink will flow celebrating the recent graduation of local couple’s son Max (John Redlinger – who feels a lot older than 18) who she meets on her way to the party as he hangs out with his girlfriend Tracy (Bailey Anne Borders) to smoke pot.… Read the rest

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Mrs. Noisy
(ミセス・
ノイズィ)

Director – Chihiro Amano – 2019 – Japan – Cert. 12a – 106m

****

A writer and young mother struggling with an elusive second novel finds herself dealing with a noisy, futon-beating neighbour in a rapidly escalating row exacerbated by viral internet videos – plays online in the Japan Foundation Touring Film Programme 2021 in the UK

Two women neighbours get involved in a petty feud which escalates out of all proportion, fuelled by videos on the internet. While parts of the feud are riotously funny to watch, this is less a comedy and more a warning as to how badly things can go wrong between ordinary people isolated in their separate domestic units in our ever-evolving technological age of phone cameras and social media. The housing block in urban Japan could just as easily be in any city in the UK. It looks all too horribly familiar.

Having published one hugely successful novel, Maki (Yukiko Shinohara) gives birth to a daughter and resolves to use the experience to feed into the next novel. She keeps writing, but her publishers tell her that nothing she’s written is up to par. Six years on Maki, her husband Yuichi (Takuma Nagao) and their small daughter Nako (Chise Niitsu) move into a new flat in a new block hoping that the change of scene will be just what Maki needs to get the writing back up to standard.… Read the rest

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Creepy
(Kuripi:
Itsuwari No Rinjin,
クリーピー 偽りの隣人)

Director – Kiyoshi Kurosawa – 2016 – Japan – Cert. 15 – 130m

****

Currently on BFI Player as part of 21st Century Japan, MUBI as part of The Uncanny Universe of Kiyoshi Kurosawa and Eureka Video Dual Format BluRay/DVD.

The following review originally appeared in Funimation UK.

Kiyoshi Kurosawa’s new crime thriller Creepy draws on Vertigo, Psycho and Audition.

The latest film by Kiyoshi Kurosawa to receive a UK cinema release is an extraordinary and highly original crime thriller with more than a passing nod to two better known Alfred Hitchcock films. Its opening reworks that of Vertigo (1958) while certain later narrative elements owe much to Psycho (1960) although not the parts of that film which are usually aped or recycled in other movies. It also recalls Takashi Miike’s notorious Audition (1999) in its overall structure. Yet despite these clear influences, Creepy is very much its own film.

Vertigo‘s first scene opens with the rung of a ladder grasped moments afterwards by a human hand. This develops into a chase sequence in which the vertigo of Detective ‘Scottie’ Ferguson (James Stewart) causes a cop to fall to his death. Creepy‘s first scene opens with bars over a window.… Read the rest