Tag: housewife

The Crazy Family
Gyakufunsha Kazoku,
逆噴射家族)

Post author By Jeremy Clarke
Post date 20 April 2024
No Comments on The Crazy Family
Gyakufunsha Kazoku,
逆噴射家族)
Sticky post

Director – Sogo Ishii – 1984 – Japan – Cert. 18 – 105m

*****

After proudly moving into their first home as owner-occupiers, a family go berserk and destroy the building – out in selected New York cinemas from Friday, April 19th and selected UK cinemas from Friday, April 25th

This seemingly starts out as a conservative family drama. The family in question comprises father Katsukuni Kobayashi (Katsuya Kobayashi in his debut feature role), mother Saeko (Mitsuko Baisho who worked with directors Akira Kurosawa, Shohei Imamura and Kaneto Shindo), elder teenage son Masaki (Yoshiki Arizono from Ichi the Killer, The Happiness of the Katakuris, both Takashi Miike; Electric Dragon, 80,000 V, Sogo Ishii, all 2001) and younger teenage daughter Erika (Youki Kudoh from Typhoon Club, Shinji Somai, 1985; Mystery Train, Jim Jarmusch, 1989; Heaven’s Burning, Craig Lahiff, 1997). The Kobayashis move in to their first home as owner-occupiers which, although it’s a little on the small side, promises an idyllic existence. Father is the breadwinner with a nondescript office job, mother waters the plants and does the cooking and housework, the daughter wants to be an idol singer and the son is spending all his time studying for school and university in his room upstairs.… Read the rest

Tags a place to live, accommodation, armour, baseball bat, basement, bicycle, biker gang, bravado, breadwinner, build, building work, catalyst, Chinese, coffee, defensive, derelict, digging, drama, drill, failure, family, family unit, father, floor, flyover, grandfather, hand-held, head of the family, Hitoshi Ueki, home, horror, house implosion, housewife, housing, husbands and wives, idol singer, intimacy, intimate, Japan, Japanese cinema, JG Ballard, Katsuya Kobayashi, killing, kitchen implements, living room, living room floor, Mitsuko Baisho, mother, naive, nuclear family, office job, one-piece swimsuit, outer space, owner-occupiers, parents and children, pixelation, poison, power tool, primal types, public housing, rape, rape as weapon of war, room, run, salaryman, school, Second Sino-Japanese War, SF, sibling, sick, social breakdown, societal norms, Sogo Ishii, soldier, streets, studying, suburbia, sword, teenage, threat, train, turmoil, uniform, university, upstairs, warrior, weapon of war, white ant, World War Two, Yoshiki Arizono, Youki Kudoh

Features Live Action Movies

Spaghetti Code Love
(Supagetikodo Rabu,
スパゲティコード
・ラブ)

Post author By Jeremy Clarke
Post date 11 February 2022
No Comments on Spaghetti Code Love
(Supagetikodo Rabu,
スパゲティコード
・ラブ)

Director – Takeshi Maruyama – 2021 – Japan – 96m

***1/2

The intersecting lives of several young Tokyoites suggests they don’t know how to communicate with one another – plays UK cinemas in the Japan Foundation Touring Film Programme 2022 between Friday, 4th February and Thursday, 31st March

A young woman hangs out in an amusement arcade. Suddenly she’s aware of a young boy. Running, shouting, “why me”. He needs something. She steps into the breach and – for a moment, at least – provides it by holding him tight, a surrogate mother, an understanding human connection.

How far this understanding goes, it’s impossible to say. We never find out the source of the boy’s malaise, we never learn anything more about the woman who holds him in the arcade. However they have connected on some level – physically and emotionally. And that’s what this film seems to be about.

It’s basically a series of character study vignettes in which the characters occasionally cross paths which could well have been written or conceived as a half dozen of so short films. They connect with or become alienated from one another. It’s set in Tokyo with a title suggestive of complex networks and computer language with the catch-all ‘love’ tacked on the end.… Read the rest

Features Live Action Movies

Ridley, Ripley,
Thelma & Louise

Post author By Jeremy Clarke
Post date 20 August 1991
No Comments on Ridley, Ripley,
Thelma & Louise

Alien

Director – Ridley Scott – 1979 – US – X – 116 mins 35 secs

*****

Blade Runner

Director – Ridley Scott – 1982 – US – AA – 117 mins 04 secs

*****

Thelma & Louise

Director – Ridley Scott – 1991 – US – 15 – 129 mins 22 secs

*****

At the end of Alien, Ripley (Sigourney Weaver), having defeated the monster, strips down to her underwear only to discover that she hasn’t defeated it at all and it’s still in the space shuttle with her in the archetypal Hollywood false ending of recent years. It begged the question, why did Ripley remove her clothing at this point if not for the obvious gratification of the male members of the audience (and, one should add, the accompanying box office returns)?

At the end of Thelma & Louise, the eponymous heroines (Geena Davis and Susan Sarandon respectively), on the run after the former’s rapist has been murdered after the event by the latter, find themselves trapped between the Grand Canyon’s gaping precipice on one side of them and massed hordes of police marksmen, ready to open fire if they don’t surrender, on the other. No pandering to male voyeurism here.… Read the rest