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Tokyo Story
(Tokyo Monogatari,
東京物語)

Director – Yasujiro Ozu – 1953 – Japan – Cert. U – 136m

*****

Plays in the BFI Japan 2021 season October / November at BFI Southbank. Also currently streaming on BFI Player as part of the Japan programme alongside 24 other Ozu films together with a much wider selection of Japanese movies.

Elderly couple the Hirayamas (Chishu Ryu, Chieko Higashiyama) live in the seaside town of Onomichi, a day’s train ride from Tokyo at the time the film was made. Of their five children, Kyoko (Kyoko Kagawa) still lives at home with them and works locally as a primary school teacher, two live in Tokyo, one in Osaka and one went missing in action during the war, presumed dead. The son and daughter in Tokyo, Koichi (So Yamamura) and Shige (Haruko Sugimura), work as a doctor and a beauty parlour owner respectively. Both are married while the missing son has left behind a widow Noriko (Setsuko Hara). The fifth child is a son Keizo (Shiro Osaki) in Osaka which is on the train between Onomichi and Tokyo. The couple want to visit their offspring and see how they are doing for themselves.… Read the rest

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Features Live Action Movies

Paris Memories
(Revoir Paris)

Director – Alice Winocour – 2022 – France – Cert. 15 – 105m

****

A woman tries to recall her memories of a Paris terrorist attack – out in UK cinemas on Friday, Aug 4th

Were it not for a singularly unconvincing sex scene (as in, why are these two characters having sex?) about ten minutes before the end, this might have been one of my films of the year. That knocks it down from ***** to ****. That gaffe aside – and it’s a monumentally huge one – this is, otherwise, most impressive.

It starts off with Mia (Virginie Efira) in her Paris flat, feeding the cat, dropping and clearing up a glass, and talking with her partner Vincent (Grégoire Colin), a surgeon who heads up a hospital department. She rides her motorbike to her radio station workplace, where she has a gig as a Russian-French translator. Afterwards, in the evening, she meets Vincent in a restaurant for a meal, but he gets a call from the hospital and has to go back in. After a bit, she heads for home, but it’s raining heavily, so she stops off at another restaurant to have a drink and wait out the rain.… Read the rest

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Mr. Vampire III
(Ling Wan
Sin Sang,
靈幻先生)

Director – Ricky Lau – 1987 – Hong Kong – Cert. 15 – 88m
***1/2
Stunt-filled action comedy in which a travelling con-artist in cahoots with ghosts helps a Taoist priest fight a gang of horse thieves led by an evil sorceress – out on Blu-ray in the UK on Monday, May 22nd as part of Eureka! Video’s Hopping Mad: The Mr. Vampire Sequels

The third ‘official’ Mr. Vampire film (i.e. to be made by Sammo Hung / Leonard Ho’s Bo Ho Films company).

Set in the early twentieth century of the original Mr. Vampire, this once again takes the constituent parts of the original and shakes everything up a bit to come up with something at once different yet recognisably the same.

Taoist priest Ming (Richard Ng) is not terribly good at the job, so is getting by as a con artist going from village to village banishing ghosts for anyone who’ll pay him, the con element being that he has two ghost assistants, the adult Big Pao (David Lui Fong) and the small boy Small Pao (Hoh Kin-wai from Mr. Vampire II) who act out the part of being banished. Real ghosts with a nasty habit of appearing and messing things up force him to move on.… Read the rest

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Mr. Vampire II
(Geung See
Ga Zuk,
殭屍家族)

Director – Ricky Lau – 1986 – Hong Kong – Cert. 12 – 89m

*****

After a professor unearths a family of undead corpses, the child befriends a little girl and the parents go looking for it – out on Blu-ray in the UK on Monday, May 22nd as part of Eureka! Video’s Hopping Mad: The Mr. Vampire Sequels

The second ‘official’ Mr. Vampire film (i.e. to be made by Sammo Hung / Leonard Ho’s Bo Ho Films company).

A professor (Fat Chung) leads his two hapless assistants Chicken (Billy Lau) and Sashimi (Lau Chau-sang) on an archaeological dig, sending them into a cave where they find a family of corpses (father, mother, small boy played by Cheung Wing-cheung, Pauline Wong and Hoh Kin-wai respectively) immobilised by talismans on their foreheads, and take them back to the professor’s workshop. As the professor and Sashimi are driving the child corpse, the talisman comes off, and it comes to life, later escaping to a house where it is found and befriended by a little girl Chia-Chia (Hon Kin-yu), who keeps it hidden in her room from her widowed father Mr. Hu (Woo Fung). She introduces it to her brother (Choi Man-kam) and later to four of their friends.… Read the rest

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Still Walking
(Aruitemo Aruitemo,
歩いても 歩いても)

Director – Hirokazu Kore-eda – 2008 – Japan – Cert. U – 115m

*****

A more conventional if highly personal family drama taking place within 24 hours as Ryota (Abe Hiroshi), his wife and stepson visit his ageing parents Toshiko and Kyohei (Kirin Kiki and Yoshio Harada). Ryota is their second son, placed in the role of the first following the death of his older sibling Junpei many years before, something with which his parents have never fully come to terms…

Read the rest at All The Anime where I covered this title as part of the BFI’s Flesh And Blood Blu-ray box set which includes Maborosi (1995), After Life (1998), Nobody Knows (2004) and Still Walking (2008). Also available on BFI Player subscription and to rent on Amazon UK and Curzon Home Cinema.

Trailer (Still Walking – Criterion):

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Animation Features Movies

Spirited Away
(Sen
To Chihiro
No Kamikakushi,
千と千尋の神隠し)

Director – Hayao Miyazaki – 2001 – Japan – Cert. PG – 125m

****1/2

A shorter version of this review was originally published in Third Way for UK release date 12/09/2002. At which point, hardly anyone in the UK outside of anime fandom knew who Miyazaki was.

In director Hayao Miyazaki’s Spirited Away, a ten-year-old girl must survive a bathhouse run by demons after her parents are turned into pigs – now showing on Netflix (subtitled / dubbed) and can also be seen in the Anime season April / May 2022 at BFI Southbank (subtitled / dubbed for family screenings)

To discover the films of Hayao Miyazaki – and those of his company Studio Ghibli (pronounced “Jib-Lee”) – is like suddenly being exposed to those of Disney without prior knowledge of their sheer number or quality. In Miyazaki’s native Japan, Spirited Away shattered box office records to succeed Titanic as the most lucrative movie of all time. In the US, it won the Oscar for Best Animated Feature while making only modest inroads into the marketplace. Britain, however, is not the US and it may well fare better here than it did there.

Previous Miyazaki outings have covered children’s experience of the countryside (My Neighbour Totoro, 1988; one of this writer’s favourite films of all time), a young girl’s learning to find her way in the world (Kiki’s Delivery Service, 1989) and conflicting loyalties among pilots in interwar Europe (Porco Rosso, 1992).… Read the rest