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Movies Features Live Action

Godzilla Minus Zero
(Gojira – 0.0,
ゴジラ – 0.0)

Godzilla Minus Zero (Gojira – 0.0, ゴジラ – 0.0)

Director – Takashi Yamazaki – 2026 – Japan – Cert. 12a – 135m

IMAX version *****

Regular version *****

Japan, slowly recovering from World War Two, must again deal with the seemingly unstoppable menace of Godzilla when it rises again from the depths of the ocean – out in UK and Ireland IMAX cinemas on Tuesday, November 3rd then in regular cinemas on Friday, November 6th

*** Please note: Godzilla Minus One spoiler alert in opening paragraph. ***

“Is your war finally over?”, redeemed Kamikazi pilot Koichi Shikishima (Ryunosuke Kamiki) is asked by Noriko Oishi (Minami Hanabe), the woman who he has taken in to his home along with a baby only for her to be subsequently blasted away when pushing him into a building recess to save him from Godzilla during its attack on Ginza, at the end of Godzilla Minus One (Takashi Yamazaki, 2023). Miraculously, she survived that incident, which scarcely seems possible. Although perhaps writer-director Yamazaki shrewdly included the conundrum to enable him to kick around some ideas as to why she might have survived beyond mere luck.

One such idea makes it into this new film, and a fascinating idea it is too, one of a number of script elements for which Toho have asked journalists to keep the specifics under wraps so as not to spoil the film for audiences – which seems reasonable enough given that critics had the privilege of seeing the film before any reviews had given anything away.… Read the rest

Categories
Movies Features Live Action

Get Carter
(1971)

Get Carter (1971)

Director – Mike Hodges – 1971 – UK – Cert. 18 – 111m

*****

A London gangster takes the train to Newcastle to find out who killed his brother… and why… in a defining film for both Michael Caine and British cinema – back out in cinemas on Friday, May 27th

Fifty years old, Hodges’ first feature has aged well in the main. Viewed today, this gangster film has a lot going for it. It reduces London to seedy, windowless rooms where men watch pornographic slide shows or their unfaithful wives service their lovers’ sexual fantasies over long distance phone calls. After the opening London to Newcastle train journey to the strains of Roy Budd’s memorable score, It quickly settles into its Newcastle milieu of pub interiors, terraced houses, rented rooms, back to back streets, pedestrians, cars, harbours and ferries. It has a memorable finale in which one man pursues another across a beach to a coal heap.

There’s a background about prostitution which turns out to be highly significant to the plot, with histories of men luring girls into pornographic movies. Few of the women (Britt Ekland, Rosemary Dunham, Petra Markham) seem happy – they are sex objects to service the men, or prostitutes, or victims of male trickery.… Read the rest