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Features Live Action Movies

Rimini (Rimini)

Director – Ulrich Siedl – 2022 – Austria, France, Germany – Cert. 18 tbc – 114m

*****

A singer of romantic songs performs to elderly female fans (in more ways than one) in an off-season seaside town as his past catches up with him – from the BFI London Film Festival 2022 which runs from Wednesday, October 5th to Sunday, October 16th in cinemas and on BFI Player

An old man (Hans-Michael Rehberg, who died in 2016 and whose last lensed appearance on film this performance represents) is lost in a care home where he’s a patient. None of the doors will open. His son (Michael Thomas) arrives and takes him to the man’s wife’s funeral.

His son travels to the off-season, Italian seaside resort of Rimini for bookings as Richie Bravo (presumably his stage rather than his real name, although this is never clarified) at hotels to sing romantic songs to his admiring, elderly, female fan base. The dull, monolithic hotel buildings have exotic names like Soleil and 007 belying their inherent blandness.

In between those performances and traipsing around through heavy rain and snow, he engages in sexual congress in hotel rooms with a small number of his most devoted fans including the single Anna (Claudia Martini) and the married Emmi (Inge Maux).… Read the rest

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Features Live Action Movies

Jurassic World Dominion

Director – Colin Trevorrow – 2022 – US – Cert.12a – 148m

***

Sixth Jurassic movie promises then dumps a plot where humans and dinosaurs co-exist in the modern world and instead heads for a secluded valley where numerous dinosaurs are kept by a dodgy corporation – out in cinemas on Friday, June 10th

There’s a long tradition in cinema of putting dinosaurs alongside humans, as if the dinosaurs on their own wouldn’t be enough to bring in audiences. This is nonsense of course: look no further than the TV series Walking With Dinosaurs (1999), Walt Disney’s Fantasia (segment directors: Bill Roberts, Paul Satterfield, 1940) or The Animal World (effects: Willis O’Brien, Ray Harryhausen, 1956), and the high regard in which they’re held, for proof.

The genius of Jurassic Park (Steven Spielberg, 1993) was to reconstruct the dinosaurs from their DNA, providing a much better reason to put both species side by side than the lost plateau of The Lost World (effects: Willis O’Brien, 1925), the lost island of King Kong (effects: Willis O’Brien, 1933), the lost valley of The Valley Of Gwangi (effects: Ray Harryhausen, 1969) or the cavemen and dinosaurs of One Million Years B.C. (effects: Ray Harryhausen, 1966).… Read the rest

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Animation Features Movies

Tokyo Godfathers (Tokyo Goddofazazu, 東京ゴッドファーザーズ)

Director – Satoshi Kon – 2003 – Japan – Cert. 12 – 91m

*****

Three homeless people – a drag queen, a hard drinker and a runaway teenage girl – find an abandoned baby at Christmas and resolve to return her to her parents – plays in the Anime season April / May 2022 at BFI Southbank

This opens with a nativity play to an audience of what one initially presumes to be admiring parents, a perception rapidly revised with the realisation that what is on offer is a programme of ‘nativity play, sermon, dinner’ for Tokyo’s homeless, with the first two items something to endure in order to access the much wanted third one. Any thought that the film is going to deal with religion is however swiftly dismissed with the introduction of three homeless characters holed up in an empty house containing a piles of discarded and bagged up goods, one of which turns out to contain an abandoned baby.

Teenage runaway Miyuki (voice: Aya Okamoto) has fallen in with two men old enough to be her father (if not her grandfather) who look out for her: the cross-dressing Miss Hana (voice: Yoshiaki Umegaki) and the hard-drinking Gin (voice: Toru Emori).… Read the rest

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Features Live Action Movies

Cyrano

Romantic self-doubt

Cyrano
Directed by Joe Wright
Certificate 12a, 124 minutes
Released 25 February

Edmond Rostand’s 1897 romantic play Cyrano de Bergerac concerns a man who, because of his long nose, considers himself too ugly to tell the girl of his dreams and childhood friend Roxanne that he loves her. This new version ditches the nose to cast Peter Dinklage (Game Of Thrones) as the hero whose dwarfism becomes his reason for thinking Roxanne (Haley Bennett) couldn’t possibly love him. Then she falls in love… with one of the men in the regiment he commands.

However… [Read more]

Full review published in Reform magazine.

See also my alternative review.

Cyrano is nominated for Best Costume Design in the 2021/22 (94th) Oscars.

Cyrano is out in cinemas in the UK on Friday, February 25th.

Trailer:

Categories
Features Live Action Movies

Cyrano

Director – Joe Wright – 2021 – UK – Cert. 12a – 124m

*****

The short stature of Cyrano de Bergerac makes him believe that no woman could ever love him – not even his beloved friend Roxanne, who he can’t bring himself to tell – out in cinemas on Friday, February 25th

17th Century Italy. Witty and articulate Captain of the Guard Cyrano de Bergerac (Peter Dinklage) is never at a loss for words. His rapier wit defeats any opponent, as does his rapier proper should any be foolish enough to challenge him to a duel. Being short in stature, he can’t imagine that any normal sized woman could love him for who he is.

He is therefore unable to confess his love for her to the beautiful Roxanne (Haley Bennett), the woman and lifelong childhood friend for whom he would do anything. So when she falls in love at first sight with Christian (Bashir Salahuddin), a new recruit to Cyrano’s regiment, Cyrano finds himself torn between her rejection and his desire for her to be happy with the man she loves. Unfortunately, this intelligent and free-spirited young woman enjoys nothing more than the literary cut and thrust which Cyrano is able to provide but the inarticulate and out of his depth Christian is not.… Read the rest

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Features Live Action Movies

Limbo

Director – Ben Sharrock – 2020 – UK – Cert. N/C 15+ – 103m

****1/2

Immigrants are holed up in a rundown house on a bleak Scottish island as they await letters granting their requests for asylum in the UK on MUBI from Thursday, September 23rd

A smiley chalked on a blackboard. A woman’s austere face suggesting exactly the opposite. Instructors Helga (Sidse Babett Knudsen) and Boris (Kenneth Collard) are demonstrating how a man should behave towards a woman dancing to pop music. Helga’s top looks far too proper and her skirt both far too formal and long for a good night out, as if she were dressed for work in an office. Boris is admonished for first resting his head on Helga’s clothed breast then putting his hands on her bottom. “Now, can anyone tell me what Boris did wrong,” she asks the group of stunned men watching, seated.

Behind her on the blackboard are the words, “Cultural Awareness 101. Sex. Is a smile an invitation?”

Welcome (or maybe not) to the world of an asylum seeker from Syria placed on a remote Scots island. Welcome (or maybe not) to the UK’s Hostile Environment.

A rudimentary training centre.… Read the rest

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Features Live Action Movies

Shape Of Red (Red)

Director – Yukiko Mishima – 2020 – Japan – Cert. N/C 15+ – 122m

****1/2

A woman trapped in a stultifying marriage experiences freedom and laughter in both returning to work and pursuing an extramarital relationship – played online in the Japan Foundation Touring Film Programme 2021 in the UK

Married to Shin (Shotaro Mamiya) with a six-year-old girl Midori, Toko (Kaho – Our Little Sister, Hirokazu Kore-eda, 2015) is a stay-at-home mum. Shin works with a trading company and judging by the size of the house is not lacking financially. Shin’s mother is a constant fixture in their home and the first time we see Shin come in from work of an evening, he rejects the meal his wife has prepared because he’s “not hungry” only to readily accept a favourite dish his mother has prepared.

That doesn’t bode well for the marriage. In bed she dutifully performs a blow job on him which satisfies him but not her. As she wipes away the results with a tissue, you feel that she’s not so much a wife, more a sort of sexual skivvy.

As his wife, Toko accompanies Shin to various work social events where she similarly appears to be little more than an appendage.… Read the rest

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Animation Movies Shorts

Hot Flash

Director – Thea Hollatz – 2019 – Canada – 10m

*****

From the Annecy 2020 Online Animation Festival

Suffering from a hot flash just before she’s due to go on air, weatherwoman Ace Naismith (voice: Christine Horne) desperately employs the cooling fan in her dressing room to blow cool air on her face, under her boobs and up her dress in a desperate attempt to cool down. A moment of embarrassment ensues as she’s interrupted by P.A. Natalie Van Damme (Grace Glowicki) who tells her, Don wants you to talk about paragliders.

In the studio, under the lights against greenscreen, Ace is visibly suffering. Don (Tony Nappo) enters, but she can’t talk to him about the paraglider thing because he’s jugging three conversations on three different devices, one of which could be with his wife. So she delivers the report to camera on the incoming ice storm and then, paragliders, a reminder of warmer weather which she, in her current hot state, could well do without.

Her quest to cool down continues – sitting in the car park with the car door open while a male colleague walks past, warmly wrapped against the freezing cold. She drives home, rushes upstairs, rips of her clothes opens the window, cools down.… Read the rest

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Dance Features Live Action Movies

Climax

Director – Gaspar Noé – 2018 – France – Cert. 18 – 97m

*****

Uppers and downers – either way blood flows. Arthouse enfant terrible Noé combines technical skill and singular focus with some of the most spectacular dancing ever put on film to produce a dark and challenging vision of hell on earth – now available on VoD

Cinema at its purest. Bright white on a screen. A woman starts crawling from the top of the screen. Extreme audience disorientation. We realise she’s crawling through snow. She appears to be in a bad way. Traces of blood. The camera follows her forward movement down the screen. Slowly a tree comes into shot from the bottom. We are watching the same overhead camera movement.

A series of vox pops on a television screen with shelves of books on one side and piles of DVDs on the other. Dancers answer questions on why dance is important to them. Would they do anything in order to make it big? What would they do if they weren’t able to dance?

Then the narrative proper begins. It’s 1996. We’re inside a building with a dance floor watching the most amazing dance routines we’ve ever seen.… Read the rest