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Paris 13th District (Les Olympiades, Paris 13e)

Director – Jacques Audiard – 2021 – France – Cert. 15 tbc – 105m

***

The criss-crossing lives and loves of four characters in Paris 13th District – in cinemas from Friday, March 18th

Shot for the most part in stylish black and white, this starts off with apartment resident Émilie Wong (Lucie Zhang) naked in her grandmother’s flat with her new tenant Camille (Makita Samba), their situation swiftly explained in a “how it all began” flashback. Their intense passion cools after a mere couple of weeks, however, with Camille subsequently bringing another girl he fancies back to the flat.

Meanwhile, law student Nora Ligier (Noémie Merlant from Jumbo, Zoé Wittock, 2020) gets mistaken for online sex cam girl Amber Sweet (Jehnny Beth) at a nightclub and the image of her (incorrect) identity immediately plastered over the internet. She quits university and gets a job at a real estate company, an area in which she has a lot of experience, run by Camille who is looking after the company for a friend and has no idea what he’s doing.

Although Nora delineates boundaries for the office, pretty soon she and Camille are involved in a passionate, physical relationship. Meanwhile, she tracks down Amber Sweet on the web, first for conversations on Amber’s expensive website and later for lengthier conversations for free on Skype.… Read the rest

Categories
Features Live Action Movies

My Prince Edward (Gam Dou, 金都)

Director – Norris Wong Yee-Lam – 2019 – Hong Kong – Cert. N/C 15+ – 91m

****1/2

A Prince Edward resident starts to question whether marrying her boyfriend as the couple have long planned is really such a good idea – online in the UK as part of Focus Hong Kong 2021 Easter from Wednesday, March 31st to Tuesday, April 6th

Whatever your nationality, one of the great thrills of world cinema is when a film informs you about all sorts of aspects of a culture other than your own. That’s the case here. To call this a romantic drama is misleading because what it’s actually about is a woman on a culturally approved trajectory starting to question whether it really is something for her or whether she’d be better off finding a different life journey entirely by another route. That approved trajectory is: girl meets boy, girl moves in with boy, girl marries boy.

Perhaps there’s a second trajectory here too, suggesting that Hong Kong is a sealed, navel-gazing world caught up with looking at itself and that perhaps Hong Kongers need to get out of their homeland more, be that to mainland China to which the heroine travels for reasons of her complicated personal situation and later visits of her own volition or be it to America, described by the film’s mainland Chinese lead as a place of freedom.… Read the rest