Tag: printmaking

Exhibition on Screen
James McNeill Whistler

Post author By Jeremy Clarke
Post date September 14 2026
No Comments on Exhibition on Screen
James McNeill Whistler

Exhibition on Screen: James McNeill Whistler

Director – David Bickerstaff – 2026 – UK – Cert. U – 90m

*****

A look at the work of 19th Century painter Whistler, seen through the lens of the 2026 Tate Britain exhibition – out in UK cinemas from Tuesday, 15th September

Before watching this latest Exhibition on Screen feature, I was able to visit Tate Britain’s stunning James McNeill Whistler show, which sits very much at the film’s core. The film had the effect of making me want to go back for further visits.

It opens with shots of a Victorian concert hall interior where the unseen Whistler (voice: Bret Jones) is addressing the room with his spoken lecture on art, something the film will return to towards its close. After a montage of brushes, painting surfaces and palettes, establishing shots of Tate Britain take us straight into the current Whistler show. “People sometimes think of Whistler as being based in French art, and sometimes as being based in British art,” explains Carol Jacobi, Curator of British Art 1850-1915, Tate Britain, “whereas…he was very much an independent…and very much leading the avant-garde in both those countries.”

Susan Grace Galassi, Curator Emeritas, The Frick Collection, New York, who considers Whistler one of the greatest American artists, notes that he didn’t distinguish between fine or applied art, that he was as great a painter as he was a printmaker.… Read the rest

Tags 1855, 19th century, 2026, A. O. Koritskii, America, American, American South, aristocrats, Arrangement, art, Art Critic, art historian, art history, art lessons, artisan, avant-garde, backstreets, bars, birthplace, blue Japanese porcelain, bohemian, Boston, Bret Jones, British art, brushes, butterfly, Can-Can, Carol Jacobi, Charles Baudelaire, Charles Lang Freer, Chelsea, chief engineer, Coastal Survey, coastline, coin, collection, commission, common people, concert hall, Connecticut, countryside, critic, cult of personality, curator, dancer, dandy, Dante Gabriel Rossetti, David Bickerstaff, display, disreputable, draughtsmanship, draw, drawing, drawings of coastlines, East End, England, etch, etching, everyday life, exhibition, Exhibition On Screen, F.R. Leyland, fabric, falling out, family, feud, fine and applied art, Finette, France, freedom, French art, Gustave Courbet, Harmony, Henry Murger, house brushes, independent, interior, interior design, irascible, James McNeill Whistler, Japan, Japanese, Japanese porcelain, Kensington, La Vie Boheme, lecture on art, letters, life size photographs, London, Lowell, Manet, Massachusetts, military surveyor, Mme Gérard, modern life, Modernism, money and payment, monogram, moral, motif, New York, Nocturne, one good eye, ordinary, outsider, painter, painting, painting as painting, painting surfaces and palettes, panel, Paris, Patricia de Montfort, peacock, peasants, Phil Grabsky, poet, Pomfret, porcelain, Pre-Raphaelite, printmaker, printmaking, prostitutes, provocateur, Rachel Campbell-Johnston, railway construction, railway engineer, railways, Rembrandt, responsible male, river, river bridges, river painting, River Thames, Rotherhithe, rural and urban, Russia, Salon d’Exposition, self-portrait with a pipe, self-promotion, self-publishing, shelving, ships, smoking a cigarette, Southerner, Spanish wall coverings, St. Petersburg, St. Petersburg Academy of Fine Arts, St. Petersburg to Moscow, Stephen Calloway, sting in the tail, story, struggling artist, studies, subject, surveyor, Susan Grace Galassi, Symphony, Tate Britain, temper, Thames, The Frick Collection, The Peacock Room, UK, upbringing, urban, Velázquez, Victorian, Wapping, West Point Military Academy, Whistler, Whistler’s mother, workmen

Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen
Tokyo Stories

Post author By Jeremy Clarke
Post date May 22 2023
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Tokyo Stories

Exhibition on Screen: Tokyo Stories

Director – David Bickerstaff – 2023 – UK – Cert. 15 – 90m

*****

Japan generally and Tokyo specifically are viewed through that city’s art and photography – out in UK, Irish and worldwide cinemas on Tuesday, May 23rd

The refreshing thing about this latest entry in producer Phil Grabsky’s excellent Exhibition On Screen series is that it breaks the mould. Like Vermeer The Greatest Exhibition (David Bickerstaff, 2023), it is centred around a particular art exhibition, in this instance 2022’s Tokyo: Art + Photography show at Oxford’s Ashmolean Museum. That event sought to give a perspective on the country of Japan generally and the city of Tokyo specifically through its art, both historical and contemporary. The Ashmolean is well-placed to do this, given that it already houses a wide-ranging, historical Japanese collection. Sadly, it means that if this film whets your appetite and makes you want to visit the exhibition, you can’t then do so because it’s been and gone. In a way, though, that’s not so dissimilar from the Vermeer exhibition, which had sold out before the documentary about it appeared.

While the film is swift to acknowledge areas of Japanese culture as diverse as manga (one of the first shots of Tokyo features a giant image of manga and anime favourites Dirty Pair) and traditional Japanese music (a stringed and a woodwind instrument are shown being played by musicians without any explanation or even naming of the instruments), such elements remain largely in the background.… Read the rest

Tags Aida Makoto, art, art academies, art expert, artist, artists’ collective, Ashmolean Museum, Astro Boy, beauty, bombing raid, burned, cardboard houses, catharsis, cherry blossom, cherub angel, Chim↑Pom, Clare Pollard, corpses, David Bickerstaff, destruction and renewal, Dirty Pair, drawing, earthquake, Edo, eroticism, Exhibition On Screen, gallery, giant catfish, Godzilla, guts, homeless people, installation, Japan, Keiichi Tanaami, leaky leaky, Lena Fitsch, love hotels, love is over, manga, Meiji, Michael Hoppen, moré moré, Moriyama Daido, Namazu, Nihowga style, Osamu Tezuka, Oxford, performance, performance art, Phil Grabsky, photographer, photography, Pikachu, Pokémon, Pop Art, print, printmaking, prostitute, prostitution. yakuza. Fuyuko Matsui, rat poison, rat poisoning, resistant strain, Ryuji Miyamoto, Second World War, Sino-Japanese War, Sohei Nishino, stuffed rat, super-rats, teaching art, telephone cards, temporary repairs, Tokugawa Shogunate, Tokyo, Tokyo Olympics, trauma, war atrocities, water leaks, World War 2, World War II, World War Two, WW2, Yoga style, Yoko Mohri

Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen
Mary Cassatt
Painting
the Modern Woman

Post author By Jeremy Clarke
Post date March 8 2023
No Comments on Exhibition on Screen
Mary Cassatt
Painting
the Modern Woman

Exhibition on Screen:
Mary Cassatt – Painting the Modern Woman

Director – Ali Ray – 2023 – UK – Cert. U – 93m

*****

A look at an often overlooked member of the Impressionists, a US-born, female painter and printmaker who moved from Philadelphia to live in France – out in UK cinemas for one day only on Wednesday, March 8th (International Women’s Day)

I had never heard of Mary Cassatt when I came to this documentary. I’m not really sure why not (apart from the obvious reason, the widespread exclusion of numerous women artists from the annals of art history until recently) and feel indebted to this remarkable study for introducing me to her work. It comes as no surprise that the film was produced by Phil Grabsky for his excellent Exhibition On Screen series about art, although what IS a surprise here is that all the interviewees in this instance are women. Nothing at all wrong with that if they have something of value to say, which they clearly do.

One could argue that the piece has a very strong feminist leaning with its emphasis on women being free to live their lives as they choose. It’s tempting to say that one could forget the gender bias here and simply say that all the interviewees have important insights to share and do a good job.… Read the rest

Tags A Bar At The Folies-Bergère, Ali Ray, America, aquatint, art collection, art exhibition, art gallery, artists, artists’ community, Bronwen Bradshaw, Carravaggio, Cézanne, coiffure, Correggio, Dejeuner Sur L’Herbe, drypoint, Ecouen, Edgar Degas, etching, exhibition, Exhibition On Screen, female experience, feminine, feminism, France, Franco-Prussian War, Gauguin, gender dynamics, Impressionists, Italy, Japan, Japanese print, Japanese woodblock, Manet, mirrors, mother, mother and child, Musée Des Beaux-Arts, museum, Napoleon II, Old Masters, painting, Paris, Parma, Pennsylvania Academy Of Fine Arts, performance, Phil Grabsky, Philadelphia, Pittsburgh, priest, print, printmaking, Salon, Salon Des Refusés, seeing and being seen, Seville, space and mirrors, Spain, the Louvre, theatre, toilette, UK, US, Van Gogh, Washington DC National Gallery, wealth, women artists

Animation Art Documentary Features Live Action Movies

Escher:
Journey
Into Infinity
(Escher:
Het Oneindige
Zoeken)

Post author By Jeremy Clarke
Post date August 12 2021
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Journey
Into Infinity
(Escher:
Het Oneindige
Zoeken)

Director – Robin Lutz – 2018 – The Netherlands – Cert. PG – 81m

*****

The life and work of graphic artist M.C. Escher is explored through his own images and words (read by Stephen Fry) – on UK/Ireland digital download platforms from Monday, October 18th – iTunes, Amazon, Sky Store, Curzon Home Cinema, Google and Microsoft

Maurits Cornelius Escher’s words at the start of this film suggest a production doomed to fail: “I am afraid there is only one person in the world who could make a good film about my prints: me.” Sadly, since Escher passed away in 1972, we will never see that film. Happily, Robin Lutz has proved Escher wrong by making this one. And so too has his collaborator Stephen Fry whose voice-over for the English language version, recorded in under three hours at a London dubbing studio, is nothing short of inspired (of which more later). He must have done some serious preparation beforehand.

For the uninitiated, Escher (1898-1972) is the Dutch graphic artist whose prints famously include Ascending and Descending (March 1960), the impossible staircase which keeps going up and up, or down and down for people travelling in the opposite direction – as it goes round and round in a square.… Read the rest