Tag: box office

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Documentary Features Live Action Movies

Boorman
and the Devil

Boorman and the Devil

Director – David Kittredge – 2025 – US – Cert. 15 – 112m

*****

How director John Boorman’s sequel (or not) to The Exorcist became one of the biggest Hollywood flops of all time – out in UK cinemas on Friday, September 25th

This quite understandably takes a while to get around to its subject, talking both about where Hollywood found itself in the 1960s and looking at Boorman’s directorial career before settling on the production that nearly destroyed his career. Once it gets there though, a considerable amount of time is allotted to a production which starts to sound like one of the most amazing spectacles ever filmed. Yet this comes alongside a feeling that, on the most fundamental level, something is going to go or perhaps has already gone horribly wrong before the director has even signed on.

By the early 1960s, Hollywood was making big budget epics like Cleopatra (Joseph L. Mankiewicz, 1963) or The Fall of the Roman Empire (Anthony Mann, 1964). When such movies started to fail at the box office, it turned to younger directors in the hope that they might understand what audiences wanted. The result was movies like Easy Rider (Dennis Hopper, 1969) or The Graduate (Mike Nichols, 1967).… Read the rest

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Features Live Action Movies Music

Elvis

Director – Baz Luhrmann – 2022 – US, Australia – Cert. 12a – 159m

***

Elvis Presley’s career from the mid-1950s through to his death in 1977, and his complex business relationship with his manager Colonel Tom Parker – out in cinemas on Friday, June 24th

Colonel Tom Parker (Tom Hanks), having a heart attack, reminisces to himself about his career. Many considered him the abuser and exploiter of the singer Elvis Presley, but that wasn’t the way it was. In the early 1950s, when Parker was managing the touring show of country singer Hank Snow (David Wenham), he heard Presley’s first recording on Sun Records though Hank’s son Jimmie Rodgers Snow (Kodi Smit-Mcphee), a singer in his own right who Parker didn’t think was anything like as good as his father.

Parker, an old time carnival showman, is always on the lookout for that one act that’s a little bit different, affects audiences and might well clean up at the box office. When he first sees Elvis (Austin Butler) perform, and notices young girls and older women going wild at the singer’s dance moves, he is convinced there’s money to be made and determines to sign him before someone else does.… Read the rest

Categories
Features Live Action Movies Music

Burst City
(Bakuretsu Toshi
Burst City,
爆裂都市
BURST CITY)

Director – Sogo Ishii – 1982 – Japan – Cert. 18 – 115m

Film ****

Cultural significance *****

Arguably the lynchpin film that brought Japanese cinema back from the brink of extinction in the early 1980s and paved the way for much of what was to follow – on Blu-ray from Monday, November 20th 2020

Looked at today through Western eyes, the opening with its breakneck, speeded up race through (presumably) Tokyo cutting between nighttime and daytime POV shots, with motorbike noises, anticipates the more demented pixillated chase scenes of Tetsuo: The Iron Man (Shinya Tsukamoto, 1989), shots of bikers recall the anti-establishment feel of Easy Rider (Dennis Hopper, 1969) and patterns caused by moving lights burning into film emulsion recall Norman McClaren and Len Lye’s early animation experiments drawing and painting direct onto film. Then it seems to turn into Mad Max (George Miller, 1979) by way of a gangster film elements (two men in a car wearing a suit and a leather jacket respectively) who avoid a near collision with two punks on a motorcycle and sidecar.

How many of these precedents Ishii had in mind (or even had seen) when he made this is impossible to say.… Read the rest