Tag: Picasso

Exhibition on Screen
Michelangelo
Love and Death

Post author By Jeremy Clarke
Post date 20 May 2025
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Michelangelo
Love and Death
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Director – David Bickerstaff – 2017 – UK – Cert. U – 91m

*****

Sixteenth Century Renaissance sculptor Michelangelo remains one of the greatest artists of all time, yet his overreaching ambition frequently proved his undoing – back out in UK cinemas to tie in with the 550th anniversary of Michelangelo’s birth from Tuesday, May 20th

“From a fountain of mercy… my suffering is born.” These words (voiced by James Faulkner as Michelangelo) accompany images of a present day sculptor (Marco Ambrosini) working away at a piece of marble in his studio. The writings of Vasari (voice: Lawrence Kennedy) take up the story. A boy was born to a noble family in 1475. Art Critic and Author Jonathan Jones places Michelangelo among the greats, like Leonardo da Vinci, Rembrandt, Picasso. He deals with the strangest, darkest and most difficult stuff. He is the original famous artist. He had two biographies written about him in his lifetime, and took great interest in them, helping bring them to fruition. He painted, sculpted, built architecture, wrote poetry, even built military fortifications. This was the time when artists started being regarded as creative geniuses, according to Art Historian Jennifer Sliwka. Vasari referred to Michelangelo and his art in terms of Divinity and then the Divine.… Read the rest

Tags 1475, 1530, 15th Century, 16th century, acolyte, Alessandro Cecchi, ambition, anatomy, ancient ruins, and Martin Clayton, architect, architecture, Arnold Nesselrath, Art Critic, art historian, artist academy, artists’ workshop, assistants, attack, author, Bacchus, Battle of the Centaurs, Bertoldo, Bible, biographer, biographies, block of marble, burning at the stake, cadavers, Carrara, Casa Buonarotti, Casa Buonorotti, Christ in judgement, Christian redemption, church, Clinical Anatomy, closed access, Colosseum, columns, commission, committee of artists, Condivi, Conservator, control freak, Cosimo de Medici, Creation of Adam, creative genius, crucifixion, cupola, David, David Bickerstaff, David Rintoul, Dawn and Dusk, dead Christ, decorative, delegate, design, Divinity, Donatello, Duomo, end of the world, engineering, English, Exhibition On Screen, eyes, facade, family, Florence, Florence Cathedral, flow, football, fortifications, frame, France, Francesca Nicoli, gay, gay sexuality, Genesis, German, God’s finger, grief, hands, Heaven, hiding, higher spiritual realm, Holly Trusted, imagination, impart life, interview, irrationality, Italian, Italy, James Faulkner, Jennifer Sliwka. Art, Jonathan Jones, Laboratoire Artistici Nicoli, language of architecture, Laurentian library, lava, Lawrence Kennedy, Leonardo da Vinci, library, London, Lorenzo di Medici, Lorenzo the Magnificent, male world, marble, Marco Ambrosini, Martin Gayford, Mary, medical science, Medici, Michelangelo, military fortifications, mother, motifs, motion, movement, muscular nude body, Neo-Platonist, New Testament, night and day, nudity, Office of Works, Old Testament, painter, painting, papal court, patrons, peace deal, Peter Abrahams, Phil Grabsky, Phillippa Abrahams, physical agony, physical beauty, Picasso, picture frame, pietà, poet, poetry, Pope Clement VII, Pope Julius II, Pope Leo X, Pope Paul II, power, Prints and Drawings, problem-solving, professor, punishment, quarry, religious art, Rembrandt, Renaissance, Rome, Royal Collection Trust, sacristy, San Lorenzo, San Lorenzo monastery, Santa Croce church, Santo Spiritu, sculptor, sculpture, self-portrait, Senior Curator, Sistine Chapel, Sistine Chapel altar wall, Sistine Chapel ceiling, sodomy, St. Peter’s Rome, staircase, studio, studying cadavers, tactile, Tania Kovats, teenage angst, The Battle of Cascina, the Divine, The Last Judgement, tomb, torment, touch, trams, turn convention on its head, UK, upbringing, V&A, Vasari, Vatican Museums, Virgin Mary, vision, volcano, wall of flesh, Warwick Medical School

Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen:
Hopper:
an American Love Story

Post author By Jeremy Clarke
Post date 18 October 2022
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Hopper:
an American Love Story
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Director – Phil Grabsky – 2022 – UK – Cert. 12a – 94m

*****

The story of American painter Edward Hopper, and how his artistic career was facilitated by his fellow artist wife Jo – originally out in UK cinemas on Tuesday, October 18th 2022, now available on home video (see bottom of review)

The latest entry in Grabsky’s generally excellent Exhibition On Screen series about art and artists covers the career of Edward Hopper to tie in with a major Hopper exhibition (Edward Hopper’s New York) at the Whitney Museum of American Art, New York. The big (and most welcome) surprise is that it charts not just Hopper’s life and work but also that of fellow artist Josephine Nivison, later his wife Josephine Nivison Hopper, whose career was largely eclipsed by his during his lifetime. To be fair, it doesn’t really go into her life before the point at which she became involved in his.

Hopper was born in 1882 and raised in the Nyack, New York house his parents had built (an enviable state, indicative of their and his time, which must surely influence one’s outlook on life). Religion and church were important to the Hoppers, but theirs was the brand of Christianity unafraid to engage with the outside world which at that time meant vast quantities of books and periodicals; the young Edward acquired a love of books from his avid reader father.… Read the rest

Tags architecture, art, art student, avid reader, Bob Dylan, books, buildings, business manager, Cape Cod, Christianity, church, Church Mission, creativity, Cubism, David Lynch, description, Edward Hopper, Exhibition On Screen, First World War, fleshpots, France, Greenwich village, Hitchcock, House by the Railroad, houses, husbands and wives, hustle and bustle, illustration, Jo Hopper, Josephine Nivison, Josephine Nivison Hopper, light, light and shade, Manhattan, mass, Montmatre, Montparnasse, New York, Nighthawks, painting, Paris, partnership, periodicals, Picasso, plein air, psycho, reader, religion, sexual trauma, shade, shadow, sketch outside, still image narrative, Truro, twentieth century, UK, urban landscapes, US, verbal description, Washington Square, watercolour, Whitney Museum of American Art, World War 1, World War I, World War One, WW1

Features Live Action Movies

House Of Gucci

Director – Ridley Scott – 2021 – US – Cert. 15 – 157m

*****

A woman marries into the wealthy Gucci family and inadvertently brings about its downfall – out in cinemas on Friday, November 26th

First impressions.

A beautiful day. A well-dressed man (Adam Driver) relaxes at the café, pays his bill, cycles through the streets. Life is good. He reaches his destination. As he approaches the door, a voice asks, “Mr. Gucci?”

Milan, 1978. Another beautiful day. A woman dressed and moving like a goddess (Lady Gaga) walks past trucks and workers to her father’s transportation business office where she works as his assistant. Later, a friend asks her to a costume party. She dances. She looks incredible. She goes for a drink. The barman (Driver) turns out not to be not the barman. He makes her a drink anyway. He’s Maurizio. Gucci. He knows the host. She’s Patrizia Reggiani. She doesn’t. He tells her he can’t dance. She drags him onto the dance floor and makes him look good even though he does nothing. He leaves at midnight, worried he’ll turn into a frog. It’s a pumpkin, she calls after him.

She stalks him, ‘accidentally’ bumping into him at a bookshop where he’s buying armfuls of legal books (he’s studying to be a lawyer).… Read the rest