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Annette

Director – Leos Carax – 2021 – France, US – Cert. 15 – 141m

****1/2

This musical conceived and composed by Sparks plays out as a very dark opera ending in tragedy – out in cinemas on Friday, September 3rd

Although billed as a musical, this may actually be closer to opera given that even though it starts as a story about two people deeply in love, it veers into very dark territory.

And yet framing all that, and underscoring it throughout, is the sheer pleasure of writing / composing songs… and, for that matter, performing them. The opening song is So May We Start while the closer, as the credits roll, is It’s The End. (For added enjoyment, watch 90% of the audience leave before the last song starts. Or in my case, 10% of my fellow critics.)

The former starts with the band, the brothers Mael (singer Russell and keyboard player / composer Ron, profiled in recent documentary The Sparks Brothers, Edgar Wright, 2021) and a backing band in a recording studio in an invitation for the proceedings to get going, swiftly joined by the film’s two leads, while the latter ends with seemingly the entire movie cast and crew walking through the countryside hoping we’ve enjoyed the show and asking us to tell our friends if we did so.… Read the rest

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Animation Documentary Features Live Action Movies Music

The Sparks Brothers

Director – Edgar Wright – 2021 – UK – Cert. 15 – 140m

****

The rollercoaster career of musical duo Sparks with its successful hits and intermittent lapses into obscurity – out in cinemas on Thursday, July 29th

There’s a story about John Lennon phoning Ringo Starr to say, “you won’t believe what’s on television – Marc Bolan doing a song with Adolf Hitler.” This was Sparks’ auspicious debut on BBC music show Top Of The Pops in the early 1970s playing what is probably their best known track, This Town Ain’t Big Enough For The Both Of Us, a broadcast estimated to have reached some 15 million people. Everyone was talking about this the day after – that’s mentioned here, and it’s something I myself remember from my own school days: the lively energetic singer (Russell Mael) and the suited, almost motionless, keyboard player (Ron Mael) with the slicked back hair and the Hitler moustache. The Hitler appearance may not have been deliberate, but that image of the duo – the extrovert and the introvert – has become the band’s enduring media image over the years.

TOTP 1974

One gets the impression from passing moments in this film that Charlie Chaplin was an equally formative presence for Ron – and though it’s never mentioned, Chaplin made the film The Great Dictator (1940) in which he played a Hitler type despot as well as a Jewish barber unfortunate enough to look like him…but I digress.… Read the rest