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After Yang

Director – Kogonada – 2022 – US – Cert. PG – 96m

****1/2

In the distant future, a couple must come to terms with the loss of the eldest child, actually an A.I. purchased as an ethnically programmed companion for their adopted South East Asian daughter – SF mystery drama is on Sky Cinema from Thursday, September 22nd

Memory is one of the great themes of cinema because when you point a moving image camera at someone, you capture and preserve their moving image for posterity. (Something similar happens when you record the sound of someone’s voice. Or even if you write down their words on paper, a simpler, more primitive form of recording.) Memory is also one of the elements which defines us as human beings.

Full marks, then, to director (actually writer, director, editor) Kogonada for taking the short story Saying Goodbye To Yang by Alexander Weinstein and expanding it into a feature. As described in the parlance of the distant future world in which this is set, Yang is a technosapien (i.e. a robot), a purchased elder sibling of a family comprising father Jake (Colin Farrell), mother Kyra (Jodie Turner-Smith) and daughter Mika (Malea Emma Tjandrawidjaja).

Mika is adopted, and her ever so Hollywood liberal parents – he a white man who has built a business around his passion for tea, she a black woman who is a hard-working, highly motivated high-flier in a demanding corporate business that’s never really defined – are concerned that she connect with her South East Asian heritage.… Read the rest

Categories
Features Live Action Movies

Dune

Director – Denis Villeneuve – 2021 – UK – Cert. 12a – 155m

*****

A powerful family is exiled to a desert planet populated with giant sandworms as part of an interplanetary conspiracy to end their dynasty – out to rent on Premium Video on Demand from Monday, December 6th

Frank Herbert’s sprawling novel Dune (1965) was read in the late 1960s and 1970s by any teenage boy with the slightest interest in science fiction and fantasy. It had (a little) space travel but more significantly it had alien worlds, notably the desert planet Arrakis on which 95% of the action takes place, and so ticked the SF box.

Then it had a whole ecology involving the planet’s occupants the Fremen, a drug known as ‘the Spice’, and giant sandworms, so it also ticked the fantasy box.

On top of this, it pitted dynasties – ‘Houses’ – against each other in a tale of interplanetary political intrigue.

The plot was unbelievably convoluted, spawning a lengthy series of sequels. I gave up around the fifth or sixth book. And yet, the first book possessed an almost mythic quality that my diminishing interest in the later volumes was unable to dispel.

The sheer quantity of plot was always going to be a challenge for a standalone movie.… Read the rest