Tag: animation

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Animation Art Exhibitions Features Movies

LAIKA presents
Wildwood
The Exhibition

Photo © Jeremy Clarke

LAIKA presents Wildwood The Exhibition

at the Design Museum, Kensington, London, to tie in with the release of their new film Wildwood

Like previous Laika offerings, latest production Wildwood (Travis Knight, 2026) is highly innovative, inventive and imaginative, pushing the boundaries of the cinematic and stop-frame mediums into places audiences haven’t seen them go before. It sounds an unlikely proposition, but if you were to remove the magical spectacle of stop-frame animation from Wildwood – or for that matter from any of Laika’s films – you would potentially have an incredible exhibition of small scale sets, puppets and models.

Photo © Jeremy Clarke

You could augment this using a series of explanatory videos talking about the various processes involved In the filmmaking. In terms of stop-frame, you could show animators at work, bringing puppets into life.

The legendary stop-frame animation company have done exactly that. have done exactly that. Following in the footsteps of the LAIKA Frame x Frame exhibition covering Laika’s first five films at BFI Southbank in 2024, the company have now partnered with Kensington’s Design Museum to put together a fascinating exhibition about the film.

Photo © Jeremy Clarke

I should declare at this point that I was lucky enough to see the exhibition having viewed the film a few days previously.… Read the rest

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Animation Features Movies

Arrietty
(US: The Secret World
of Arrietty)
(Karigurashi no Arietti,
借りぐらしのアリエッティ,
lit. Arrietty the Borrower)

Arrietty

(US: The Secret World of Arrietty)

(Karigurashi no Arietti,

借りぐらしのアリエッティ,

lit. Arrietty the Borrower)

Director – Hiromasa Yonebayashi – 2010 – Japan – Cert. U – 94m

*****

A teenage girl under a foot high is found by a kindly boy with a heart condition who has come to his aunt’s home on the city’s outskirts to convalesce – back out in a 4K remaster in UK IMAX cinemas on Wednesday, October 14th, then in regular UK cinemas on Friday, October 16th through Sunday, October 18th

His Aunt Sadako (voice / 2010 Japanese dub: Keiko Takashita; 2010 StudioCanal UK English dub: Phillida Law) drives (voice / 2010 Japanese dub: Ryonosuke Kamiki; 2010 StudioCanal UK English dub: Tom Holland) to the house on the city’s outskirts he is visiting. On arrival, he sees a crow having a spat with the cat, which in turn is taking an interest in a group of plants in which he spots a teenage girl less than a foot high. After he’s been called inside the house, the girl, Arrietty (voice / 2010 Japanese dub: Mirai Shida; 2010 StudioCanal UK English dub: Saoirse Ronan) escapes the cat through the grille into the basement, where she outruns grasshoppers to enter her family’s cosy, miniature cottage accessible by a small flight of steps.… Read the rest

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Animation Features Live Action Movies

Terminator 2
Judgment Day

Terminator 2 Judgment Day

Director – James Cameron – 1991 – US – Cert. 15 – 127m

*****

A second Terminator is sent from the future to kill the future leader of the war against the machines – back out in UK and Ireland cinemas in 4K and, where available, 3D to mark its 35th anniversary on Friday, September 4th 2026

In the 1984 original, a Terminator robot (Arnold Schwarznegger) is sent back in time to kill Sarah Connor (Linda Hamilton), the mother-to-be of the leader of the war in the future against the machines, who are exterminating humanity.

This sequel sees a more advanced T-1000 robot (Robert Patrick) sent back in time to kill Sarah’s now-ten-year-old son John (Ed Furlong). Another Terminator (Schwarzengger) is also running around in the present (i.e. 1991).

Sarah’s recurring nightmare pictures the coming apocalypse when the machines unleash nuclear missiles on humanity. That aside, this is basically an essay on mothers and sons – and fathers and sons – wrapped up in the best chase movie you’ve ever seen.

What makes the film work is the mother and son element. Sarah is a believer in Terminators, the coming war against the machines, and humanity’s fightback in a world where such beliefs are dismissed as delusions.… Read the rest

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Features Live Action Movies

Terminator 2
Judgment Day
3D

Terminator 2 Judgment Day 3D

Director – James Cameron – 1991 (3D version 2017) – US – Cert. 15 – 127m

*****

A second Terminator is sent from the future to kill the future leader of the war against the machines – back out in UK and Ireland cinemas in 4K and, where available, 3D, to mark its 35th anniversary on Friday, September 4th 2026

Painstakingly remastered in 3D, this plays as well in its current rerelease as it did back in 1991. In the 1984 original, a Terminator robot (Arnold Schwarznegger) is sent back in time to kill Sarah Connor (Linda Hamilton), the mother-to-be of the leader of the war in the future against the machines, who are exterminating humanity.

This sequel sees a more advanced T-1000 robot (Robert Patrick) sent back in time to kill Sarah’s now-ten-year-old son John (Ed Furlong). Another Terminator (Schwarzengger) is also running around in the present (i.e. 1991).

Sarah’s recurring nightmare pictures the coming apocalypse when the machines unleash nuclear missiles on humanity. That aside, this is basically an essay on mothers and sons – and fathers and sons – wrapped up in the best chase movie you’ve ever seen.

Unlike the 3D conversion of the same director’s Titanic (1997) which proved 3D to be a greatly improved, astonishing revelation, the improvements afforded T2 by 3D are comparatively minor (though they’re peerlessly executed).… Read the rest

Categories
Animation Features Movies

Early Man

Early Man

Producer-Director: Nick Park – 2018 – UK – Cert. PG – 89m

*****

Ancient caveman Brits, rabbits, mammoths, dinosaurs, dastardly Frenchmen, and football – Aardman’s prehistoric, stop-frame marvel is back out in UK cinemas on Friday, 21st August

Nick Park and Aardman Animations’ epic is set in a prehistoric world of cavemen, rabbits and mammoths. For good measure it also throws in dastardly Frenchmen and football. Park coaxes great voice performances out of his all-star cast, while physical animation is in the capable hands of Will Becher (who directed the Creature Comforts TV series) and Merlin Crossingham (Creative Director for Wallace & Gromit since 2009 and subsequently co-director with Park of Wallace & Gromit: Vengeance Most Fowl, 2024).

At one point a mallard appears in the distance. A caveman hurls a small rock at it. The rock travels an awful long way. Much farther than we expected. Eventually it reaches the mallard, revealed as a gargantuan beast on the scale of a dinosaur. The giant mallard charges towards us and the hapless tribe of cavemen.

This is very much in the spirit of Early Man’s opening sequence wherein volcanoes belch fire and a carnivorous ceratosaurus does battle with a herbivorous triceratops clearly modelled on their counterparts in Ray Harryhausen’s One Million Years B.C.… Read the rest

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Animation Features Live Action Movies

Holy Days

Holy Days

Director – Nat Boltt – 2026 – New Zealand, Canada – Cert. 12a – 101m

***1/2

Three ageing nuns must save their ramshackle convent from property developers and help a local Maori boy come to terms with his mum’s death and his dad’s new partner – out in UK and Ireland cinemas on Friday, Aug 14th

In a wondrously tacky stop-frame parody, giant-sized Brian rides his giant-sized bicycle through the village (cut to live action Brian played by Elijah Tomati) to explain to Sister Agnes (Judy Davis) at the door of his destination building that he’s committed blasphemery. It turns out his exact words were, “Jesus Jumping Christ”. Taking it good humouredly in her stride, she tells him to come in. And, as a penance, assigns him to clean all the upstairs floors.

As a title informs us, it’s New Zealand. 1974.

Upstairs, Sister Mary Clare (Jacki Weaver) explains that the reason for all the baby photos is that the nuns used to take them in. And shows him, thorough the window, Sister Luke’s garden. Which has seen better days. Brian says his mum loved it here. The feeling was reciprocal, apparently. Nun and boy turn floor polishing chores into improvised sports exercise gliding along the floor.… Read the rest

Categories
Animation Features Movies

Akira
(アキラ)

Akira (アキラ)

Director – Katsuhiro Otomo – 1988 – Japan – Cert. 15 – 124m

*****

Manga artist turned director Katsuhiro Otomo’s cyberpunk classic returns to the big screen in a brand new 35mm print at BFI Southbank, London from Friday 14th August until Wednesday 19th, and will be touring in selected cities throughout 2026

When Akira first appeared in the UK at the start of the nineties, Disney was busy reinventing the animated cartoon as a platform for the Broadway musical (Beauty And The Beast, Gary Trousdale, Kirk Wise, 1991; The Lion King, Rob Minkoff, Roger Allers, 1994) and there were debates about whether comics (or ‘graphic novels’) could be created for adults as well as kids.

As so often in technology and media, Japan was ahead of the game. Otomo had published his long-running comic book or manga Akira in 1982 and turned it into a feature six years later, challenging widely held Western notions of what animation was. You could make SF in movies (Voyage To The Moon, Georges Méliès, 1902) and you could make serious SF (2001, Stanley Kubrick, 1968), but animation was strictly for kids, at least in the English-speaking mainstream, and that as what Disney did.… Read the rest

Categories
Animation Features Movies

The PIRATES!
In an Adventure with SCIENTISTS!

The PIRATES! In an Adventure with SCIENTISTS!

Director: Peter Lord – 2012 – UK – Cert. PG – 87m

*****

Victorian era, stop-frame marvel about… yes… pirates, scientists and adventure – back out in UK cinemas on Friday, August 10th

This latest offering from Bristol-based Aardman Animations is a remarkable feature that pushes the art of stop-frame plasticine animation to new heights. Director Lord, creator of Morph, has been working with the medium for several decades via shorts, music videos and commercials and although the independent studio he co-founded with the David Sproxton (like Lord himself, one of the film’s producers) has made four prior features, this one is Lord’s first feature as director.

Much care has gone into the script by Gideon Defoe, an adaptation of his own book, upon which sure foundation Lord, co-director Jeff Newitt and their team’s artistry and impeccable sense of comic timing has built an impressive edifice. Like other stop frame outings, it looks more impressive still in 3D, a medium which favours shooting on miniature model animation sets.

The Pirate Captain (voice: Hugh Grant) has scant chance of wining the coveted Pirate Of The Year Award because ruthless rivals Black Bellamy (voice: Jeremy Piven) and Cutlass Liz (voice: Salma Hayek) are much more ruthless and have plundered far more booty than he.… Read the rest

Categories
Animation Documentary Features Live Action Movies

Coup 53

Coup 53

Director – Taghi Amirani – 2019 – UK – Cert. 15 – 120m

*****

The officially unacknowledged British role in the 1953 coup overthrowing the Iranian government – more timely than ever…

2026 Update: Back out in cinemas until August and early September; to mark the 73rd anniversary of the MI6 / CIA coup in Iran on August 19th, there will be a special anniversary screening + discussion on Wednesday, August 19th at Curzon, Bloomsbury

More dates added daily at https://coup53.com/
Originally in UK cinemas from Friday, August 21st 2020

A documentary begun in 2009 interviewing many people who died before the film’s completion some ten years later, this covers the 1953 coup in Iran backed by President Eisenhower in the US and Prime Minister Churchill in the UK which replaced Iran’s democratically elected, left-wing Prime Minister Mossadegh with the Shah. The UK has never officially acknowledged its role in this coup.

Amirani’s researches lead him to a basement of documents held by Mossadech’s grandson in Paris comprising archive material from the Granada TV 1985 End Of Empire documentary series, for which he gets access to the rushes from the BFI. Iran was included because it had been controlled by British interests for so long (because of its oil reserves).… Read the rest

Categories
Animation Features Movies

Bouchra

Bouchra

Directors – Orian Barki, Meriem Bennani – 2025 – Italy, Morocco, US – Cert. 15 – 83m

***1/2

A queer artist and filmmaker jackal living in New York desperately wants to come out to her mother back in conservative Morocco – out in UK cinemas on Friday, August 7th

This opens with a lengthy, bravura shot framing a section of a moving carriage on an urban, New York train. Inside, passengers include our main protagonist, the eponymous, anthropomorphised, leather jacket-clad, female jackal Bouchra, standing. The shot is static in the sense that the camera and the train are moving completely in sync, so that the moving carriage, although clearly moving, is motionless relative to the viewer (apart from the occasional judder caused by the travelling of the train).

As the train travels its route, our moving view of the moving carriage is constantly interrupted by objects between us and the carriage – grids of cabling, sections of barrier and other trackside features. This momentarily recalls the similar urban carriage interior early on in Perfect Blue (Satoshi Kon, 1997), although there are no reflections here, merely levels, and any similarity between the two films stops beyond this point.

Bouchra is very different from Perfect Blue in intent, with a narrative – such as it is – that feels as if someone is shooting a documentary within New York’s queer subculture, capturing footage on camera and seeing what turns up, then trying to turn the resultant footage into a film.… Read the rest