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Features Live Action Movies

Mondays:
See You ‘This’ Week!
(Mondays/
Kono Taimu Ruupu,
Joshi ni Kizukasenaito Owaranai,
MONDAYS/
このタイムループ、
上司に気づかせないと
終わらない)

Director – Ryo Takebayashi – 2022 – Japan – Cert. – 82m

****

A comedy in which a group of office workers must find a way to escape the week-long time loop in which they find themselves trapped – plays UK cinemas in the Japan Foundation Touring Film Programme 2024 between Friday, 2nd February and Sunday, 31st March

A dream. A Friday night conversation with the client she’s always wanted to work for and with whom she starts a job next Monday. Monday, October 25th. Akemi Yoshikawa (Wan Marui) wakes up in the office where she and advertising her co-workers have just pulled an all-nighter to get the presentations done for the client. They are exhausted, necks in travel pillows as they kip on the floor. A hapless bird strikes the window. Their middle-aged boss Mr. Nagahisa (Sports Makita) saunters in after a restful weekend.

Now Yoshiwaka must get working on that Miso Soup Soda Tablet product launch that the client wants to sound like something out of the ordinary. But then, the two guys at the next desk try to tell her that they are trapped in a time loop. They, as in, everyone in the office. She doesn’t really have the time to listen.… Read the rest

Categories
Animation Features Movies Music

Blue Giant
(BLUE GIANT)

Director – Yuzura Tachikawa – 2023 – Japan – Cert. 12a – 120m

*****

Three 18-year-olds form a jazz band with the aim of playing at Tokyo’s top jazz club – out in UK cinemas on Wednesday, January 31st and Thursday, February 1st

Before this property was a movie – an animated movie – it was a manga. Which, on one level, is nothing that out of the ordinary in Japan (see, for instance, basketball movie The First Slam Dunk, Takehiko Inoue, 2022) but on another is extraordinary. Blue Giant is about music, specifically jazz, even more specifically teenager Dai Miyamoto (voice: Yuki Yamada; musicianship: Tomoaki Baba) who gives up basketball and decides he wants to be the best tenor sax player in the world. He rehearses intensively by the banks of the river in the city of Sendai where he lives, leaving for Tokyo at age 18 and talking his way into moving in with old pal Shunji Tamada (voice: Amane Okayama; musicianship: Shun Ishikawa).

Unsure where to start, Dai visits a bar named Jazz – Take Two where the friendly Mama-san Akiko (voice: Sayaka Kinoshita), who no longer hosts live jazz gigs there, takes pity on him and plays him selections from her vast wall of jazz LPs.… Read the rest

Categories
Animation Features Movies

The First
Slam Dunk

Director – Takehiko Inoue – 2022 – Japan – Cert. 12a tbc – 124m

*****

A high school basketball team sets out to defeat the seemingly unstoppable league champions – plays Annecy International Animation Festival from Wednesday, June 14th: Edinburgh Film Festival from Wednesday, August 22nd-23rd; out in UK and Ireland cinemas on Wednesday, August 30th

The coastal town of Shohoku. 11-year-old Ryota Miyagi (voice: Miyuri Shimabukuro) lives in the shadow of his 14-year-old, elder brother and school basketball star Sota (voice: Gakuto Kajiwara). One evening, Sota takes his younger sibling out for a practice at the local court, playing as hard as he can to push Ryota, which makes the youngster want to push himself harder still. Sota then alienates Ryota by going on a fishing trip with his peer group rather than respond to Ryota’s demand to extend their practice session. When his elder brother is tragically killed at sea, Ryota must both step into both the role of man of the house and prove himself in the school basketball team.

By the time Ryota is 17 (voice: Shugo Nakamura), he is one of the players on the Shohoku school basketball team which itself faces challenges: specifically, if it is to win the national championships, it must defeat the the seemingly unstoppable reigning champions the Sannoh school basketball club and their star player Masashi Kawata (voice: Mitsuaki Kanuka), Ryota’s opposite number (both wear their team’s no.… Read the rest

Categories
Animation Features Movies

The Tunnel
To Summer,
The Exit
Of Goodbyes
(Natsu
E No Tunnel,
Sayonara
No Deguchi,
夏へのトンネル、
さよならの出口)

Director – Tomohisa Taguchi – 2022 – Japan – Cert. – 83m

****

Damaged boy meets damaged girl one summer to discover a tunnel in which time passes much faster and innermost desires are fulfilled – from the 2023 Annecy International Animation Festival in the Official Competition section and out in UK cinemas on Friday, July 14th

A rural railway platform in the rain. Puddles on the platform. The tannoy states that the train is delayed by half an hour because it has collided with a deer. The standing boy explains to the sitting girl who isn’t from around these parts that that often happens in this region and offers her his umbrella. At first, she refuses thinking him a bit of a creep, but then comes round. They swap names and numbers on their phones so that she can return his umbrella. They read each other’s names out loud: she reads Tano Kaoru; he reads Hanashiro Anzu.

Next day, Kaoru (voice: Ouji Suzuka) takes the train to high school where the class is introduced to a new girl: it’s Anzu (voice: Marie Iitoyo). Like her initial coldness towards Kaoru, she ignores various girls attempts to be sociable and has a run in with the girl class bully Kawasaki (voice: Arisa Komiya), punching the latter in the face and causing a nosebleed when Kawasaki “accidentally” drops the old manga in which Anzu is engrossed onto the floor.… Read the rest

Categories
Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen:
Tokyo Stories

Director – David Bickerstaff – 2023 – UK – Cert. 15 – 90m

*****

Japan generally and Tokyo specifically are viewed through that city’s art and photography – out in UK, Irish and worldwide cinemas on Tuesday, May 23rd

The refreshing thing about this latest entry in producer Phil Grabsky’s excellent Exhibition On Screen series is that it breaks the mould. Like Vermeer The Greatest Exhibition (David Bickerstaff, 2023), it is centred around a particular art exhibition, in this instance 2022’s Tokyo: Art + Photography show at Oxford’s Ashmolean Museum. That event sought to give a perspective on the country of Japan generally and the city of Tokyo specifically through its art, both historical and contemporary. The Ashmolean is well-placed to do this, given that it already houses a wide-ranging, historical Japanese collection. Sadly, it means that if this film whets your appetite and makes you want to visit the exhibition, you can’t then do so because it’s been and gone. In a way, though, that’s not so dissimilar from the Vermeer exhibition, which had sold out before the documentary about it appeared.

While the film is swift to acknowledge areas of Japanese culture as diverse as manga (one of the first shots of Tokyo features a giant image of manga and anime favourites Dirty Pair) and traditional Japanese music (a stringed and a woodwind instrument are shown being played by musicians without any explanation or even naming of the instruments), such elements remain largely in the background.… Read the rest

Categories
Animation Features Live Action Movies

Sensei,
Would You
Sit Beside Me?
(Sensei,
Watashi
No Tonari
Ni Suwatte
Itadakemasenka?,
先生、

の隣に座って
いただけませんか?)

Director – Takahiro Horie – 2021 – Japan – 119m

****1/2

Believing her manga artist husband is having an affair with their publisher, a manga artist wifedraws a new manga in which she embarks on an affair with her driving instructor – plays UK cinemas in the Japan Foundation Touring Film Programme 2023 between Friday, 3rd February and Friday, 31st March

When another story assignment for their editor Chika (Nao aka Nao Honda) comes to an end for wife and husband manga artists Sawako (Haru Kuroki) and Toshio Hayakawa (Tasuku Emoto), Sawako lets Toshio drive Chika to the station, listening to them talk after shutting the door behind them because she’s convinced (correctly) that the pair are having an affair. Shortly afterwards, she gets a phone call telling her that her mother (Jun Fubuki) is ill, and the urban couple drive to her home in the countryside to be there for her as she recuperates. She is walking around on a single crutch but seems in good shape.

That is, however, more than can be said for this married couple’s relationship. To keep up appearances, they share a bedroom at her mother’s place, something they haven’t done at home for years.… Read the rest

Categories
Animation Features Movies Shorts

Memories
(Memorizu,
メモリーズ)

1/ Magnetic Rose (Kanojo no Omoide, 彼女の想いで)

2/ Stink Bomb (Saishu Heiki, 最臭兵器)

3/ Cannon Fodder (Taiho no Machi, 大砲の街)

Directors

– 1/ Koji Morimoto, 2/ Tensai Okamura, 3/ Katsuhiro Otomo

– 1995 – Japan – Cert. 12 – 113m

*****

Executive producer Katsuhiro Otomo’s anime anthology adapts three of his dystopian-themed manga stories into animation – out on Blu-ray from All The Anime, Monday, 12th September, details below review

The film that made Otomo’s name and the one with which he’s most frequently associated is Akira (1988). It wasn’t his first film, though. Previously, he was one of nine directors who collaborated on the uneven portmanteau Robot Carnival (1987), a compendium of different animated stories based around robots of various types. One of the other directors was Koji Morimoto.

Memories is loosely similar – it only has three stories (and three directors), allowing each of the segments a bit more room. Its three episodes are very different yet perfectly complement each other. Otomo directed the third section Cannon Fodder.

Parts of the roughly two hour Akira drag, while Otomo’s later Steamboy (2004) gets lost within a massive set piece after a near perfect opening first reel or so.… Read the rest

Categories
Features Live Action Movies

KIBA:
The Fangs Of Fiction
(Damashie
No Kiba,
騙し絵の牙)

Director – Daihachi Yoshida – 2020 – Japan – 112m

*****

Forward thinkers take on the conservative old guard within a Japanese publishing corporation – plays UK cinemas in the Japan Foundation Touring Film Programme 2022 between Friday, 4th February and Thursday, 31st March

Megumi Takano (Mayu Matsuoka from One Night, Kazuya Shirashi, 2019; Shoplifters, Hirokazu Kore-eda, 2018; A Silent Voice, Naoko Yamada, 2016; Lesson Of Evil, Takashi Miike, 2012; Love Exposure, Sion Sono, 2008), daughter of local bookstore owner Takano (Shinya Tsukamoto), is as dedicated an editor as you’ll find anywhere in publishing. Alas, she lacks the political savvy needed to survive in its ruthless, corporate, dog-eat-dog world. When the owner of the publishing company Kunpu which employs her dies unexpectedly, she finds herself caught up in the machinations of a large organisation where some employees resist change while others plan to completely reinvent the business model to ensure the company’s survival, possibly at the expense of some of its employees.

Thus it is that new CEO Tamatsu (Koichi Sato from Fukushima 50, Setsuro Wakamatsu, 2020; Sukiaki Western Django, Takashi Miike, 2007; Where The Last Sword Is Drawn, Yojiro Takita, 2002) comes in with plans to restructure the company.… Read the rest

Categories
Animation Documentary Features Live Action Movies Music

The Sparks Brothers

Director – Edgar Wright – 2021 – UK – Cert. 15 – 140m

****

The rollercoaster career of musical duo Sparks with its successful hits and intermittent lapses into obscurity – out in cinemas on Thursday, July 29th

There’s a story about John Lennon phoning Ringo Starr to say, “you won’t believe what’s on television – Marc Bolan doing a song with Adolf Hitler.” This was Sparks’ auspicious debut on BBC music show Top Of The Pops in the early 1970s playing what is probably their best known track, This Town Ain’t Big Enough For The Both Of Us, a broadcast estimated to have reached some 15 million people. Everyone was talking about this the day after – that’s mentioned here, and it’s something I myself remember from my own school days: the lively energetic singer (Russell Mael) and the suited, almost motionless, keyboard player (Ron Mael) with the slicked back hair and the Hitler moustache. The Hitler appearance may not have been deliberate, but that image of the duo – the extrovert and the introvert – has become the band’s enduring media image over the years.

TOTP 1974

One gets the impression from passing moments in this film that Charlie Chaplin was an equally formative presence for Ron – and though it’s never mentioned, Chaplin made the film The Great Dictator (1940) in which he played a Hitler type despot as well as a Jewish barber unfortunate enough to look like him…but I digress.… Read the rest

Categories
Features Live Action Movies

37 Seconds

Director – Hikari – 2019 – Japan – Cert. 15 – 115m

*****

A wheelchair-bound, young woman manga artist struggles to become independent of her over-protective mother – on Netflix from Friday, January 31st, 2020

Yuma (Mei Kayama), wheelchair-bound with cerebral palsy from birth, lives with her mother Kyoko (Misuzo Kanno) who looks after her in a small Tokyo apartment. However Yuma is far from helpless with a day job as an uncredited manga artist who draws and writes the comics allegedly penned by fast rising YouTube star Sayaka (Minori Hagiwara). The uncomplaining Yuma secretly yearns for Sayaka’s celebrity, if not to actually be her at least to know what it feels like, but Sayaka bans her from attending any public events such as book signings.

Yuma starts exploring ways of going independent of Sayaka. She shows some work to Iketani (Shohei Uno) from Sayaka’s publishers who tells her that what she’s produced is good but alas too close to Sayaka’s work. Finding a bunch of porn manga magazines in a park, she phones around to see it the magazines are taking submissions and embarks on an erotic space opera series, lovingly rendered in a sequence which is not so much full animation but more like an animated peruse through pages of manga, only to be told when she goes to see a friendly editor Ms.… Read the rest