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Features Live Action Movies

Restore Point
(Bod Obnovy)

Director – Robert Hloz – 2023 – Czech Republic – Cert. 15 – 113m

*****

A detective investigates the murder of a couple, one of who helped create the technology for restoring people to life after they die – thought-provoking SF thriller is out UK on digital on Monday, April 1st

In essence this is a crime movie about corporate conspiracy and murder, but with a difference putting it into the real of science fiction – although given the speed at which current technological advances are taking place, it’s the sort of thing one can imagine being reality in a matter of years. It’s set in the not too distant future of Central Europe 2041, where technology has been developed to back up people to restore them to life should they die. This has been guaranteed by the State for anyone dying a violent, unnatural death following an increase in violent crime. This in turn is the result of growing social and economic inequality (an element not explored beyond an introductory intertitle on the screen).

This allows for fascinating plot variants to the crime genre. If someone is shot dead, they can be brought back to life within 48 hours – provided they have a backup and only so far as that backup is up-to-date.… Read the rest

Categories
Features Live Action Movies

After Yang

Director – Kogonada – 2022 – US – Cert. PG – 96m

****1/2

In the distant future, a couple must come to terms with the loss of the eldest child, actually an A.I. purchased as an ethnically programmed companion for their adopted South East Asian daughter – SF mystery drama is on Sky Cinema from Thursday, September 22nd

Memory is one of the great themes of cinema because when you point a moving image camera at someone, you capture and preserve their moving image for posterity. (Something similar happens when you record the sound of someone’s voice. Or even if you write down their words on paper, a simpler, more primitive form of recording.) Memory is also one of the elements which defines us as human beings.

Full marks, then, to director (actually writer, director, editor) Kogonada for taking the short story Saying Goodbye To Yang by Alexander Weinstein and expanding it into a feature. As described in the parlance of the distant future world in which this is set, Yang is a technosapien (i.e. a robot), a purchased elder sibling of a family comprising father Jake (Colin Farrell), mother Kyra (Jodie Turner-Smith) and daughter Mika (Malea Emma Tjandrawidjaja).

Mika is adopted, and her ever so Hollywood liberal parents – he a white man who has built a business around his passion for tea, she a black woman who is a hard-working, highly motivated high-flier in a demanding corporate business that’s never really defined – are concerned that she connect with her South East Asian heritage.… Read the rest