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Animation Documentary Features Live Action Movies

Fire Of Love

Director – Sara Dosa – 2022 – US – Cert. PG – 93m

The volcano footage *****
(and there’s lots of it, plus footage of the volcanologists themselves)

The brief animated inserts ***1/2

Almost everything else **

The 25-year career of the late volcanologist couple Katia and Maurice Krafft is explored through their extensive film archive of volcanic activity – out in cinemas on Friday, July 29th

There have been volcano movies before, but nothing quite like this. Most of them fall into the disaster movie category, with the better ones (The Last Days Of Pompeii, Ernest B. Schoedsack, 1935; Dante’s Peak, Roger Donaldson, 1997) delivering incredible visual effects. The force of nature that is the volcano is obviously extremely dangerous to film so you can understand why film producers would want to recreate images of the phenomenon for the big screen rather than attempt to go out and film them.

This current film, however, is not a fictional feature in that mould but something entirely different: a documentary. It perfectly fits the remit of its distributor National Geographic of “exploring, illuminating, and protecting the wonder of our world”. It’s ostensibly a film about two real life volcanologists Katia and Maurice Krafft who first met in 1966 and died in an volcanic blast in 1991.… Read the rest

Categories
Art Documentary Features Live Action Movies

Eric Ravilious: Drawn To War

Director – Margy Kinmonth – 2022 – UK – Cert. PG – 87m

***1/2

The career of the British watercolour artist tragically killed while serving as an official war artist in World War Two – out in cinemas on Friday, July 1st

The first official war artist to be commissioned in World War Two, Eric Ravilious was on an aircraft which set out from Iceland in 1942 and never came back. There is no exact record of what took place, covered by the phrase “missing in action”, but in all likelihood the plane went down in the sea. Kinmonth finds simple images to convey the incident, which appears in both her opening introduction to Ravilious’ life and her closing reel representing his passing – a warplane descending, our viewpoint falling towards the surface of the sea, an indistinct body moving in water filled with bubbles. At the end, the cold blue of the water contrasts with the gentler, rural green of the family house and surroundings back home.

After his death, Ravilious’ art was largely ignored. Alan Bennett, an admirer of the artist’s work, puts this down to the work’s cheerful and unthreatening nature and a prevailing view that art should grapple with dark and foreboding subject matter.… Read the rest