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Documentary Features Live Action Movies

Kim Novak’s Vertigo

Director – Alexandre O. Philippe – 2025 – UK – Cert. uncertificated – 76m

*****

An essential addition to the canon of work surrounding and helping audiences to understand the power of one of the cinema’s greatest works– out in UK cinemas on Friday, April 3rd

The opening black and white scene features actress Kim Novak, probably shot in the 1950s, as if through a peephole. This recalls Norman and his peephole in Psycho (Alfred Hitchcock, 1960). Novak here seems to know she is being watched, looks directly at the camera, then rolls her head so her eyes go into the darkness of shadow. Then, colour footage of present day, images that could be out of Spellbound (Hitchcock, 1945): a gate opening, a passage along a country roadway, a wooden memorial to someone. All this accompanied by the voice of Kim Novak, now in her twilight years, talking about her life on the soundtrack – her present difficulty in getting breath, how awful it must be to gasp for breath prior to dying.

All this has a Hitchcock connection. Novak is familiar to us from her twin roles in Vertigo (Hitchcock, 1958), the favourite film of director Philippe (and also, as it happens, of this critic) who specialises in documentaries about movies and made the definitive documentary about Psycho’s shower scene 78/52 (2017).… Read the rest

Categories
Features Live Action Movies

The Girl
with the Needle
(Pigen med Nålen)

Director – Magnus Van Horn – 2024 – Denmark, Sweden, Poland – Cert. 15 – 123m

*****

A young Copenhagen woman’s attempts to escape poverty following the Great War lead her into a dark nightmare – Denmark’s entry for Best International Feature is out in UK and Ireland cinemas on Friday, January 10th

In the darkness, faces writhing, superimposed on other faces. Katherine (Vic Carmen Sonne from Godland, 2022; Holiday, Isabella Eklöf, 2018), behind on the rent for her room by 14 months, is evicted. She works at a rag trade factory as a seamstress, where the owner Peter (Besir Zeciri) wants to be able to help her but cannot grant her widow’s supplement without proof of death of her husband, who has gone missing in the war. She manages to find herself cheaper lodgings. Sensing something more behind Peter’s kindness and an offer of a shoulder to rest on, Katherine has sex with him in an alley in broad daylight.

One day, her husband Jørgen (Joachim Fjelstrup) returns from the war, his face heavily disfigured. She takes him in but, unable to cope with his recurring nightmares, soon throws him out. Something similar is soon visited on her; Peter agrees to marry her, but when his mother (Benedikte Hansen from Borgen, TV series, 2010) explains that her son can do as he wants, but not with her money or her estate, he changes his mind (this, incidentally, is the same plot that drives Anora, Sean Baker, 2024).… Read the rest

Categories
Features Live Action Movies

Kinds of Kindness

Director – Yorgos Lanthimos – 2023 – UK – Cert. 18 – 144m

***

A triptych of stories from rising star cult director Lanthimos performed by the same intimate, ensemble cast – baffling auteur exercise is out in UK and Ireland cinemas on Friday, June 28th

Beyond a description of its structure – three separate stories performed by the same ensemble cast directed by one of today’s more idiosyncratic directors – Kinds of Kindness is not an easy film to synopsize. If the term ‘kindness’ in the title is meant to relate to the stories, it’s not immediately obvious as to how that should be (unless kindness is being used in the sense of “type of category” as the stories seem to function, on one level at least, as exploration of categories of transgressive behaviour). In terms of actors giving performances, the film is a masterclass; in terms of technical achievement – camera, editing, sand so on – it’s top of the line stuff; yet, in terms of what the film is about, the point of it, why anyone would want to make this film, you may find yourself completely baffled.

The main cast comprises Emma Stone, Jesse Plemons, Willem Dafoe and Margaret Qualley with support from Hong Chau, Joe Alwyn, Mamoudou Athie and Hunter Schafer.… Read the rest

Categories
Features Live Action Movies

A Day Off
(Hyuil,
휴일)

Director – Lee Man-hee – 1968 – South Korea – Cert. 18 – 110m

*****

A man passes the boredom of Sunday in Seoul by spending time in the park with his lover, robbing an old schoolmate then going out drinking and womanising in bars – available from time to time to watch for free at the Korean Film Archive’s YouTube channel (link at bottom of page)

Shot in stark black and white, this opens with a voice-over which immediately makes you think you’re watching a film noir. However, A Day Off is something else entirely – there are no cops or gangsters in sight, the narrative concerning instead a couple of doomed lovers and the opening voice-over bemoaning the hero’s meeting with his lover Ji-Yeon every Sunday. That said, it’s all about poor people struggling to survive on Seoul’s mean streets and the main character is constantly cheating his fellow citizens or stealing money from them, so its subject matter is not entirely noir unrelated.

Heo-uk (Shin Seong-il, a huge star who also has a bit part in the earlier Bloodline a.k.a. Kinship, Kim Soo-yong, 1963) asks a consults a bird fortune-teller as to what the day will bring: her trained bird picks out a card warning him to Stay Away From Women.… Read the rest

Categories
Features Live Action Movies

Eunuch
(Naeshi,
내시)

Director – Shin Sang-ok – 1968 – South Korea – 95m

****

Free to view in the Korean Film Archive as part of

Korean Film Nights Online: Trapped! The Cinema of Confinement

(Friday, July 17th – Thursday, August 27th)

Viewing links at bottom of review.

Away from his main palace, a prince keeps numerous maids in a separate palace at Geumjung. These concubines are for the prince alone, to help him produce an heir, and to ensure that no-one else impregnates them before him the palace is staffed with eunuchs. Every night he chooses a maid to sleep with, usually by picking a token off a tray. He has a pretty low view of women – they’re all the same, he complains.

The women have nothing to do with themselves except wait around to be picked and gossip about who has been lucky enough to be chosen. They have no power whatsoever – there’s a story about a girl who refused to remove her skirt in the prince’s bedchamber and was executed for disobedience. With no sexually functioning men around other than the prince, some of the women turn to each other for fulfilment.

Thus, one night Min sneaks into the room of the sleeping Kim Ja-ok (Yun Jeong-hie) only to be repulsed when the latter wakes up, understandably startled.… Read the rest