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Art Documentary Features Live Action Movies Series Shorts Television

Greenaway By Numbers

How Peter Greenaway’s obsession with various numeric and other cataloguing systems has led to the creation of highly complex, multi-layered film pieces that joyfully play with audiences

If ever anyone were to make a film about the Dewey Decimal System, it would be Peter Greenaway. He is obsessed with ways and means to classify the world in which he finds himself, systems to organise and make sense of that peculiar world, people’s relationship networks with one another and their movement and actions within that world and those networks.

I first came across him on the theatrical release in Hammersmith of his three hours plus epic The Falls (1980), made in between his early, self-financed short films of the 1960s and 1970s and his first, more conventional in length feature The Draughtsman’s Contract (1982). The Falls takes its name from entries in the section of a directory beginning with the letters F A L L e.g. Orchard Falla, Constance Ortuist Fallaburr, Melorder Fallaburr. The directory chronicles survivors of a Violent Unknown Event, VUE for short… [read more]

Full article at DMovies.org in association with Doesn’t Exist Magazine – purchase your copy now.

Categories
Animation Movies Shorts

The Fox And The Pigeon

Director – Michelle Chua – 2019 – Canada – 6m

*****

From the Annecy 2020 Online Animation Festival

This starts off opening a children’s book cover for a tale about, you’ve guessed it, a fox and a pigeon. In the time honoured tradition of such books, there are illustrations and words (in rhyming couplets) on the page. And like so many animated films, the characters move and come to life while the author acts as a narrator and reads the words.

What’s different about The Fox And The Pigeon is that while the characters want to live their own story – screenwriters often say that as they write they feel their characters talking to them and dictating the direction things should go – the narrator has other ideas and tries to impose his own narrative upon them. The fox finds a coin and buys an ice cream cone. Sitting on a park bench, he’s aware of the pigeon, who clearly wants to share the ice cream. But, intones the author reading his words, “why would a fox want to share with a pigeon?”

As the tale plays out, the author becomes increasingly vindictive, wanting the two characters to conflict with one another, to the point of one killing the other.… Read the rest

Categories
Features Live Action Movies

Naked Lunch

Director – David Cronenberg – 1991 – Canada – Cert. 18 – 115m

*****

UK PAL laserdisc review.

Originally published in London Calling Internet. See also my reviews in Film And Video – The Magazine and What’s On In London.

Distributor Pioneer LDCE

Cat No: PFLEB 30781

£9.99

BBFC Certificate 18

Running Time 85 min

Dolby Surround

Widescreen: 1.85:1

Chaptered? Yes

CLV

2 Sides

New York, 1953. Bug exterminator Bill Lee (Peter Weller) runs out of roach powder whilst treating an infested apartment. His initial accusations against his employers’ theft of the substance are revealed as groundless when he discovers wife Joan (Judy Davis) is using the brown powder as a drug. She persuades him to take up the habit. In a downtown interview, two narcotics detectives introduce Bill to his “Case Officer” – a typewriter sized bug with a talking orifice in its back who instructs him to kill Joan, as she is an Interzone agent.

After shooting his wife, Bill seeks counselling from Dr.Benway (Roy Scheider) who gives him a counter narcotic. A Mugwump gives Bill two air tickets to the Interzone where he meets (among others) Swiss expatriate Yves Cloquet (Julian Sands) and writers Tom and Joan Frost (Ian Holm and Judy Davis).… Read the rest

Categories
Features Live Action Movies

Naked Lunch

Director – David Cronenberg – 1991 – Canada – Cert. 18 – 115m

*****

Originally published in Film And Video – The Magazine. See also my reviews in What’s On In London and London Calling Internet.

PLOT

New York, 1953. Bug exterminator Bill Lee (Peter Weller) runs out of roach powder whilst treating an infested apartment. His initial accusations against his employers’ theft of the substance are revealed as groundless when he discovers wife Joan (Judy Davis) is using the brown powder as a drug. She persuades him to take up the habit. In a downtown interview, two narcotics detectives introduce Bill to his “Case Officer” – a typewriter sized bug with a talking orifice in its back who instructs him to kill Joan, as she is an Interzone agent.

After shooting his wife, Bill seeks counselling from Dr.Benway (ROy Scheider) who gives him a counter narcotic. A Mugwump gives Bill two air tickets to the Interzone where he meets (among others) Swiss expatriate Yves Cloquet (Sands) and writers Tom and Joan Frost (Ian Holm and Judy Davis). Throughout his adventures, friends Hank (Nicholas Campbell) and Martin (Michael Zelikner) encourage Bill to write his book Naked Lunch.

OPINION

Attempts have previously been made to turn William Burroughs’ seminal book Naked Lunch into a movie, but David Cronenberg’s version (produced by Jeremy Thomas of The Last Emperor fame) is the only one to reach fruition.… Read the rest

Categories
Features Live Action Movies

Naked Lunch

Director – David Cronenberg – 1991 – Canada – Cert. 18 – 115m

*****

Originally published in What’s On In London. See also my reviews in Film And Video – The Magazine and London Calling Internet.

INSECT POLITICS

Watching David Cronenberg’s film of William Burroughs’ novel The Naked Lunch, it becomes clear that the two men share a bizarre sensibility for what the protagonist of the director’s earlier remake of The Fly (1985) described as “insect politics”.

To film Burroughs’ “unfilmable” work, Cronenberg adopts the strategy of incorporating biographical details from the writer’s life into an overall fabric also comprising elements from a number of Burroughs’ books. Hence, the “accidental” shooting of his wife at a party (Burroughs was high at the time) jostles with insect typewriters turning into sex blobs (here pink, dog sized insects with prominent flattened buttocks) and animatronic Mugwumps working for the Interzone network.

Once again, Cronenberg is shown as a master not only at directing both actors and special effects but also in his sheer command of filmic vocabulary. The sequence where Joan Lee (Judy Davis) is startled by husband Bill’s “William Tell Routine” going wrong and getting her shot (he takes out his gun after she’s balanced a glass on her head) is as unforgettable as it is unsettling.… Read the rest