Tag: cat and mouse

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Leviticus

Leviticus

Director – Adrian Chiarella – 2025 – Australia – Cert. 15 – 88m

*****

Following treatment by a faith healer, two gay teen lovers are stalked by a being that for each of them resembles the other – out in UK cinemas on Wednesday, September 2nd

This is at once a drama and a supernatural horror movie made from a gay perspective. At no point (unless I missed it) does the film refer to anyone or anything called Leviticus. Perhaps that’s the name of the monster (who is not named in the film). Perhaps it’s a reference to the Book of Leviticus in the Bible – possibly not such a stretch since key plot elements involve a local, fundamentalist Christian church community – and such gathered groups tend to believe the Bible to be true word for word (rather than, say, using it as a text to be read and engaged with, taking into account its historical context and trying to make sense of it in today’s world).

Naim (Joe Bird from Talk to Me, Danny & Michael Philippou, 2022) and Ryan (Stacy Clausen) hang out together in the area around their small outback town. Naim is unnerved by the sight of a snake digesting a toad.… Read the rest

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Colony
(Gunche,
군체)

Colony

Director – Yeon Sang-ho – 2026 – South Korea – Cert. 15 – 123m

*****

A scientist wreaks revenge on his former corporation in a bioterrorist attack which turns its victims into zombies – out in UK cinemas on Friday, August 28th

Inside the Doongwoori building, CEO of the Chains Bio corporation Kang Woo-chul (Kim Jong Tae) gives a speech about mass communication via networks. Her ex-husband Professor Han Kyu-seong (Go Soo) urges Professor Kwon Se-jeong (Gianna Jun) to speak to CEO Kang following his speech, but Kang is called away for a phone call regarding one Suh Young-chul and a possible bioterrorist attack.

Encouraged to find Kang and leave her card, Kwon witnesses him assault another man behind the frosted glass walls of his office. That other man is the aforementioned Suh Young-chul (Koo Kyo-hwan), who fights back, injecting Kang with a serum which makes him vomit, writhe and turn into a zombie. Pretty soon, Kang is biting others, giving rise to a local zombie outbreak.

Despite witnessing the initial stages of the assault, Kwon is unaware of the injection and everything that follows, stopping at a cafe with her ex to quiz him as to why he left her.… Read the rest

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Scream 7

Ghostface in Paramount Pictures and Spyglass Media Group's "Scream 7." © 2025 Paramount Pictures. Ghost Face is a Registered Trademark of Fun World Div., Easter Unlimited, Inc. ©1999. All Rights Reserved.”.

Director – Kevin Williamson – 2026 – US – Cert. 18 – 114m

****

A survivor from the original murder spree tries to protect her 17-year-old daughter from the recently reappeared killer – out in UK cinemas on Friday, February 27th

This cleverly plays to both anyone who has followed the Scream franchise since its inception and anyone coming to it for the first time. It grabs you straight from the start with a clever little sequence, featured in the first quarter of the trailer, in which a young couple (Michelle Randolph and Jimmy Tatro) arrive for their stay at a Woodsboro house where the Stu Macher murders took place decades earlier, now done up as a short stay holiday home for crime thrill seekers. Since the trailer gives it away, it seems reasonable to point out that these two are about to become the latest victims of the so-called Ghostface killer, clad in his familiar mask that to this writer has always conjured Edvard Munch’s painting The Scream (1893).

Jimmy Tatro stars in Paramount Pictures and Spyglass Media Group’s “Scream 7.”

An additional conceit of the franchise is that the Ghostface killer’s trademark mask and cape can be worn by anyone, meaning that if you can disarm or kill them, you can then remove the mask and discover the identity of this particular Ghostface.… Read the rest

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The Seed
of the Sacred Fig
(Dane-ye
Anjir-e Ma’abed,
دانه‌ی انجیر معابد)

Director – Mohammad Rasoulof – 2024 – Iran, Germany, France – Cert. 15 – 167m

*****

An Iranian state functionary, married with two teenage daughters, is promoted to the position of judge at the same time as the Women, Life, Freedom protests erupt… And then, his gun goes missing at home… – out on Blu-ray and DVD from Monday, June 9th 2025

A film so extraordinarily brilliant that it is almost impossible to conceive.

An opening intertitle explains the remarkable life cycle of a tree which grows on one of the southern Iranian islands. Its seeds fall onto the branches of other trees through bird droppings. The seeds then germinate, and their roots move towards the ground. When the roots reach the ground, the sacred fig tree stands on its own feet and its branches strangle the host tree.

2022. The tireless and diligent work of state functionary Iman (Missagh Zareh) has finally been rewarded; he is to be appointed a judge. In a repressive regime like Iran, that’s not a job looked upon favourably by most of the population, so his work gives him a pistol just in case he should need to defend himself or his family. At home, in the Tehran apartment where he lives with his family, he keeps the weapon in a drawer.… Read the rest

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Dangerous Animals

Director – Sean Byrne – 2025 – Australia – Cert. 15 – 98m

*****

A free-spirited girl surfer must outwit the shark tour operator who has kidnapped her and whose idea of looking after customers is feeding them to the sharks – out in UK cinemas on Friday, June 6th

Greg (Liam Greinke) invites Brit backpacker Heather (Ella Newton) to join him on a shark swim. So, off they go to Tucker (Jai Courtney), who runs shark-seeing tours using his boat. As in Jaws (Steven Spielberg, 1975), you go in the cage, the cage goes in the water, the sharks are outside the cage. Heather has second thoughts, but the couple go for it, which turns out to be an amazing experience. You won’t believe what happens next. Greg certainly doesn’t. (Be advised: some online trailers give the game away. Thankfully, Vertigo’s teaser trailer, below, doesn’t.)

Free-spirited surfer Zephyr (Hessie Harrison) lives out of her van and one night indulges in passion there with yuppie Moses (Josh Heuston) parked outside his house, swiftly driving off afterwards before he has had a chance to take their relationship further, which is a pity from his point of view since he feels some sort of deeper connection.… Read the rest

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The Guest
(301호 모텔 살인사건)

Director – Yeon Je-gwang – 2023 – South Korea – LKFF Cert. 18 – 77m

***

An out-of-the-way motel, with numerous hidden cameras covertly recording the unwitting guests, becomes the site of multiple killings – from LKFF, the London Korean Film Festival 2024 which runs in cinemas from Friday, November 1st to Wednesday, November 13th

There’s an idea that the widespread presence of security cameras make the world a safer place, because things can be seen rather than hidden; equally, however, things can be recorded, turned into product and sold for profit. The Guest takes place in a familiar world of roads and car journeys and motels in the middle of nowhere at which the traveller can take a break. And all of it seems to be covered by security cameras.

That applies to the roads, where the cams are there for traffic enforcement (and, perhaps more pertinently, traffic tax raising or penalty charging) purposes. Why they are there, for good or ill, isn’t really discussed here. But their ubiquitous presence is inescapably noted.

It also applies in the seedy motel at the centre of this horror / drama / suspense / thriller. The loan shark Deuk-chan (Hyun Bong-sik) who owns the place employs two young staff members Min-cheol (Lee Joo-seung) and Young-gyu (Han Min) to run the place in a day-to-day basis both of whom are indebted to him and therefore have little choice other than to do whatever he asks, however unreasonable.… Read the rest

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Escape
(Talju,
탈주)

Director – Lee Jong-Pil – 2024 – South Korea – LEAFF Cert. 18 – 94m

*****

An army sergeant is caught attempting to escape from North to South Korea, but then a second chance presents itself – played as the Opening Gala at the 2024 London East Asia Film Festival (LEAFF) which runs from Wednesday, October 23rd to Sunday, November 3rd

North Korea. Sgt. Lim Kyu-nam (Lee Je-hoon) is stationed at the edge of the Korean Demilitarized Zone (DMZ) separating North from South Korea, a smart but frustrated soldier who knows he’s never going to rise up the chain of command riddled as it is with nepotism and privilege. Nights, when the rest of his unit is asleep, and inspired by his treasured book of the explorer Edmund Amundsen, he sneaks out of the barracks to map a section of the minefield in the DMZ.

His plan is to escape through that minefield and reach South Korea to defect before the monsoon arrives in four days time and the water moves all the mines around, making his map useless. Then he learns that the bad weather is coming two days earlier than expected. So he must move the date of his escape forward.… Read the rest

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Alien
Romulus

Director – Fede Alvarez – 2024 – US – Cert. 15 – 119m

*****

A group of young people escape from a planet housing a repressive, corporate mining colony in search of something better … only to find something worse… – latest SF horror franchise entry is out on digital on Friday, October 18th following its release in UK cinemas on Friday, August 16th

The Alien franchise, after quite literally bursting onto cinema screens with Alien (Ridley Scott, 1979), then having lost its way somewhat on Alien3 (David Fincher, 1992), picked up again somewhat on Prometheus (Ridley Scott, 1979), and now settled title-wise into the sensible enough format of Alien: Ship’s Name, delivers a new entry made by a writer-director, Fede Alvarez, who understands the franchise enough to both put in everything required of it and throw in some innovative ideas without compromising its essence.

The first 20 or so minutes, arguably the best thing here, could equally easily have opened a science fiction epic unrelated to the franchise. A young woman Rain (the terrific Cailee Spaeny from Civil War, Alex Garland, 2024) is trapped on a planet where the sun is permanently hidden owing to pollution caused by the corporation’s mining operation.… Read the rest

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Revenge

Director – Coralie Fargeat – 2017 – US – Cert. 18 – 108m

****

It’s a man’s world. Or is it? A predictable male fantasy switches gear to bloody thrill ride when a woman turns the tables on a group of men perpetrating violence against her – available on VoD from Monday, September 10th following UK cinema release on Friday, May 11th 2018

Flown in by private helicopter pilot, Frenchman Richard (Kevin Janssens) takes Jen (Matilda Lutz) to his luxury home in the middle of the desert for a day or so. He is clearly rolling in money, she appears to be in love with him, but perhaps she’s play-acting: something of the gold-digger in her, maybe. She wears skimpy clothing, emphasising sexual aspects of her body. She comes on strong to him. Passion ensures. All of which is a lot less fun to watch than it sounds: the male is little more than a caricature of the sort often found in the less carefully made end of French action and gangster movie production while the girl displays every patriarchal cliché in the book in the way she moves, dresses, acts and interacts.

Director Fargeat has a very different agenda, however.… Read the rest

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Cadejo Blanco

Director – Justin Lerner – 2023 – Guatemala, US, Mexico – Cert. 15 – 125m

*****

A young woman infiltrates a drugs gang in order to find out what happened to her elder sister, who never came back from a night out – out in UK cinemas on and on demand Friday, August 23rd

This opens with a deceptively simple sequence of two young women getting ready to go out for an evening. The older one, who apparently goes out a lot, and we’ll later learn is called Bea (newcomer Pamela Martínez), is pressurising the younger one Sarita (Karen Martínez from The Golden Dream, Diego Quemada-Diez, 2014), who has never been out to a club before. They might be flatmates, but as the scene plays out, it emerges that they are sisters. Bea helps Sarita dress up.

While this may sound banal, it’s shot in a long take, and there’s something utterly compelling about it. Perhaps it’s the script, which appears to do everything it needs to with no flab or wastage. Perhaps it’s the casting: you absolutely come to believe these two are sisters (as far as I can tell, despite having the same surname and looking quite similar, the two actresses are not real life sisters).… Read the rest