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Features Live Action Movies

On the Beach

Director – Stanley Kramer – 1959 – US – Cert. PG – 134m

*****

Australia is the only country yet to succumb to radiation sicknessfollowing a nuclear war – on Blu-ray from Monday, July 27th

The nuclear submarine USS Sawfish, under the command of Commander Dwight Lionel Towers (Gregory Peck), surfaces in Melbourne, Australia. Lieutenant Peter Holmes (Anthony Perkins) makes a bottle of milk for baby Jennifer and a cup of tea for his sleeping wife Mary (Donna Anderson from Inherit the Wind, Stanley Kramer, 1960; Count Yorga, Vampire, Bob Kelljan, 1976). He has to pick up the milk as it won’t be delivered any more. He’s on his way to see the admiral, who gives him a job on the Sawfish.

Reporting to the commander, he offers to take the latter for a drink, and winds up inviting his to stay at his home. He puts local woman Moira Davidson (Ava Gardner) in charge of him; at a party, where there’s a row between scientist Julian Osborn (Fred Astaire) and another man over who caused the nuclear war, she gets very drunk and comes on to Towers, but she falls asleep, so he puts her to bed.… Read the rest

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Features Live Action Movies

Face/Off

Director – John Woo – 1997 – US – Cert. 18 – 138m

*****

John Woo’s third and strongest US film to date has FBI agent John Travolta switching faces with villain Nic Cage – plays as part of Bullets and Brotherhood: the Films of John Woo at BFI Southbank from Friday, 3rd July to Friday, 31st July 2026

When screenwriters Mike Werb and Michael Colleary collaborated on original screenplay Face/Off, they had in mind such classic films as post-war gangster tale White Heat (Raoul Walsh, 1949) and identity change outing Seconds (John Frankenheimer, 1966). Only after completing an initial draft did Colleary see a John Woo movie – The Killer (1989) – at which point he immediately knew the pair had found the perfect director for their material.

This was clearly reciprocal – if Woo had already astounded Hong Kong audiences with A Better Tomorrow (1986) and crossed over internationally with The Killer and Hard Boiled (1992), he had yet to win comparable critical acclaim in America, even though his modest budget American debut Hard Target (1993) had had its admirers and his first blockbusting actioner Broken Arrow (1996) had impressed Hollywood with its box office.

These films both felt like the work of a director for hire not an auteur, and while Woo, like numerous Hollywood immigrants before him, could probably have continued in similar vein, the Face/Off script contained exactly the elements the director needed to take up in Hollywood where he’d left off in Hong Kong.… Read the rest

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Art Features Live Action Movies

Leonora
in the Morning Light
(Leonora
im Morgenlicht)

Directors – Thor Klein, Lena Vurma – 2025 – Germany, Romania, Mexico, UK – Cert. 15 – 103m

**

In Mexico, France, Spain and the England of her childhood, Surrealist painter Leonora Carrington must confront her personal demons – out in UK and Ireland cinemas on Friday, May 29th

Deserted hillsides, a sliver of a road, eventually a tiny red car moving along it, to the accompaniment of a pulsating electronic score suggesting the present day. Another stretch of road: the car drops off the woman, in stylish trousers and blouse, who smokes observing the landscape. The driver gets out to photograph her, much to her displeasure, but he’s run out of film.

An illustrated title card: Death. Xilitla, Mexico, 1951. The man takes her to the rooming house of Edward (Ryan Gage), leaving her as he promises to look after their son. Outside the window, she can hear the two men discuss all that has happened to her. Her madness.

©Mirjam Kluka, Dragonfly films, Alamode Film

She and Edward are riding with others in the back of a lorry on a road. In Spanish, she asks a woman on the lorry (Yasmira Escárrega) about her amulet – “a sacred stone that illuminated the path through the underworld”.… Read the rest

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Animation Features Movies

Arco
(Arco)

Director – Ugo Bienvenu – 2025 – France – Cert. PG – 82m

French with subtitles (not in UK cinemas) *****

English dubbed version (in UK cinemas) ****1/2

A boy from the far future attempts time travel too young and gets stranded in an earlier time – animated SF feature is out in UK cinemas on Friday, March 20th

Somewhere in the distant future, above the clouds where the birds fly, in semi-spherical houses constructed on supports rising through the clouds, live the likes of Arco (English voice: Juliano Krue Valdi; French voice: Oscar Tresanini) with his mother (voices: America Ferreira; Sophie Mas) and father (Roeg Sutherland; Oxmo Puccino), and his elder sister (unknown; Joséphine Mancini). His daily routine includes feeding the hens and the pigs, but not flying because he’s not yet 12 and, as his dad constantly reminds him, that’s the law.

The house is powered at least in part by small water wheels. It would appear to be self-sustaining. The family grow a lot of plants as part of their self-sufficient diet, and the daily flights of Arco’s father, mother and sister take them to other times to gather samples of new plant species to grow as nutrients.… Read the rest

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Features Live Action Movies

Kaneko’s Commissary
(Kaneko Sashiireten,
金子差入店)

Director – Go Furukawa – 2025 – Japan – Cert. N/C 15+ – 125m

****

An ex-con runs a service delivering clothing, other supplies and messages from loved ones to convicted prisoners – plays UK cinemas in the Japan Foundation Touring Film Programme 2026 which runs from Friday, 6th February to Tuesday, 31st March

A young mum, babe in arms, takes bags for her husband to a drop-off facility / creche so she can visit him in prison. The helpful assistant informs her that the commissary will be unable to accept most of the contents of the bag – basically, any clothing other than underwear. And off she goes for a prison visit with her husband, who has anger management issues and takes out on her the fact that she failed to visit last month, telling her, “it’s easy for you to abandon me.” His unabated rating and verbal abuse eventually drives her to a primal scream before she walks out, leaving him to ask, redundantly, after she’s left, if their child has been born yet.

His visit isn’t from her but the self-announced “Kaneko from Hosoda’s Commissary”, who has a deliver from his wife; divorce papers to sign.… Read the rest

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Features Live Action Movies

Primate

Director – Johannes Roberts – 2025 – US – Cert. 18 – 89m

****1/2

A girl and her friends discover her family’s pet chimp has turned violent and trapped them in the house – out in UK cinemas on Friday, January 30th

Coming in commendably under 90 minutes, this is a hugely effective thriller about people trapped in a confined space with a monster. Which makes it all the more curious that it missteps for its first couple of scenes, making you wonder if you’re going to regret seeing the film. First up is a scene in which a vet ventures into a house’s exterior enclosure and is attacked by Ben, the distressed chimpanzee, who lives there. The problem is not the scene itself, which is both genuinely scary and sets the scene for what is to follow – indeed, it establishes that there is a chimpanzee in the house about to turn bad – but the fact that it’s almost impossible to relate the scene to the remaining narrative, apart from the fact that it takes place 36 hours earlier. Who was the vet? At what point in the unfolding flashback does this attack take place? The ensuing mayhem won’t leave you any time to ponder such questions, so it arguably doesn’t matter, but for me, because I couldn’t make any sense of it in the scheme of the wider film, it proved annoying.… Read the rest

Categories
Features Live Action Movies

Oh, What Happy Days! (Ah Che Roozhayeh Khoshi Bood,
آه، چه روزهای خوشی بود. )

Director – Homayoun Ghanizadeh – 2025 – Iran, USA, France, Canada – 107m

*****

On a video phone network, a woman is caught between her well-off family and their former servant’s wronged son – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

Facing us, photographed in black and white, an old man hangs up, revealed by his offline screen to be Mr. Farrokhi (Ali Nassirian) in Los Angeles, as a woman rails to camera, hurling obscenities at him as at the viewer. Her screen enlarges as it moves to centre screen. He and she, like the other characters who appear in this drama, is wearing what looks like a prison uniform with a designation tab above the right breast.

As the piece proceeds, you start to get a handle on the ground rules: this is a film that owes much to communications technologies like Zoom. Characters only ever appear here within a Zoom type box in black and white, slowly morphing into colour for moments when they relax or are less guarded and more openly themselves. Sometimes there is only a single box with its one character filling the screen; this shifts to two, three – or, in two rows, four or five – boxes side by side.… Read the rest

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Features Live Action Movies

Valley of the
Shadow of Death
(不赦之罪)

Directors – Jeffrey Lam Sen & Antonio Tam – 2024 – Hong Kong, China – Cert. 15 – 84m

***1/2

The lives of a Christian pastor and his wife become intertwined with that of a youth who believes himself responsible for their teenage daughter’s suicide some years ago – out in UK cinemas on Friday, November 14th

For roughly its first half, this delivers a narrative that sits squarely in an evangelical Christian framework. Unable to keep that up, it shifts focus in its second half to fire off in a number of directions.

Pastor Leung (Anthony Wong) and visits an old lady named Chan who is dying in hospital, asking her on her deathbed to accept Jesus as her Saviour. As he’s leaving, the nurse with him spots her grandson coming in, chained between two police officers. His granny is unconscious, and he finds her clasping a crucifix tight in one hand.

Praying alone, the Pastor talks about ”joining in the sufferings of Christ” as well he might: when interviewed by a lady journalist (Amber Van Cheung) about suffering and his experiences, something he is known for speaking about widely, it’s apparent that he and his family – pictured on a cupboard top photo as father, mother and daughter – suffered terrible grief a few years back.… Read the rest

Categories
Features Live Action Movies

Avatar
The Way of Water

Director – James Cameron – 2022 – US – Cert. 12a – 192m

Immersive Cinema *****

Screenplay *

Now raising their own family on the planet Pandora, a couple flee the attacking Sky People to live among a tribe of sea people – first Avatar sequel is back out in cinemas on Friday, October 3rd

Having gone native on the planet Pandora following the events in Avatar (James Cameron, 2009), in which paraplegic human soldier Jake Sully (performance capture including voice or Pcap: Sam Worthington) was transformed into an avatar of a non-disabled, native Pandoran, in the first third of the film, Jake is raising a family with Na’vi partner Neytiri (Pcap: Zoe Saldaña): two boys, two girls. They play in the jungle forest with their friend Spider (Jack Champion), a human child who was too young to be evacuated when the other Sky People left. Spider has been raised by human scientists who remained behind, and he must constantly wear a breathing mask to survive in Pandora’s atmosphere; he is to all intents and purposes feral.

When the Sky People return to Pandora with a new remit – to prep the planet for human habitation since the Earth is becoming uninhabitable – Jake’s old commander Quaritch (Pcap: Stephen Lang), who died in the first film but is now reconstituted as an an avatar embedded with the character’s DNA and memories, is determined to hunt down and kill the Sully who, as he sees it, betrayed him.… Read the rest

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Features Live Action Movies

Hidden
(Caché)

Director – Michael Haneke – 2005 – Austria, France, Germany – Cert. 15 – 117m

***1/2

Covertly delivered VHS videotapes suggest to an upper middle class family that they are being watched, and begin to tease out guilt for an incident in the husband’s past – the closing film of Complicit: A Michael Haneke Retrospective, in UK cinemas from Friday, June 20th and on BFI Player from Thursday, September 11th 2025

A lengthy, locked-off camera shot of a street. A woman (Juliette Binoche) leaves the house through a full body height metal gate that seems to serve a security function, although the street seems largely quiet and unremarkable. Then the image starts to rewind in the manner of a videotape; what we are watching is a recording in the videotape player of a couple Georges and Anne Laurent (Daniel Auteuil and Juliette Binoche), who are discussing its contents. The tape has been left outside their front door for reasons that are not immediately obvious and by person or persons unknown.

This opening shot is mirrored by another static shot at the end taken from outside the school of their son Pierrot (Lester Makedonsky) as pupils leave, in which… well, you’ll have to see for yourself, and director Haneke doesn’t make it easy to see what it is he wants you to see, so you’ll have to work at it… and even then, you may miss it.… Read the rest