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The Latent Image

Director – Alexander McGregor Birrell – 2022 – UK – Cert. 15 – 82m

***1/2

A mystery thriller writer working alone in a secluded cabin in the woods is interrupted by the arrival of a stranger – out in UK cinemas and on digital platforms from Sunday, October 8th

Developed from his 20 minute, 2019 short of the same name and starring the same two leads, Birrell’s debut feature is a curious mixture of innovation and genre cliché. Yet, enough of what’s going on here works sufficiently to hold the viewer’s attention.

Ben (Joshua Tonks, who co-wrote the screenplay with director Birrell), who isn’t named until quite some way into the film, has rented a cabin in the woods in order to write his latest novel, “if you can call it that” – he’s working in horror, thriller fiction. Tonight, he becomes engrossed in writing about his antagonist – a mysterious stranger – he suddenly becomes convinced that there is someone lurking outside the cabin. When he looks, he can see no-one. Nevertheless, his gut instinct is correct: someone is watching the cabin from the darkness.

What follows skilfully walks a knife edge between someone writing or imagining a story about being terrorised by a stranger whilst staying at a cabin in the woods and someone actually being terrorised by a stranger whilst staying at a cabin in the woods.… Read the rest

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Features Live Action Movies

A Chinese
Ghost Story
(Sien Lui Yau Wan,
倩女幽魂)

Director – Ching Siu Tung – 1987 – Hong Kong – Cert. 15 – 95m

*****

Some of the most seminal offerings of the commercial Hong Kong cinema are the product of creative wizard Tsui Hark. The producer who first gave John Woo his niche as bullet strewn action director on A Better Tomorrow (1986) also ensured director Ching Sui Tung’s place in fantasy film’s Hall of Fame with this stunning little offering.

The Hong Kong supernatural, fantasy genre is itself defined almost single-handedly by Tsui’s groundbreaking epic Zu: Warriors From the Magic Mountain (1983). CGS both typifies the genre and proves one of its finest examples. CGS spawned two sequels for what Tsui describes as “sentimental reasons – when the ghost died at the end, we want her to come back pretty badly.” He admits the sequels weren’t as good, though.

CGS opens in a downpour as a rain sodden Leslie Cheung (known to Western audiences from such diverse fare as A Better Tomorrow and art house hit Farewell My Concubine, Chen Kaige, 1993) watches a grim, head lopping argument between two bandits as he does his cowardly best to look inconspicuous. His work as a debt gatherer suffers something of a setback as he discovers the ink in his books has run with the damp, so once he arrives in the nearby town he’s unable to collect the payments he’d expected.… Read the rest

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Animation Features Live Action Movies

Boonie Bears
Guardian Code
(Xiong Chu Mo
Ban Wo Xiong Xin,
熊出没·伴我“熊芯”)

Directors – Lin Yongchang, Shao Heqi – 2023 – China – Cert. PG – 99m

****1/2

Abandoned by their mother as children, bear siblings Bramble and Briar uncover a conspiracy involving roboticists and robots in a dubbed format for family audiences – out in cinemas on Friday, May 26th following its premiere at the Prince Charles Cinema around midday on Saturday, May 13th

Bear cubs Bramble (voiced in the English language version by Siobhan Lumsden) and Briar (voice: Nichalia Schwartz) enjoy and idyllic life in the Pine Tree Mountain forest in the care of their loving, lullaby-singing mother Barbara (voice: Kally Khourshid). Barbara shows them her amber pendant containing a moon and a star shape, one for each of her two cubs who have those shapes in light patches of fur on their chests. (Bramble is the one with the yellowish fur and Briar the one with reddish fur.)

One day, Briar sees her walk away through the burning ruins of a house as if she never knew him. The brothers never see her again, growing up on their own and looking out for one another.

Years later, the adult Bramble (voice: Joseph S. Lambert) and Briar (voice: Patrick Freeman), disguised as robots using makeshift fridge and washing machine costumes that would give the robot performer of Brian And Charles (Jim Archer, 2022) a run for his money, are being driven by their best friend the human Vick (voice: Paul ‘Maxx’ Rinehart) along with roboticist Dr.… Read the rest

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Features Live Action Movies Shorts

Piggy
(Cerdita)

Director – Carlota Pereda – 2022 – Spain – Cert. 18 – 99m

*****

Director – Carlota Pereda – 2018 – Spain – 13m

*****

Fat-shaming, bullying, overbearing mothers, growing up as the local butcher’s daughter, and more – feature based on short is out in UK cinemas on Friday, January 6th

Sara (Laura Galán) is attempting to navigate the difficult waters of adolescence. It isn’t much fun if you’re different and cliques of your contemporaries gang up on you. In Sara’s case, she isn’t just fat, she’s also introverted and shuns people, which compounds the amount she gets teased. She often works in her father’s butchers shop, so bullies can easily put together insults based on fat and flesh and pork and meat. A clique of three, thinner girls – Roci (Camille Aguilar) and Maca (Claudia Salas) and their unwilling hanger-on Claudia aka Clau (Irene Ferreiro) – call her Piggy.

It’s Summer, and everyone is going down to the Madrigal (Waterfall) festivities at the pool on the river, where a mysterious out-of-towner is lounging about, but Sara sneaks down there later for a swim when she hopes nobody is around. She’s just getting into the water when the stranger (Richard Holmes) surfaces innocently, startling her.… Read the rest

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Features Live Action Movies

The Innocents
(De Uskyldige)

Director – Eskil Vogt – 2021 – Norway – Cert. 15 – 117m

***

A small group of pre-teen children begin to explore their supernatural powers with devastating results – out in cinemas on Friday, May 20th

Two children live with their parents on a very ordinary housing estate near woodlands leading to a footbridge over a nearby motorway. Ida (Rakel Lenora Fløttum) enjoys going outside to play with other kids of her own age, seven or eight. Often, though, her mum will ask her to take her autistic, older sister Anna (Alva Brynsmo Ramstad), 11, with her, which Ida doesn’t really like having to do.

Anna is autistic and lives largely in her own internal world. When Ida goes outside to play, knowing Anna will likely sit happily in the same place for several hours if left to her own devices, Ida will leave Anna on her own while Ida plays with other kids her own age – Ben (Sam Ashraf) or Aisha (Mina Yasmin Bremseth Asheim). Ida assumes that Anna will still be there when she comes back.

Ben is troubled by a strange ability he possesses which he doesn’t understand. He can control people. Alone in the woods with Ida, he explains this to her.… Read the rest

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Features Live Action Movies

Europa

Director – Haider Rashid – 2021 – Iraq, Italy, Kuwait – Cert. 12a – 75 m

****

A young Iraqi migrant is hunted by mercenaries after he crosses the Turkish/Bulgarian border – out in cinemas and on demand on Friday, March 18th

A number of movies hang over this bold adventure thriller about Kamal (Adam Ali), a young Iraqi migrant who after crossing from Turkey into Bulgaria finds himself hunted by paramilitaries with guns and balaclavas. One is the gothic classic The Most Dangerous Game / The Hounds Of Zaroff (Irving Pichel, Ernest B.Schoedsack, 1932) in which the passengers of a luxury liner shipwrecked on an island find themselves in a deadly relationship with the big game hunter who lives there. The others are much more recent. Utøya July 22 (Erik Poppe, 2018) is a one take recreation of the Utøya teen camp Summer massacre in which kids attempted to survive a rampaging gunman while Son Of Saul (László Nemes, 2015) follows a Jewish worker-prisoner around a Nazi death camp.

The connection with The Most Dangerous Game may actually be coincidental rather than deliberate, since what inspired Rashid was stories of real life migrants’ experiences. The locations are a Bulgarian woods not a constructed Hollywood jungle set, yet it fits neatly into that lineage.… Read the rest

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Features Live Action Movies

Amulet

Director – Romola Garai – 2020 – UK – Cert. 15 – 99m

*****

A border checkpoint soldier moves into a suburban, London house with a dark secret in the attic – out on VoD on Monday, February 28th

Somewhere in Russia or Eastern Europe – it’s not clear exactly where – a soldier (Alec Secareanu) is billeted in an austere wooden hut within walking distance of the border checkpoint he mans between certain hours of the day. The rest of the time, he wanders in the local woodlands. In one location, he gets the urge to dig in the peaty earth and finds a small figure – the eponymous amulet – of a female deity.

One day, a woman (Angeliki Papoulia) runs down the road towards the checkpoint, despite his warnings that he’ll shoot her, then trips. He takes her in, introduces himself as Tomaz and lets her use the shelter of his hut. Eventually it comes out that Miriam wants to cross the border, over which her estranged husband took their daughter, with whom she wishes to be reunited.

Is this in his past? It it a dream? It’s not entirely clear. In another reality or time period, Tomaz (now with a beard) is an immigrant in London, living in a squat and struggling to hold things together with piecemeal building work.… Read the rest

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First Cow

Director – Kelly Reichardt – 2019 – US – Cert. N/C 15+ – 122m

***1/2

Western (set in Oregon!) in which a drifter and an immigrant join forces to surreptitiously milk a rich man’s first cow and better their lot – in UK cinemas from Friday, May 28th

A woman with a dog (Alia Shawcat) discovers two human corpses in the present day Oregon woods. Flashback to the nineteenth century. Cookie (John Magaro), a drifter, is the cook attached to a party of trappers travelling through the woodlands. He’s a poor scavenger for food and as a result, they are starving – with much acrimony directed towards him. As soon as they find a small settlement, he departs company and lets the trappers go on their way without him. He watches a rich local take delivery of his first cow with plans for buying a mate and breeding a herd later on.

Cookie falls in with Chinese immigrant King-Lu (Orion Lee) who has a hut nearby. They bond over a bottle of wine at King-Lu’s shack in the woods and become friends. Finding the cow wandering near their dwelling, they hatch a plan to milk it secretly at night (cookie milks while King-Lu keeps watch from a nearby tree) and use the milk as an ingredient in oily cakes, which they start selling at the settlement and which become a huge success overnight.… Read the rest

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Minari

Director – Lee Isaac Chung – 2020 – US – Cert. 12a – 120m

***1/2

The Korean immigrant experience in the US as a nuclear family set up a farm in Arkansas – on VoD from Friday, April 2nd, in drive-in cinemas from Monday, April 12th and cinemas from Monday, May 17th

Jacob (Steven YeunBurning, Lee Chang-dong, 2018; Okja, Bong Joon Ho, 2017), Monica (Yeri Han) and their two kids Anne (Noel Kate Cho) and David, 7 (Alan S. Kim), drive out to their new home in Arkansas. She is a little horrified that the home is a trailer on wheels supported by a basic frame, but he is thrilled that they have land with the best dirt (i.e. for growing things) America has to offer. They are surrounded by a vast area of countryside and woodlands. They speak mostly Korean, but are fluent in English and occasionally use it.

Eschewing the advice of a local water diviner, Jacob builds a well in some low ground where trees are nearby, reasoning that there must be water there. “Never pay for anything you can get for free,” he tells the attentive David, reminding him that in California, where they’ve moved from, they had nothing.… Read the rest

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Rose:
A Love Story

Director – Jennifer Sheridan – 2020 – UK – Cert. 15 – 86m

*****

A couple isolate themselves from the outside world by living off grid in the woods for reasons not immediately apparent – out in the UK on digital including Amazon Prime from Monday, April 5th

The LFF put this in their Cult strand and the label fitted perfectly. Impressionistic images show cutlery, cups, CDs hanging from trees. A man leaves a hunting cabin. A woman sleeps in a bed. An eye of a beast in close up. A rabbit. The woman wakes, startled by a man’s voice. She puts paper in a typewriter. The rabbit is killed in a trap.

“I’m trying to give the doctor a reason to be in Prague so Susie can meet him,” Rose (Sophie Rundle) tells Sam (Matt Stokoe, also the film’s screenwriter). She is writing a book and they are living in isolation in the woods. This seems to suit them although something odd is definitely going on. They have supplies of leeches in jars, and he sits reading of an evening after applying a few of these to the upper part of his legs. Then he mashes up the results into a red pulp which comprises her diet.… Read the rest