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Animation Features Movies

Mad God

Director – Phil Tippett – 1987-2021 – US – 83m

*****

A man in a gas mask descends into a dark, dangerous world on a mysterious mission, encountering strange creatures, humanoids and societal constructs along the way – stop-frame epic 34 years in the making as of Tuesday, June 28th, has become the most watched premier of 2022 on Shudder, where it plays in both the UK and the US from Thursday, June 16th; also plays London’s Prince Charles Cinema Tuesday. July 5th to Friday, July 8th

My immediate reaction after watching this was two-fold. On the one hand, wow!!! On the other, how on earth do I put the experience of watching this into words? Mad God definitely has a structure, yet what’s amazing about it is the visuals, the animation, the effects. Even though I’m familiar with the work of its director Phil Tippett (as one of the heirs apparent to stop-motion maestro Ray Harryhausen in the world of visual effects – career highlights include RoboCop, 1987; Jurassic Park, 1993, Starship Troopers, 1997) this film is something altogether different (even if its roots can be seen in his VFX work).

Following the destruction of a tower resembling Babel in a black cloud, and a lengthy quotation purporting to be from Leviticus 26, a man in gas mask and protective clothing descends into the bowels of the world on a mission, the exact nature of which is never revealed.… Read the rest

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Features Live Action Movies Music

Annette

Director – Leos Carax – 2021 – France, US – Cert. 15 – 141m

****1/2

Musical conceived and composed by Sparks plays out as a very dark opera ending in tragedy – on MUBI from Friday, November 26th

Although billed as a musical, this may actually be closer to opera given that even though it starts as a story about two people deeply in love, it veers into very dark territory.

And yet framing all that, and underscoring it throughout, is the sheer pleasure of writing / composing songs… and, for that matter, performing them. The opening song is So May We Start while the closer, as the credits roll, is It’s The End. (For added enjoyment, watch 90% of the audience leave before the last song starts. Or in my case, 10% of my fellow critics.)

The former starts with the band, the brothers Mael (singer Russell and keyboard player / composer Ron, profiled in recent documentary The Sparks Brothers, Edgar Wright, 2021) and a backing band in a recording studio in an invitation for the proceedings to get going, swiftly joined by the film’s two leads, while the latter ends with seemingly the entire movie cast and crew walking through the countryside hoping we’ve enjoyed the show and asking us to tell our friends if we did so.… Read the rest

Categories
Features Live Action Movies

Pinocchio

Director – Matteo Garrone – 2019 – Italy – Cert. PG – 125m

*****

In cinemas from Friday, August 14th, on BFI Player rental from Monday, December 14th

Impoverished woodcarver Geppetto (Roberto Benigni) decides to make the greatest puppet the world has ever seen, tour the world with it and make his fortune. A wood merchant lets him have a log because it seems to have a life of its own. Unaware of its animate properties, Geppetto begins carving his puppet, a life-sized representation of the son he’s never had.

After he starts talking to it as its “Babba”, he is surprised when the puppet (nine year old Frederico Ielapi) talks back. Geppetto names him Pinocchio. No sooner has he carved the feet than Pinocchio runs out of Geppetto’s workshop to discover the world. In many ways, that defines the character and the story to come. The innocent Pinocchio is forever in pursuit of his own gratification, prey to the perils of the world around him and initially devoid of any sense of morality, something he struggles to learn throughout the course of the story in his quest to become a real boy.

There have been numerous versions of Pinocchio in film, television and theatre since it first appeared as a written serial in an Italian newspaper in 1881.… Read the rest