Tag: hospital

Categories
Features Live Action Movies

Case 137

Case 137 (Dossier 137)

Director – Dominik Moll – 2025 – France – Cert. 12a – 116m

*****

A member of the internal police watchdog department investigates a complaint of police violence in the 2018 Yellow Jackets riots – out in UK cinemas on Friday, October 16th

Who watches the watchmen? Who polices the police? It’s a question with great relevance to today’s societies, including our own in the UK. In the US, the Police have the Internal Affairs. In France, the police have a branch called the IGPN (L’inspection générale de la police nationale / The General Inspectorate of the National Police). So if members of the public accuse the police of bad or criminal behaviour, they have a department set up to investigate that. An internal department, not an external body.

IGPN inspector Stéphanie Bertrand (Léa Drucker from Mars Express, Jérémie Périn, 2023; Two of Us, Filippo Meneghetti, 2019; The Blue Room, Matthieu Amalric, 2014) is working on allegations of police misconduct during the Yellow Jackets protests of 2018. She tries to be scrupulously fair in questioning an officer who threw stones at rioters, later defending him to superiors as being in a situation that put him under intense psychological pressure.… Read the rest

Categories
Features Live Action Movies

A Better Tomorrow II
(Yingxiong Bense 2,
英雄本色2)

A Better Tomorrow II (Yingxiong Bense 2, 英雄本色2)

Director – John Woo – 1987 – Hong Kong – Cert. 18 – 105m – Workprint cut 140m

The first half **

The second half *****

Workprint cut *****

To continue the franchise, Chow Yun-fat returns playing the brother of his character in the first film, a New York restaurateur – 4K Restoration is out on 4K UHD and Blu-ray from Monday, 28th September

There’s something hugely endearing when Chow Yun-fat appears here, playing the brother of his character in the first film, insisting his name is not Mark but Ken. Nevertheless, he has on hand his late brother’s coat, with a few holes from bullets, to don in the closing scenes. Mark can’t possibly return having died at the end of the first film, and yet, to all intents and purposes, he’s back for this sequel!

The film as it appeared in release prints feels like little more than an excuse to have another big shoot out with Chow Yun-fat and others at the end, and you can feel Woo struggling as he tries to find a way of getting there without completely losing interest.

(Update: for struggling read; struggling with the editing required to get the film down to 105 minutes for cinema release.… Read the rest

Categories
Documentary Features Live Action Movies

Boorman
and the Devil

Boorman and the Devil

Director – David Kittredge – 2025 – US – Cert. 15 – 112m

*****

How director John Boorman’s sequel (or not) to The Exorcist became one of the biggest Hollywood flops of all time – out in UK cinemas on Friday, September 25th

This quite understandably takes a while to get around to its subject, talking both about where Hollywood found itself in the 1960s and looking at Boorman’s directorial career before settling on the production that nearly destroyed his career. Once it gets there though, a considerable amount of time is allotted to a production which starts to sound like one of the most amazing spectacles ever filmed. Yet this comes alongside a feeling that, on the most fundamental level, something is going to go or perhaps has already gone horribly wrong before the director has even signed on.

By the early 1960s, Hollywood was making big budget epics like Cleopatra (Joseph L. Mankiewicz, 1963) or The Fall of the Roman Empire (Anthony Mann, 1964). When such movies started to fail at the box office, it turned to younger directors in the hope that they might understand what audiences wanted. The result was movies like Easy Rider (Dennis Hopper, 1969) or The Graduate (Mike Nichols, 1967).… Read the rest

Categories
Animation Documentary Features Live Action Movies

Remake

Remake

Director – Ross McElwee – 2025 – US – Cert. 15 – 114m

***

Having filmed his son Adrian since early childhood, the filmmaker uses that footage to come to terms with Adrian’s death – out in UK cinemas on Friday, September 25th

Documentary filmmaker Ross McElwee used to film his son Adrian for a few minutes about once a month. On a visit to Paraguay, he shot footage of the family, which always included his future adopted daughter. He screened the film about Paraguay at the Venice Film Festival, then put off screenings for quite a while. For a time, he went through a ‘golden age’ of filming, but as Adrian entered his late teens, the family seemed to get fed up with his filmmaking.

Then, Hollywood producer Steve Carr contacted him about a narrative remake of his documentary Sherman’s March (1985), which was the film in which Ross started to film and incorporate elements of his own life. Ross goes to consult his professional advisers – his brother and sister. He goes to Los Angeles to talk with Steve Carr, who had directed a series of commercially successful comedies. He signs a deal which will also allow him to make a documentary about the remake.… Read the rest

Categories
Features Live Action Movies

Bad Apples

Bad Apples

Director – Jonatan Etzler – 2025 – US, UK – Cert. 15 – 100m

***

A teacher deals with a disruptive student by kidnapping him and locking him in her basement – out in UK cinemas on Friday, September 18th

A school trip to an apple processing factory goes badly wrong when a trainer shoe appears among the apples on the system of conveyor belts. While the other children tour the factory premises in a comparatively orderly manner under their teacher Miss Spencer (Saoirse Ronan), loner Danny (Eddie Waller) stands at the railing with one trainer missing.

The setting is Somerset. Not that you’d know. A whole potential Somerset metaphor about apples and bad apples and brewing sits in waiting, but that either never occurred to screenwriter Jess O’Kane when adapting the film from the Swedish source, the novel by De Oönskade / The Undesirables by Rasmus Lindgren (2020), or it got abandoned in an early draft. Or perhaps the director Etzler threw it out during shooting. A pity either way, because that idea has real potential.

Back at school, Miss Spencer is hauled over the coals by her superior Sylvia (Rakie Ayola).

At home, Maria Spencer plays video games – her refuge from her job.… Read the rest

Categories
Features Live Action Movies

Bitter Christmas
(Amarga Navidad)

Bitter Christmas (Amarga Navidad)

Director – Pedro Almodóvar – 2025 – Spain – Cert. 15 – 111m

***1/2

A woman learning to deal with panic attacks is actually a character playing out a screenplay as it is being written by a writer director coming out of an arid creative period – out in UK and Ireland cinemas on Friday, August 28th

This loosely falls into the category of the story of the film being written by a person outside that story, with a parallel narrative dealing with the person outside the story writing that story.

Almodovar uses this schema to talk about the writer-director whose creativity has dried up. And the medical phenomenon of panic attacks. 

Elsa (Bárbara Lennie) has a migraine she can’t shift. Painkillers and rest – in the words which appear at the bottom of the screen of Elsa’s narrative as Raúl (Leonardo Sbaraglia) types them on his laptop – only make it worse. Her partner Beau (Patrick Criado) stays at home that evening to be there for her instead of going to the club as he normally would on a Friday. But then she feels worse, so he drives her to hospital, where she’s given an injection and a sedative, stays in overnight, and the next day feels well enough to go home.… Read the rest

Categories
Features Live Action Movies

Hard Boiled
(Lat Sau San Taam,
辣手神探)

Hard Boiled (Lat Sau San Taam, 辣手神探)

Director – John Woo –1992 – Hong Kong – Cert. 18 – 128m

*****

One of the greatest action pictures ever made – 4K Restoration plays as part of Bullets and Brotherhood: the Films of John Woo at BFI Southbank from Friday, 3rd July to Friday, 31st July, and is also out on 4K UHD and Blu-ray

Woo’s directorial valediction to Hong Kong, at least for a time as he attempted to break Hollywood, rehashes his now familiar territory of brotherhood, loyalty and betrayal, etched in trademark bullets and blood with grander and greater operatic flourish than his earlier efforts. On-screen alter-ego Chow Yun-fat (The Killer, John Woo, 1989; An Autumn‘s Tale, Mabel Cheung, 1987) is cast for the first time in Woo not as gangster but cop, bonding with a ruthless triad hit man Alan (Tony Leung Chiu-wai from Bullet In The Head, John Woo, 1990, In The Mood For Love, Wong Kar-wai, 2000; Lust Caution, Ang Lee, 2007; Shang-Chi And The Legend Of The Ten Rings, Destin Daniel Cretton, 2021). For good measure, Woo throws in therising, young gangster killing the old leader to take over the mob from A Better Tomorrow (John Woo, 1986) (here played by Anthony Wong and Kwan Hui-sang respectively).… Read the rest

Categories
Features Live Action Movies

Disclosure Day

Disclosure Day

Director – Steven Spielberg – 2026 – US – Cert. 12A – 145m

The first two hours *****

The last half hour ***

Hoping to reveal to mankind the hitherto censored truth about aliens visiting Earth, a man and a woman flee their pursuers across the United States – out in UK cinemas on Wednesday, June 10th

The plot is in the title. This is the day we find out. The day when everything is revealed. As in the film’s posters. The man (Josh O’Connor from Rebuilding, Max Walker-Silverman, 2025; The History of Sound, Oilver Hermanus, 2025; La Chimera, Alice Rohrwacher, 2023) and the woman (Emily Blunt from The Fall Guy, David Leitch, 2024; Oppenheimer, Christopher Nolan, 2023; A Quiet Place, John Krasinski, 2018)) saw a deer and a bird. The implication is that that encounter caused them to see and understand; the title further suggests that they want to disseminate that understanding to the wider world. All this sounds very evangelical to me: receive the message, get the word out. You shall know the Truth, and the Truth shall set you free.

Daniel (O’Connor) has been caught with a rucksack containing a bunch of objects.… Read the rest

Categories
Features Live Action Movies

Being Towards Death
(10 Jian Gan Si Dui,
10间敢死队,
lit. 10 Fearless Squad)

Being Towards Death
(10 Jian Gan Si Dui, 10间敢死队, lit. 10 Fearless Squad)

Director – Sicheng Chen – 2026 – China – Cert. 12a – 120m

**

The terminally ill patients thrown together in hospital Ward 10 decide to adopt a positive attitude towards both life and death – out in UK cinemas on Friday, June 5th

This has one of those weird Oriental movie titles that doesn’t translate that easily into Western languages, the number 10 referring to the ward for terminally ill patients in a particular hospital and the rest meaning a sort of optimistic equivalent of a suicide squad, but less a military type do or die operation than a determination to live in the inevitable face of inescapable, imminent death. The translators have settled on a term borrowed from philosopher Martin Heidegger which probably works better in German than in English, in which language it feels incredibly clunky. It refers to the act of living authentically in the face of death, which is very much what this movie is about. Somewhere in the middle of the narrative, Ward 10’s occupants, who feel increasingly like a close-knit family, name themselves (in the English subtitled version) the Ward 10 Fearless Squad, which would perhaps have been a better title.… Read the rest

Categories
Features Live Action Movies

We’re Nothing
at All
(Ngo Mun
Bat Si Sam Mo,
我們不是什麼)

We’re Nothing at All (Ngo Mun Bat Si Sam Mo, 我們不是什麼)

Director – Herman Yau – 2026 – China, Hong Kong – Cert. 18 – 128m

*****

A seasoned forensics expert pieces together the story behind a bus bombing as the lives and motives of those responsible is revealed in interweaving serial flashbacks – out in UK and Ireland cinemas on Friday, May 29th

A police procedural but not exactly a thriller. This starts off with an unforgettable sequence as, below us, a bus silently weaves its way through streets. And then, without warning, explodes. You’d be forgiven for thinking that, after this bravura opening, you’re in for yet another Hong Kong cops and robbers action movie. And yet, while this is undeniably a police procedural, and contains enough gore and grisly bits to earn it a BBFC 18 certificate, it’s far from your standard HK action outing. Given that Herman Yau’s previous work has included a thriller about a cannibal serial killer The Eight Immortals Restaurant – the Untold Story aka Bunman – the Untold Story (1993) and cops and robbers bomber thriller Shock Wave (2017), this is something of a surprise.

Rather, it’s a drama. If you will, a police forensics drama.… Read the rest