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The Dive

Director – Maximilian Erlenwein – 2022 – Germany – Cert. 15 – 91m

***1/2

Two women go diving near a remote stretch of coastline and find themselves in trouble – out in UK cinemas on Friday, August 25th following its UK Premiere at Frightfest on Thursday, August 24th

Opening with an image of light shining through the waves on the surface of the sea – reminiscent of nothing quite so much as light similarly shining through the title lettering at the start of sci-fi horror shocker The Thing (John Carpenter, 1982) – this promises something dark, foreboding and threatening from the get go. The talkative Drew (Sophie Lowe) plans diving trips for herself and her more taciturn sister May (Louisa Krause).

On this occasion, the pair head toward a remote stretch of coastline in a rental car listening to the radio playing Only You by The Platters, a song which clearly means a lot to both of them judging by the enthusiastic way they sing along. (It would be nice to think that the radio station plays other tunes as well, but this is all we hear, presumably because the production could only afford the movie rights to the one song.… Read the rest

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127 Hours

Director – Danny Boyle – 2010 – US – Cert. 15 – 93m

UK release date 07/01/2011, cert. 15, 93 mins

The trailer for this gives a pretty good impression of about its first third. Experienced, youthful and single outdoor explorer Aron Ralston (James Franco) mountain bikes through the Utah landscape, meets a couple of girls and shows them an incredible underground lake, continues on his merry solo way until, rock climbing, he slips down a crevasse where a falling boulder pinions his wrist…trapping him for the eponymous and subsequent 127 hours / the rest of the film.

Where Buried (Rodrigo Cortés, 2010) relentlessly encased its leading man in a coffin from opening to closing frame, 127 Hours not only starts off in wide open landscapes but also punctuates its narrative with memory flashbacks, dreams and visions. Thus, when you see Aron freeing himself, you’re not initially sure whether he’s actually doing so or merely imagining it in his head. Such devices provide space to deal with the transcendent in a way that Buried never really did.

If Buried is a horror movie (will he survive being buried alive? can he escape?), 127 Hours starts off as outdoor adventure then veers into the question of: if you knew for certain you were going to die, what would you want to do with the ever decreasing amount of time you had left?… Read the rest

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La Syndicaliste
(lit. The Union Rep,
US: The Sitting Duck)

Director – Jean-Paul Salomé – 2022 – France – Cert. 15 – 121m

***1/2

After a smart and tough-talking woman union rep in the nuclear power industry is attacked, tied up and raped in her own home, the police suggest she may have staged the attack herself – out in UK cinemas on Friday, June 30th

Or, as its opening title states in the English subtitled print shown to press, La Syndicaliste Based On A True Story. That title comes after an opening in 2012 in which police are called to the home of Maureen Kearney (Isabelle Huppert) where her cleaning lady has freed her from a chair to which she was tied before being raped by an intruder. The forensic team are all over the premises, taking away evidence. At the police station, she requests a pad and pencil to write down the details of what happened. The police will later accuse Kearney of fabricating the whole incident herself.

The next half an hour or so is a flashback leading up to the incident. Immediately after the titles, it sets about establishing its heroine as a tireless campaigner for employee rights at French state-owner nuclear power company Areva, standing up for ruthlessly exploited workers in an Hungarian subsidiary and well in with Anne Lauvergeon (Marina Fois), the one female executive in an otherwise male boardroom who despite her reliability and excellent track record is being forced out, with as she later tells Maureen lots of dirty tricks used against her.… Read the rest

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A Fugitive From The Past
(Kiga Kaikyo,
飢餓海峡)

Director – Tomu Uchida – 1965 – Japan – Cert. 15 – 183m

*****

Voted third in Kinema Junpo magazine’s 1999 list of the greatest Japanese film of all time, Tomu Uchida’s A Fugitive From The Past (1965) is the pinnacle of a directorial career that also includes Bloody Spear At Mount Fuji (1955) and The Mad Fox (1962). In the poll, it was beaten by Akira Kurosawa’s Seven Samurai (1954) at number one and Mikio Naruse’s Floating Clouds (1955) at number two, For the record, the fourth title was Yasujiro Ozu’s Tokyo Story (1953) while the fifth was Yuzo Kawashima’s Bakumatsu Taiyoden / The Legend Of The Sun-Tribe From The Bakumatsu Era (1957). While four of those titles were made in the mid-fifties, often considered the golden age of classical Japanese cinema, Fugitive dates from the mid-sixties, allowing it to look at Japan’s post-war period from a greater distance.

Uchida’s film, which spans the decade 1947-57, covers a colossal amount of subjects in its first 50 minutes…

[Read the full review at All The Anime.]

A Fugitive From The Past is released on Arrow Blu-ray.

Trailer:

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Bergman Island

Director – Mia Hansen-Løve – 2021 – France, Belgium, Germany – Cert. 15 – 112m

First half *****

Second half **

A working, filmmaking couple spend time on the island where celebrated director Ingmar Berman lived, now a niche tourist attraction based around his life and movies – out exclusively on MUBI from Friday, July 22nd

Two writer-directors who are also a couple Chris (Vicky Krieps) and Tony (Tim Roth) fly in to spend time and write at the Bergman Estate on Fårö Island in the Baltic Sea, just off the coast of Sweden. This is the site that legendary Swedish film and theatre director Ingmar Bergman left as a legacy to the world, where people could apply for residencies to help in their creative or academic work, watch his films on 35mm and browse his personal audio, video and book library. Chris and Tony thus find themselves alone in Bergman’s private viewing theatre watching Cries And Whispers (Ingmar Bergman, 1972).

Both are involved with screenplays: when he’s over at the Bergman Centre, she sneaks a look in his large notebook entitled ‘F’ which contains extensive notes and erotic drawings veering towards the sadomasochistic. On a later occasion, she stands him up by not joining the Bergman Safari coach tour around the island, complete with a tour guide describing the site where Through A Glass Darkly (Ingmar Bergman, 1961) plays on a screen.… Read the rest

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Petrov’s Flu
(Petrovy V Grippe,
Петровы В Гриппе)

Director – Kirill Serebrennikov – 2021 – Russia – Cert. 18 – 145m

*****

The stream of consciousness existence of an urban, Russian comic book artist who has the ‘flu – out on VoD on Tuesday, June 28th

Despite being under the weather with the ‘flu, city dweller Petrov (Semyon Serzin) is trying his best to carry on as normal. Not so easy when you’re out of it. His nightmare starts with a bus journey. A nine-year-old girl kindly offers him her seat, but before he’s sat down, someone else seems to have taken it. A misogynist old man talks to the girl, telling her that often girls her age are married off and possibly already cheating on their husbands.

Before the old misogynist knows it, someone has had the bus stopped so the he can be thrown off, losing his false teeth in the process which Petrov picks up and which subsequently function like an intermittent Greek chorus, albeit one that doesn’t make any particular sense, throughout the remainder of the narrative. Then Petrov’s mate Igor (Yuri Kolokolnikov), who’s been pursuing the bus in a hearse, complete with coffined corpse, stops it to commandeer Petrov off the bus and into shooting an automatic rifle at victims as part of an impromptu firing squad.… Read the rest

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Flag Day

Director – Sean Penn – 2021 – US – Cert. 15 – 109m

****

A woman struggles to come to terms with her father who is a criminal and a pathological liar – out in cinemas on Friday, January 28th

This at once follows a linear narrative trajectory and doesn’t. On the one level, Jennifer grows into a woman, argues with her parents (with good reason) and attempts to find herself and make her way in the world. On the other level, images and sequences move effortlessly between Jennifer aged six (Addison Tymec), Jennifer as a young teenager (Jadyn Rylee) and the adult Jennifer (Dylan Penn). Sometimes it feels like the adult Jennifer having a flashback, sometimes it seems like we’re one of her younger selves, all very vivid and real. Sometimes it’s memory, sometimes it’s experience.

It’s based on the real life memoir of Jennifer Vogel, who apparently wrote the book trying to sort out her feelings about her unorthodox upbringing.

It starts and (more or less) ends with a line of cop cars pursuing suspect John Vogel (Sean Penn) wanted for counterfeiting. As the images roll over us, there’s a lot of adult Jennifer voice over in the first ten or so minutes (and elsewhere at odd moments in the film).… Read the rest

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Ieoh Island
(Iodo,
이어도)

Director – Kim Ki-young – 1977 – South Korea – Cert. 18 – 110m

*****

An acquitted murder suspect visits the island birthplace of his alleged victim to learn about the latter’s life and the strange, ritualistic, matriarchal society that still exists there – from the London Korean Film Festival 2019

Environmental journalist Chun Nam-seok (Choi Yoon-seok) is sent by his editor on a boat trip junket. Both men are unaware that it’s promoting a proposed Ieoh Island hotel. Chun Nam-seok was born and raised on Parang-do island, off the coast of Jeju island. On Parang-do, Ieoh Island was regarded with a terrible awe owing to the water spirits alleged to live there and believed to take the fishermen from their boats during storms at sea. The island is populated by women who mostly work as divers and their children, the men having been lost at sea on fishing vessels or having left the island for other reasons.

Aware of Chun Nam-seok’s environmentalist credentials, but not of his past associations with the island, company man Sun Woo-hyun (Kim Jong-cheol), whose brainchild the proposed Ieoh Island hotel is, expresses a desire to colleagues to get rid of him and engages with a drinking contest with the man on deck during which Chun Nam-seok goes missing, presumed drowned.… Read the rest