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De Gaulle
Part 2
Liberté
(La Bataille de Gaulle
J’écris ton Nom)

De Gaulle: Part 2 – Liberté

(La Bataille de Gaulle: J’écris ton Nom)

Director – Antonin Baudry – 2025 – France – Cert. 15 – 160m

*****

Second part of a two-part movie continues the story of De Gaulle up to and including the Liberation of Paris in 1944 – out in UK cinemas on out in UK cinemas on Friday, September 18th

Somewhat surprisingly, the second part of Baudry’s epic doesn’t begin where its predecessor left off, but instead jumps forward to 1943. with exiled French General De Gaulle (Simon Abkarian) in London both sticking to his guns and an increasingly isolated figure on the international stage. Polish plumber turned assistant Blazej (Karim Leklou) carries on offering him encouragement.

Still, De Gaulle continues to inspire the Free French forces in North Africa, with General LeClerc (Nils Schneider) taking on a German tank division at Ksar Ghilane with only infantry and the odd anti-tank gun. Impossible odds, but as with the first part’s Bir Hakeim siege story, the Free French’s selfless actions, vowing never to surrender and fight ‘til the last man, help the Allied war effort a great deal.

In Lyon, France and separated from her boyfriend, Livia (Anamaria Vartolomei) works for the Resistance, who face a major political challenge: to unite the various different groups that want to stand against the Vichy government and the Nazis, but don’t necessarily share the same aims in terms of any post-war settlement.… Read the rest

Categories
Features Live Action Movies

The Marines
Who Never Returned
(Doraoji
Anneun Haebyong,
돌아오지 않는 해병)

Director – Lee Man-hee – 1963 – South Korea – 110m

***1/2

A small unit of Korean soldiers pushing North in the Korean War adopt an orphaned girl as a mascot before being all but wiped out – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

This opens impressively with what looks like stock footage of armoured cars and infantry coming up a beach. Soldiers race across open ground to a safe shooting position, briefly going back a couple of dozen or so feet to drag two of their wounded comrades forward into comparative safety.

They move on to a derelict, war-torn town. Burning buildings, half-collapsed sections of walls (one of which partially topples as they wait momentarily beside it). One soldier advances across a patch of open ground, gun in hands, grenade at the ready, watched by his expectant comrades from their positions of cover. Time seems to stand still. Eventually he lobs the grenade and the others move up behind him. He drops into a ditch. Ahead of him, a civilian woman comes onto the waste ground with her small daughter.… Read the rest

Categories
Documentary Features Live Action Movies

Made in England:
The Films of
Powell and Pressburger

Powell and Pressburger on the set of The Red Shoes

Director – David Hinton – 2023 – US – Cert. 12a – 129m

*****

Martin Scorsese talks about the seminal British filmmaking duo, and how they inspired his own movies – out in UK cinemas on Friday, May 10th

As a child, Martin Scorsese suffered from asthma and would constantly find himself at home while other kids were outside playing. He often found himself sitting front of the black and white TV watching a show called Million Dollar Movie. This would show a movie a week, playing it several times, and it was at a time when US producers wouldn’t sell their movie rights to TV but British producers would. Consequently, he grew up watching black and white versions of old British movies.

The ones he particularly liked opened with an arrow hitting a target: “a production of the Archers. Written, produced and directed by Michael Powell and Emeric Pressburger.” When this logo and these names appeared, Scorsese always knew he was in good hands. He watched these movies over and over again whenever they were shown, and learned much of his filmmaking craft from them. The first of these films to which he thrilled didn’t have this logo: it was the Alexander Korda production of The Thief of Baghdad (Ludwig Berger, Michael Powell, Tim Whelan, 1940) and parts of the film have the unmistakeable Powell visual stamp.… Read the rest