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Features Live Action Movies Music

Once

Director – John Carney – 2006 – Ireland – Cert. 15 – 90m

*****

Two musicians fall for each other on the streets of Dublin… – review originally published in Third Way magazine, October 2007

UK release date 19/10/2007

This brilliant film is a reviewer’s nightmare because a thumbnail synopsis on paper sounds incredibly bland and clichéd – something the actual film isn’t. A busker meets a girl on the street in Dublin. He fixes her vacuum cleaner. Being a pianist, she gets involved in his newly formed band. Romantic entanglements might ensue, but they don’t because she has a husband. The band’s demo sounds impressive, and the former busker departs for London to seek his fortune – without the girl. And that’s it.

However, the above outline doesn’t tell you two things.

One, there are a lot of songs. As in, the narrative stops so a character or characters can sing a song. This is not the case of, as in the classic movie musicals, the invisible orchestra swells and the character or characters can sing, but something more naturalistic. For instance, the first song occurs when the busker, on the street, picks up his guitar and sings a song.… Read the rest

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Features Live Action Movies Music

Control

Director – Anton Corbijn – 2007 – UK – Cert. 15 – 122m

*****

UK release date 05/10/2007

The story of Joy Division lead singer Ian Curtis: his disintegrating marriage, struggles with epilepsy and eventual suicide – review originally published in Third Way magazine, September 2007

For the uninitiated, post-punk Mancunian band Joy Division formed in 1977, then achieved near immediate cult status through Tony Wilson’s Granada TV show and Factory Records label. The four-piece band grew out of a three-piece (guitar, bass, drums) who Ian Curtis (Sam Riley from Widow Clicquot, Thomas Napper, 2023; Firebrand, Karim Ainouz, 2023; Byzantium, Neil Jordan, 2012) joined as singer and songwriter. The resultant recordings still resonate down the annals of rock: even today, songs such as (to name but three) Transmission, the eponymous She’s Lost Control and Love Will Tear Us Apart carry an undeniable charge.

Curtis took his life in May 1980 just prior to the band’s first scheduled American tour. His three survivors carried on under the moniker New Order to become incredibly successful; yet to this writer’s mind, their work pales beside those early Curtis / Joy Division songs. Quite simply, his work with the band has a focus, a power and a bleakness rare in rock.… Read the rest

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Dance Documentary Features Live Action Movies Music

The Extraordinary
Miss Flower

Directors – Iain Forsyth, Jane Pollard – 2024 – UK – Cert. 12a – 73m

****

A suitcase containing love letters, telexes and photographs found after her death, which inspired songs from singer Emilíana Torrini, becomes the key to a woman’s interior life – out in UK cinemas on Friday, May 9th

Every so often, a feature film turns up that doesn’t really fit the obvious categories, and this is one of those. It might be described as a cross between a documentary, a music promo and a home movie. Yet, none of those makeshift, pressed-into-service labels quite do it justice.

It’s a documentary because its starting point is a collection of personal items – love letters, telexes and photographs – kept in a suitcase by a woman named Geraldine Flower and subsequently found by her daughter Zoe some time after Geraldine’s death. Which is to say, found by her daughter Zoe, Zoe’s musician husband Simon Byrd and their friend the singer Emilíana Torrini. The latter had recorded some four albums and had come to a sort of creative impasse where she wanted to make another album but just couldn’t find the right creative spark. And then, the contents of Geraldine’s rediscovered case provided that impetus.… Read the rest

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Animation Features Movies Music

The Colors Within
Kimi no Iro,
きみの色,
lit. Your Color)

Director – Naoko Yamada – 2024 – Japan – Cert. PG – 101m

*****

A Catholic schoolgirl with synaesthesia inadvertently forms a rock band who find themselves playing a gig at her school – out in UK cinemas on Friday, January 31st

God grant me the serenity
to accept the things I cannot change;
courage to change the things I can;
and wisdom to know the difference.

That’s the Serenity Prayer, and it opens this remarkable story of a schoolgirl in a boarding school as she prays it to a statue of Mary in the school chapel. A scene of her as a small girl attending the dance class, and scenes of her seeing other pupils in the corridor, are rendered in vivid, blinding colour where bright white light constantly threatens to engulf the pastel shades in which the girl sees. For more on synaesthesia, see A Sudden Glimpse to Deeper Things (Mark Cousins, 2024).

If you were to land in the middle of this film with no context, for a frame, or a scene (drawn animation parlance for a single shot), you could be forgiven for thinking there was something wrong with the print, or the colour balance. I am immediately reminded of the reviewer who said of Black Narcissus (Michael Powell, Emeric Pressburger, 1947) that the film was so visually perfect that it could be shown out of focus and upside down and the audience would still be enraptured by its kinetic abstract colour properties.… Read the rest

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Art Documentary Features Live Action Movies

Eno

Director – Gary Hustwit – 2023 – UK – Cert. 12a – 83m

**** (on this occasion)

Musician, artist and activist Brian Eno has been at the cutting edge of creativity for 50 years, and this generative, AI-programmed film plays in a different version every time it is shown – 24-hour online screening event 5pm GMT on Friday, January 24th 2025, ticket info below review

Disclaimer: This film is being touted as a film that’s different every time it screens: thus, I need to declare that I saw the version shown to press in London on 03.07.2024 (which was prepared as a file for viewing on 26.04.2024). Things included in that version might or might not be in the one you see. So, in a sense, you have to take this review with a pinch of salt. The version I saw ran 83 minutes. Officially, it’s supposed to be 90, so that exact running length may vary too. Or not. I really don’t know.

Brian Eno hasn’t made the film himself, yet clearly he’s the perfect subject for it. He talks about “accidentally” getting involved with Roxy Music after being asked by band member Andy Mackay to help them record (as in, do the work required to record them at a recording studio) some pieces and realising that recording and performing with the band would help him pursue his interest in exploring emerging new technologies and their creative possibilities.… Read the rest

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Documentary Features Live Action Movies

Harder Than The Rock
The Cimarons Story

Director – Mark Warmington – 2024 – UK – Cert. 12a – 100m

****

The story of Cimarons, the first British reggae band, who were formed in 1967 – out in UK cinemas on Thursday, October 3rd

As teenagers, they came from sun-soaked Jamaica to the UK to be confronted with a climate that was “rain, dull and gray.” In the 1960s, one of the areas that Jamaican immigrants came to in London was Harlesden, in Brent, and it was at Harlesden Methodist Church Youth Club in 1967 where Losely Guichy (guitar), Franklin Dunn (bass), Maurice Ellis (drums), and Carl Levi (organ) first met up and started playing music together, a site today commemorated with a blue plaque. They went through s number of singers over the years, notably Winston Reedy between 1974 and 1983.

By 1968 they were gigging as Cimarons. A performance at Paddington’s Q Club saw an A&R rep from Trojan Records in attendance, which led to a recording contract, their first album appearing in 1974, recorded in part as the Jamaican studio of the legendary Lee ‘Scratch’ Perry. Before that, they worked mainly as session musicians, appearing uncredited on numerous singles by black British reggae artists. The film isn’t particularly clear on the matter, but it’s mentioned that they lacked management and got hardly any royalties out of all this.… Read the rest

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Features Live Action Movies

Black Dog
(Gou Zhen,
狗阵)

Director – Guan Hu – 2023 – China – Cert. 12a – 106m

***1/2

An ex-con returns to his home town, which is infested with wild dogs, and befriends a stray – out in UK and Ireland cinemas on Friday, August 30th

Looking down from the edge of a slope towards Gobi Desert scrubland. In the distance, a coach moving along a road. Suddenly, a large pack of wild dogs come out of nowhere and charge down the slope. The startled bus topples over. The dogs are gone, the driver is getting everyone out of the bus. A man complains that his money, his life savings, have gone. He needs that money. Who has taken it? They are about ten miles from Chixia. One of those on the bus is Lang’s son. The police are called, they arrive and help get the bus back upright. Lang Yonghui (Eddie Peng), as required, shows an officer his parole ID. Lang walks behind the slow moving bus as the police escort the coach to Chixia.

As an announcement warns of a black dog seen around the town that may well be carrying rabies, Lang is strip searched at the station while the other passengers wait to be interviewed.… Read the rest

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Features Live Action Movies

Kneecap

Director – Rich Peppiat – 2023 – Ireland, UK – Cert. 18 – 105m

****

A fictionalised origin story about an Irish language rap band as a music teacher teams up with two younger men to turn their confrontational, anti-British poetry into Irish rap music – provocative sex-, drugs-, and violence-laced music biopic is out in UK cinemas on Friday, August 23rd

NSFW

Kneecap are an Irish-speaking rap band who came together on the eve of the 2017 Irish language march in Belfast, Northern Ireland. This drama about them, whatever else it might be and whatever other accusations can be levelled against it, certainly never plays it safe.

That’s obvious from the get-go, when the voice-over by one of the band members explains and shows how all movies abut Northern Ireland start – with footage of terrorist explosions during ‘the troubles’. The film then proceeds to have its cake and eat it, having started in exactly that manner, by starting again with the story of one of its members as a child being baptised in a wood at night and attracting RUC helicopter searchlights for their pains.

It moves pretty swiftly on to show the two fully grown lads in the band as party animals, consuming alcohol and drugs and dealing the latter, for instance giving it away free at early gigs to attract an audience, and engendering a hostile attitude to the Peelers (as they refer to the British police).… Read the rest

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Animation Features Movies Music

Blue Giant
(BLUE GIANT)

Director – Yuzura Tachikawa – 2023 – Japan – Cert. 12a – 120m

*****

Three 18-year-olds form a jazz band with the aim of playing at Tokyo’s top jazz club – out in UK cinemas on Wednesday, January 31st and Thursday, February 1st

Before this property was a movie – an animated movie – it was a manga. Which, on one level, is nothing that out of the ordinary in Japan (see, for instance, basketball movie The First Slam Dunk, Takehiko Inoue, 2022) but on another is extraordinary. Blue Giant is about music, specifically jazz, even more specifically teenager Dai Miyamoto (voice: Yuki Yamada; musicianship: Tomoaki Baba) who gives up basketball and decides he wants to be the best tenor sax player in the world. He rehearses intensively by the banks of the river in the city of Sendai where he lives, leaving for Tokyo at age 18 and talking his way into moving in with old pal Shunji Tamada (voice: Amane Okayama; musicianship: Shun Ishikawa).

Unsure where to start, Dai visits a bar named Jazz – Take Two where the friendly Mama-san Akiko (voice: Sayaka Kinoshita), who no longer hosts live jazz gigs there, takes pity on him and plays him selections from her vast wall of jazz LPs.… Read the rest

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Features Live Action Movies

Memoria

Director – Apichatpong Weerasethakul – 2021 – UK, Colombia, Thailand – Cert. 12 – 126m

****1/2

A British woman travelling around Bogotá, Colombia, is troubled by a strange banging sound and goes on a quest to investigate it – out in cinemas on Friday, January 14th

This is a film to approach with caution: I confess to never having previously got on with a Weerasethakul film; perhaps I’ll go back and revisit some after this. His work – or at least his feature films – have been described as Slow Cinema (of which, more shortly).

This is light years away from Hollywood cinema with its determination to grab your attention and hold it by throwing stuff at you at frequent intervals. The director is Thai, however his films don’t seem to sit alongside any Thai movies or wider Oriental movies I’ve seen. Even locating it in art house cinema, it doesn’t really look like anything else. I am reminded of what has been said about the French director Jean-Luc Godard: if cinema hadn’t existed, he would have invented it. Although his movies are nothing like Godard’s, the same could be said of Weerasethakul’s movies.

Actually, the feature films are only the tip of the iceberg: he makes far more short films than he he does features, an output that immediately puts him at odds with the feature film-oriented world of theatrical cinema distribution.… Read the rest