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De Gaulle
Part 2
Liberté
(La Bataille de Gaulle
J’écris ton Nom)

De Gaulle: Part 2 – Liberté

(La Bataille de Gaulle: J’écris ton Nom)

Director – Antonin Baudry – 2025 – France – Cert. 15 – 160m

*****

Second part of a two-part movie continues the story of De Gaulle up to and including the Liberation of Paris in 1944 – out in UK cinemas on out in UK cinemas on Friday, September 18th

Somewhat surprisingly, the second part of Baudry’s epic doesn’t begin where its predecessor left off, but instead jumps forward to 1943. with exiled French General De Gaulle (Simon Abkarian) in London both sticking to his guns and an increasingly isolated figure on the international stage. Polish plumber turned assistant Blazej (Karim Leklou) carries on offering him encouragement.

Still, De Gaulle continues to inspire the Free French forces in North Africa, with General LeClerc (Nils Schneider) taking on a German tank division at Ksar Ghilane with only infantry and the odd anti-tank gun. Impossible odds, but as with the first part’s Bir Hakeim siege story, the Free French’s selfless actions, vowing never to surrender and fight ‘til the last man, help the Allied war effort a great deal.

In Lyon, France and separated from her boyfriend, Livia (Anamaria Vartolomei) works for the Resistance, who face a major political challenge: to unite the various different groups that want to stand against the Vichy government and the Nazis, but don’t necessarily share the same aims in terms of any post-war settlement.… Read the rest

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The Marines
Who Never Returned
(Doraoji
Anneun Haebyong,
돌아오지 않는 해병)

Director – Lee Man-hee – 1963 – South Korea – 110m

***1/2

A small unit of Korean soldiers pushing North in the Korean War adopt an orphaned girl as a mascot before being all but wiped out – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

This opens impressively with what looks like stock footage of armoured cars and infantry coming up a beach. Soldiers race across open ground to a safe shooting position, briefly going back a couple of dozen or so feet to drag two of their wounded comrades forward into comparative safety.

They move on to a derelict, war-torn town. Burning buildings, half-collapsed sections of walls (one of which partially topples as they wait momentarily beside it). One soldier advances across a patch of open ground, gun in hands, grenade at the ready, watched by his expectant comrades from their positions of cover. Time seems to stand still. Eventually he lobs the grenade and the others move up behind him. He drops into a ditch. Ahead of him, a civilian woman comes onto the waste ground with her small daughter.… Read the rest

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Sisu
(Sisu)

Director – Jalmari Helander – 2022 – Finland – Cert. 15 – 91m

****

A gold miner taking time out from WW2 must get past a Nazi unit in the Lapland wilderness in order to deposit his gold at the bank – entertaining but violent gorefest is out in UK cinemas on Friday, May 26th

1944. Lapland. A man (Jorma Tommila from director Helander’s Big Game, 2014; Rare Exports: A Christmas Tale, 2010) has withdrawn from the war to search for gold in the wilderness. The retreating German army, meanwhile, is pursuing a ‘scorched earth’ policy, destroying everything in its path. The man digs. He finds a rich seam of gold. He fills his saddlebags. Now all he has to do is get them to the nearest bank in the nearest town.

He sets off with his horse and his dog. Between him and his destination is a Nazi unit with a ruthless, sadistic commander (Aksel Hennie from The Middle Man, Bent Hamer, 2021, The Martian, Ridley Scott, 2015; Pioneer, Erik Skjoldbjærg, 2013; Headhunters, Morten Tyldum, 2011), a tank and two lorries carrying German infantry and Finnish women prisoners respectively.

All this takes place in a world where everyone, Finns and Germans, speak English.… Read the rest