Category: Music

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Features Live Action Movies Music

Köln 75
(Köln 75)

Director – Ido Fluk – 2025 – Germany – Cert. 15 – 112m

*****

How an 18-year-old girl came to stage what would become the biggest selling jazz album in history – narrative feature is out in UK cinemas on Friday, June 5th

At a party honouring her career as a music promoter, 50-year-old Vera Brandes (Suzanne Wolff) is upbraided by her dentist father (Ulrich Tukur from The White Ribbon, Michael Haneke, 2009; The Lives of Others, Florian Henckel Von Donnersmarck, 2006; Solaris, Steven Soderbergh, 2002; Lulu, George Moorse, Peter Zadek, TV movie, 1991) that she never amounted to anything. In a quasi-documentary sequence, she intervenes as narrator to talk about this being a really bad start, and proceeds to play, like a presenter in a music documentary, some music takes abandoned by bad starts from, among others The Cramps and Bob Dylan.

The film starts again, this time with 18-year-old Vera Brandes (Mala Emde) who enjoys hanging out with friends at jazz venues, such as the one where English club owner Ronnie Scott (Daniel Betts from September 5, Tim Fehlbaum, 2024; Alien Romulus, Fede Alvarez, 2024; Allied, Robert Zemeckis, 2016) is playing. Getting his attention by buying him an ice cream cone, Vera chats with him and, by the time she has walked her bicycle with him to his hotel has been commissioned to book him a European tour “because I can’t imagine anyone saying no to you.”… Read the rest

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Features Live Action Movies Music

Masters
of the Universe
(2026)

Director – Travis Knight – 2026 – UK – Cert. 12a – 132m

***1/2

Prince Adam must recapture Castle Grayskull and the throne of Eternia after his parents, the king and queen, have been deposed by the evil Skeletor – out in UK cinemas on Wednesday, June 3rd

As his father King Radnor (James Purefoy from High-Rise, Ben Wheatley, 2015; Ironclad, Jonathan English, 2011; Solomon Kane, M.J. Bassett, 2009) of Eternia and his trainer Duncan the Man-at-Arms (Idris Elba from A House of Dynamite, Kathryn Bigelow, 2025; Pacific Rim, Guillermo Del Toro, 12013; The Wire, TV series, 2002-4) know only too well, young Prince Adam (Artie Wilkinson-Hunt from Good Luck, Have Fun, Don’t Die, Gore Verbinski, 2025; Strike, TV series, 2017) is a bit of a wimp and generally fares badly at Duncan’s open air group combat training classes in the grounds of ancestral home Castle Grayskull. Adam’s best friend and Duncan’s daughter Teela (Eire Farrell from The Wasp, Guillem Morales, 2024; Barbie, Greta Gerwig, 2023) is much better at learning this stuff than he is.

Nothing has prepared either of the pair for real combat, such as when, out of nowhere, Castle Grayskull is attacked by the villainous Skeletor (Jared Leto from Tron: Ares, Joachim Rønning, 2025; House of Gucci, Ridley Scott, 2021; Blade Runner 2049, Denis Villeneuve, 2017; Dallas Buyers Club, Jean-Marc Vallée, 2013) and his forces who defeat the King and his Queen Marlena (Charlotte Riley from London Has Fallen, Babak Najifi, 2016; Edge of Tomorrow, Doug Limon, 2014; Easy Virtue, Stephan Elliot, 2008) and take over the castle even as Duncan, armed with various inventive items of weaponry, helps the two children to escape.… Read the rest

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Features Live Action Movies Music

Power Ballad

Director – John Carney – 2025 – Ireland – Cert. 15 – 98m

*****

A rock musician reduced to playing weddings but happy with his lot meets a former boy band star who steals one of his songs – out in UK cinemas on Friday, May 29th

High heeled feet head for the dance floor. “Cel – e – brate Good Times – Come On.” The happy couple are enjoying themselves. You seem like a good crowd, says the frontman Rick (Paul Rudd from Teenage Mutant Ninja Turtles: Mutant Mayhem, Jeff Rowe, Kyler Spears, 2023; Ghostbusters: Afterlife, Jason Reitman, 2021; Ant-man, Peyton Reed, 2015), of the standards band (Rory Keenan from The Guard, John Michael McDonagh, 2011; Ella Enchanted, Tommy O’Haver, 2004; Reign of Fire, Rob Bowman, 2002; Keith McErlean from Flora and Son, 2023, Sing Street, 2016, both John Carney; Paul Reid from Flora and Son). Here’s a song from my last album.

In Rick’s mind, he and his band are on a night stage at a music festival playing to a vast, enthusiastic and indeed magical crowd holding smartphone torch lights. The wedding party don’t share his enthusiasm, however, and the floor is clearing as he inadvertently brings the evening to an end.… Read the rest

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Dance Features Live Action Movies Music

The Testament
of Ann Lee

Director – Mona Fastvold – 2025 – US, UK – Cert. 15 – 130m

****

In the mid-eighteenth century, wishing to preach her unique take on the Christian Gospel, Ann Lee crosses the Atlantic with a small party from from Manchester, England, to establish a Shaker community in America – unlikely religious musical is on Disney+ from Wednesday, March 13th

This review is written after seeing this film for a second time. On my first viewing, I went in cold, knowing a great deal about both Christian history and the Quakers, but nothing about the Shakers (‘the Shaking Quakers’) around whom the historical side of this film is based. As far as I can tell, the historical portrayals of the Shakers here, and their leader Mother Ann Lee (Amanda Seyfried in a career-defining role), are pretty accurate.

This is to leave aside the fact that this is also a musical, the genre in which people suddenly burst into song, and we somehow accept it. In real life, people generally don’t burst into song in the ordinary run of things. And yet, it’s a genre convention we accept, and as a genre the musical has a perfectly respectable history. That said, if you’ve been brought up within any sort of English protestant Christian church tradition, from C of E to house churches, you’ll be familiar with people singing hymns as part of their religious worship.… Read the rest

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Documentary Features Live Action Movies Music

Billie Eilish
Hit Me
Hard and Soft
The Tour
Live in 3D

Billie Eilish in Paramount Pictures Presents A Lightstorm Earth Production / The Darkroom / Interscope Films Production of “BILLIE EILISH HIT ME HARD AND SOFT: THE TOUR (LIVE IN 3D)”

Directors – James Cameron, Billie Eilish – 2026 – US, UK – Cert. 12a – 114m

*****

One night of the singer’s latest world tour is captured up close and personal using specially developed, 3D camera technology – out in UK cinemas on Friday, May 8th

Disclaimer. Yes, I listen to a great deal of music. No, I don’t know the first thing about Billie Eilish. However, I have a huge admiration for James Cameron, who might reasonably be described as the R&D wing of the movie business.

I have also, in my time, seen a good few concert movies, but never anything quite like this. That’s in part because the contemporary music concert has come a long way, and Billie Eilish typifies a performer who is the act, performing on custom built stages in large stadium-sized venues, even though she has working with her a band and two backup singers, not to mention a vast array of lighting, stage and sound technicians. 

And, in her case, James Cameron.

Who insisted that she be given equal director / producer credit on the film. At least, that’s how he puts it in one of many of the more intimate backstage / offstage / on tour sequences inserted into the footage of the one concert which forms the backbone of the film. … Read the rest

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Documentary Features Live Action Movies Music

Broken English

Directors – Iain Forsyth, Jane Pollard – 2025 – UK – Cert. 15 – 96m

*****

Musician and cultural icon Marianne Faithfull is interviewed at length, and her life and artistic achievements examined from several angles – compelling documentary is out in UK and Ireland cinemas on Friday, March 20th

Who is Marianne Faithfull? Given that, sadly, she died during the making of this documentary about her, we should ask another question. Who was Marianne Faithfull? 

Marianne appears extensively here as a real life, a 78-year-old interviewed by actor George MacKay (from The Beast, Bertrand Bonello, 2023; Femme, Sam H. Freeman, Ng Choon Ping, 2023; 1917, Sam Mendes, 2019) for The Ministry of Not Forgetting, an institution created specially for this film narrative where it is run by Tilda Swinton (from Memoria, Apichatpong Weerasethakul, 2021; Snowpiercer, Bong Joon Ho, 2013; Orlando, Sally Potter, 1992) in a suit and tie who delivers all manner of fascinating pronouncements about Marianne’s life and work, and at one point even explores that territory by choreographing a dancer’s movements.

While The Ministry of Not Forgetting provides a structure within which Faithfull’s humanity and legacy can be explored, this latest film from Forsyth and Pollard (20, 000 Days on Earth, 2014; The Extraordinary Miss Flower, 2024) is characteristically kaleidoscopic.… Read the rest

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Art Exhibitions Music

Miseris Succurrere Disco
(I Learn to Help
Those in Need)

© Paul Heartfield

Curators – Iain Forsyth, Jane Pollard – 2026 – UK

****

A chapel interior is repurposed as a reflection on how personal tragedy can awaken empathy, mercy and collective care – exhibition / installation at Fitzrovia Chapel from Friday, March 6th to Wednesday, March 25th

It’s a strange phenomenon when you attend an exhibition / installation and the unfamiliar venue is, to you, as exciting as the event itself. Iain Forsyth and Jane Pollard’s new outing isn’t a film, but an exhibition, the second of three they’ve created in this particular space as it turns out. And the space they’ve deployed is fabulous, a new one on me. 

The Byzantine-inspired Fitzrovia Chapel, as the name implies, is situated in the heart of Fitzrovia, the area of London North of Oxford Street between Regent Street and Tottenham Court Road. It’s the chapel of the former Middlesex Hospital, one of London’s flagship NHS teaching hospitals, which was closed in 2006. You may be familiar with the chapel from King Charles’ 2024 Christmas broadcast.

The venue is open on particular days, often Monday, Tuesday, Wednesday, but not every week, and opening times can vary if the space is hosting an exhibition.

What can present challenges is if, as this writer did, you attend a show without being familiar with the space as it normally appears to visitors outside of exhibitions / installations. … Read the rest

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Dance Features Live Action Movies Music

The Testament
of Ann Lee

Directed by Mona Fastvold
Certificate 15
130 minutes
Released 27 February and on Disney+ from 13 May

Few films accurately chronicle a specific, historical Christian sect, fewer still do so as a musical. I knew virtually nothing about the Shakers, before seeing The Testament of Ann Lee, which is based on a true story. | found much to admire in their religion, yet I was appalled by two aspects.

Read the rest of my Reformed magazine review here.

Read my later review for this website here.

The Testament of Ann Lee is on Disney+ from Wednesday, March 13th following its release in cinemas in the UK on Friday, February 27th 2026

Teaser Trailer (Cert. 12a, which really gives no indication of some of the more extreme elements in the film):

Trailer

Categories
Dance Features Live Action Movies Music

Sirāt
(Sirāt)

Director – Óliver Laxe – 2025 – Spain, France – Cert. 15 – 115m

*****

Young son in tow, a man goes in search of his daughter who has gone missing at raves in the North African desert – 2025 Cannes Jury Prize Winner is out in UK cinemas on Friday, February 27th

Luis (Sergi López from Pan’s Labyrinth, Guillermo del Toro, 2006; Dirty Pretty Things, Stephen Frears, 2002; Harry, He’s Here to Help, Dominik Moll, 2000) and his son Esteban (Bruno Núñez Arjona) are searching for his son’s elder sister who vanished five months ago. Believing she is headed to a rave in the Moroccan desert, they turn up there to hand out Missing fliers and ask people there if they have seen her.

No-one has seen her.

They start off asking among dancing revellers, but soon move on to try people resting or on the fringes of the event. One group of three people halfway up a hillside, seem more sympathetic than most, but they’ve not seen the daughter so there isn’t a lot they can do to help. 

The rave is an illicit event not sanctioned in any way by the authorities, so it’s perhaps not surprising that on maybe the second day… time can be hard to keep track of at these events… soldiers turn up to close the event down. … Read the rest

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Features Live Action Movies Music

Sinners

Director – Ryan Coogler – 2025 – US – Cert. 15 – 138m

*****

In 1932, a young blues guitarist finds himself out of his depth when two brothers open a juke joint which comes unexpectedly under siege from supernatural forces – plays one night only, Sunday, March 1st, 6.30pm, as part of Film Tottenham following its release in UK cinemas on Friday, April 18th 2025

It’s a strange thing, but Warner Bros., which has a reputation for tough guy movies from its hard-edged gangster movies of the 1930s, has never made a movie about the blues. If that seems something of a stretch as an assumption, humour me here. The blues came out of the hardships of the Afro-American experience – white racism and the slave trade, poverty and hardship, and there was something raw about it, much as with those early gangster movies that shaped the Studio’s identity.

The idea of Warner Bros. making a movie about the black experience and the blues (or, indeed, building an entire genre around that idea) seems so obvious that it’s a wonder the Studio never did it before. Perhaps it’s significant that Warner Bros. were the Studio that made Elvis (Baz Luhrmann, 2023), which touches on such material.… Read the rest