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Animation Documentary Features Live Action Movies

My Extinction

Director – Josh Appignanesi – 2022 – UK – Cert. 15 – 80m

***

In which director Appignanesi chronicles both his unease at the climate crisis and what happens when he joins Extinction Rebellion to do something about it – world premiere on Thursday, June 29th at the Curzon Mayfair, out in UK cinemas on Friday, June 30th

As well as making small British narrative features (Female Human Animal, 2018; The Infidel, 2010), Aappignasi makes little diary films about his life. The previous two, in which his wife, the author and academic Devorah Baum, is credited as co-director, chart impending parenthood (The New Man, 2016) and their relationship (Husband, 2022). This third entry sees Josh hit a professional lull after a planned feature film falls apart and he wonders if his career as a film maker is over. Actually, he reiterates variants of this question at various points throughout the film.

At the same time, environmental activists Extinction Rebellion (XR) are on the TV news for bringing parts of London to a standstill. Cue a title sequence montage of collapsing ice shelf, burning tar sands, gridlocked London traffic, industrial pollution, a bewildered kangaroo with outback ablaze behind it, a flooded street with parked cars, a polar bear stranded on an ice floe, the UK government declaring a climate emergency in response to XR and Greta Thunberg’s “I want you to… act as if your house was on fire” speech.… Read the rest

Categories
Features Live Action Movies

Belfast

Director – Kenneth Branagh – 2021 – UK – Cert. 12a – 98m

*****

1969, Belfast, Northern Ireland. The life of a young boy and his family is impacted by The Troubles as Christian sectarianism explodes into violence on their street – out in cinemas on Friday, January 21st

Bookended by colour images of contemporary Belfast, Northern Ireland, this swiftly traverses a colour montage to pan up a wall to the black and white photographed 1969 beyond. The closing moments also feature the genuinely touching legend, “For the ones who stayed, For the ones who left, And for the ones who were lost.”

Elsewhere, apart from family trips to the cinema to see the likes of Chitty Chitty Bang Bang (Ken Hughes, 1968), where the clips from the movie and light reflected from it onto the black and white audience are in colour, everything else (including other aspects of the family cinema-going experience) is entirely in black and white.

The first ten minutes are a particularly tough watch, as images of kids playing footy, hopscotch or knights in armour (wooden swords and dustbin lids) in the streets give way to nine-year-old Buddy (ten-year-old Jude Hill) returning home to find men with clubs breaking windows on his street, hurling Molotov cocktails and shouting, “get these fockers off your street.”… Read the rest