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The Dead Don’t Hurt

Director – Viggo Mortensen – 2023 – US – Cert. 15 – 129m

***1/2

An independently-minded woman whose partner is away fighting a war struggles to survive in the Old West – out in UK and Ireland cinemas on Friday, June 7th

While there is much to admire in this Western, it suffers from unclear flashbacks and parallel editing. Both the trailer (below) and the UK press handouts circumvent this problem by describing a straightforward, chronological narrative (and a fascinating narrative at that). For anyone who doesn’t try to follow plot, this may not be a problem. For those who do, it most definitely is.

Two things happen at the start. One is a shoot out in which Weston Jeffries (Solly McLeod), a nasty bit of work with scant disregard for either decency or law and order, rides away into the evening after shooting various people inside and outside the town’s saloon, including the deputy sheriff. The town is apparently called Elk Flats, Nevada – something I gleaned not from the film (where, if that information is there, it’s easy to miss, and I missed it) but from the production notes.

This is indicative of a problem with the film overall: there are certain key bits of information it needs to tell the audience, which it fails to deliver in a clear, comprehensible way.… Read the rest

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Crimes
Of The Future
(2022)

Director – David Cronenberg – 2022 – Canada – Cert. 18 – 107m

*****

Even as two performance artists enact bizarre public rituals exploring the unlikely boundaries between sex, surgery and mutation, a young boy who eats plastic is murdered by his mother – out in UK cinemas on Friday, September 9th

Back in 1970, underground filmmaker Cronenberg made a film called Crimes Of The Future, inspired by the title of an unseen poem in an art film he’d seen several years earlier. That 1970 film, consisting of a cast on a campus of modernist architecture shot in colour without sync sound and deploying a monologue voice-over alternating with blocks of weird, improvised sound effects, bears little relation to this new one, except that it likewise briefly and peripherally features a dancer. More significantly, it also features a character whose body produces new organs. We don’t see them in that film, we merely hear a verbal description.

Fast-forward to the present and Cronenberg has had a career from the late 1970s through the 1990s making cinema features packed with icky special effects about something called The New Flesh followed by a series of (arguably) more mainstream, arthouse movies. To those who know the whole body of work, they’re all of a piece; however, to the newcomer they can be overwhelming or potentially offensive.… Read the rest

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Eastern Promises

Director – David Cronenberg – 2007 – Canada, UK – Cert. 18 – 100m

****

After a London midwife delivers a dying woman’s baby she finds herself attracting the attention of the Russian mafia – reviewed in Third Way, 2007; on BBC iPlayer until Thursday, October 6th 2022

An immediately recognisable, ethnically diverse London unseen in previous movies about the capital. A Chechen unexpectedly gets his throat cut in a barber’s shop; a pregnant Russian teenager walks into a chemist’s, asks for help and collapses in a pool of her own blood. Given the director, you’d be forgiven for expecting such imagery to pervade the whole film, but Eastern Promises originated not with Cronenberg but screenwriter Steven Knight, whose acclaimed screenplay for Dirty Pretty Things (Stephen Frears, 2002) explored the hidden, ethnic workforce in the underbelly of contemporary, multicultural London. (He also wrote the recent Wilberforce biopic Amazing Grace, Michael Apted, 2006).

Eastern Promises takes us into related territory, again in the capital – this time Russian Vory V Zakone gangsters, sex trafficking and murder. Cronenberg puts this on the screen with all the precision and finesse one would expect, eliciting terrific performances and contributions from cast and crew.

Trafalgar hospital midwife Anna Khitrova (Naomi Watts), the daughter of a Russian father and an English mother, provides our point of entry into this unfamiliar world as the midwife who must deliver the baby from the dying teenager.… Read the rest

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Thirteen Lives

Director – Ron Howard – 2022 – US – Cert. 12a – 147m

****

A dramatisation of the 2018 Thailand boys’ football team cave rescue, with the rescuers played by name actors– out in cinemas on Friday, July 29th and globally on Amazon on Friday, August 5th

In 2018, the world held its breath when the 12 boys of a football team and their 24-year-old coach became trapped in a cave when rain fell unexpectedly and water levels within the cave system started to rise. Incredibly, the ensuing rescue attempt involving divers from the US, UK, Ireland and Canada got all 13 out alive. According to the informational titles at the end of this film, sadly, there was one fatality among the Thai Navy SEAL divers involved in the rescue (shown in the film) and another death in that group later as the result of a contracted infection.

The story captivated the world, which held its breath as the days went by after the boys first became trapped by the water flooding the cave. For over a week, it wasn’t even known whether they were still alive. When they were located, alive and well, the question loomed large as to whether they would be able to get out alive.… Read the rest