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Redoubt
(Värn)

Redoubt (Värn)

Director – John Skoog – 2025 – Sweden – Cert. – 85m

***1/2

Convinced the enemy will attack soon, a man turns his small house into a fortress that can provide shelter for a small number of people – out in UK cinemas on Friday, March 27th

Before this film came along, ‘redoubt’ was not a word in my vocabulary; it means a small, possibly temporary, building turned into a fortress in preparation for war. John Skoog’s stark film, shot in equally stark black and white by cinematographer Ita Zbroniec-Zajt (Woman on the Roof, Anna Jadowska, 2022) is about a man living in an isolated rural community who, perhaps influenced by old government pamphlets about preparing for war, images from which pepper the film’s opening moments, decides to fortify his house as a refuge for his neighbours in the local community should the unthinkable happen.

It bears similarity to the Biblical story of Noah who is instructed by God to build an ark prior to the forthcoming global flood. In that account, everyone else thinks him completely nuts and just lets him get on with it, and the same thing happens here – people like him, and he’s tolerated as the local eccentric.… Read the rest

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The Crazy Family
Gyakufunsha Kazoku,
逆噴射家族)

Director – Sogo Ishii – 1984 – Japan – Cert. 18 – 105m

*****

After proudly moving into their first home as owner-occupiers, a family go berserk and destroy the building – out on Blu-ray on Monday, June 17th

This seemingly starts out as a conservative family drama. The family in question comprises father Katsukuni Kobayashi (Katsuya Kobayashi in his debut feature role), mother Saeko (Mitsuko Baisho who worked with directors Akira Kurosawa, Shohei Imamura and Kaneto Shindo), elder teenage son Masaki (Yoshiki Arizono from Ichi the Killer, The Happiness of the Katakuris, both Takashi Miike; Electric Dragon, 80,000 V, Sogo Ishii, all 2001) and younger teenage daughter Erika (Youki Kudoh from Typhoon Club, Shinji Somai, 1985; Mystery Train, Jim Jarmusch, 1989; Heaven’s Burning, Craig Lahiff, 1997). The Kobayashis move in to their first home as owner-occupiers which, although it’s a little on the small side, promises an idyllic existence. Father is the breadwinner with a nondescript office job, mother waters the plants and does the cooking and housework, the daughter wants to be an idol singer and the son is spending all his time studying for school and university in his room upstairs.… Read the rest

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Io Capitano
(Io Capitano)

Director – Matteo Garrone – 2023 – Italy – Cert. 12a – 121m

*****

Two teenage Senegalese boys set out on a journey to Europe and a better life – out in UK cinemas on Friday, April 5th

Garrone’s earlier features (Gomorrah, 2008; Tale of Tales, 2015; Dogman, 2018; Pinocchio, 2019) have a particular, muted look, making considerable use of browns and, to a lesser extent, greys or greyish colours. These were all films set in Garrone’s native Italy, featuring characters with an Italian perspective of one sort or another. This new film eschews all that and, while it’s recognisably the work of the same director, exhibits a completely different colour palette in accordance with its different location. It’s brighter and much less dingy.

The different look very much fits with the different intent. Garrone wanted to deal with migrants crossing the Mediterranean from Africa to Europe, but portray the journey from the migrants’ perspective rather than that of their destination countries. So this starts with two teenage, Senegalese boys who want to run away to Europe and is made in various African dialects, with the main one spoken by the two boys being recognisable as French.… Read the rest