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Nightwatch
(Nattevagten)

Director – Ole Bornedal – 1994 – Denmark – Cert. 18 – 107m

*****

Strange goings-on take place in a morgue after a law student takes on the nightwatchman’s job – out on Shudder UK from Friday, May 17th

Two male students Jens (Kim Bodnia) and Martin (Nikolaj Coster Waldau) make a pact: they are to challenge one another to a series of outrageous acts, and the first one who fails to follow though must marry his girlfriend. One evening, they and respective girlfriends Kalinka (Sofie Gråbøl) and Lotte (Lotte Andersen) are in a bar when two louts appear and hassle the two women as they return from the ladies room. Martin challenges Jens to stand up to them, which he does and gets assaulted for his pains. Jens later challenges Martin to go with 17-year-old prostitute Joyce (Rikke Louise Andersson), an encounter Jens facilitates in a restaurant, pinning his own name on Martin as a cover. Their swapping of names will later prove highly significant.

To save some money for his and Kalinka’s future, Martin takes on a job as a nightwatchman in a morgue, an easy enough job provided you don’t mind being the only living person on the premises along with a batch of corpses, which often includes murder victims since a murderer is currently at large in the area.… Read the rest

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Nightwatch:
Demons Are Forever
(Nattevagten –
Dæmoner Går i Arv)

Director – Ole Bornedal – 2023 – Denmark – 110m

****1/2

A law student’s daughter takes on his old morgue nightwatchman’s job to find out about the killer who traumatised her parents – out on Shudder UK from Friday, May 17th

WARNING: don’t watch this sequel until you’ve seen the original Nightwatch (1994). That’s easy enough to do, since both films are currently on Shudder.

SPOILER ALERT: if you’ve not (yet) seen the original, watch that before reading this review.

Almost thirty years on, Bornedal’s sequel is almost a retread of his original film. Almost, but not quite. Martin (Nikolaj Coster Waldau) has never totally got over his wife Kalinka’s suicide, caused by the fear of arrested killer Peter Wörmer. Several times a week, in scenes described but never shown, Martin visits the summerhouse where she hanged herself and talks to her. Martin’s friend Jens has long since disappeared to Thailand, while his girlfriend Lotte (played by a different actress, Vibeke Hastrup) still works as a vicar. Martin hasn’t heard from either of them in years.

Mental patient Bent (Casper Kjær Jensen) is a likewise incarcerated killer, a copycat. Later on, both he and Wörmer will escape their hospitals.

Martin lives with his med student daughter Emma (Fanny Leander Bornedal, the director’s daughter who is terrific here) who wants to find out exactly what happened to her parents.… Read the rest

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Silver Haze

Director – Sacha Polak – 2023 – UK – Cert. 15 – 102m

*****

A young nurse – who seeks closure and revenge from being burned in a fire as a child – falls into a romantic attachment which may lead her towards a sense of community – out in UK cinemas on Friday, March 29th

This is the second collaboration between writer-director Polak and performer Vicky Knight, who in real life as a small child was burned in a fire and whose flesh is marked by the physical scars of that trauma. In Dirty God (2019), their first film together, Knight delivered a bravura performance as the victim of an acid attack.

In addition to her being compelling on the screen in that film, Knight apparently enjoyed the whole process of making and promoting it, and Polak wanted to do a further film with her, writing a twenty-page fictional treatment and then leaping into a shoot without fully knowing what she was doing. Her backers misunderstood her to be making a documentary about Knight, yet this is a work of fiction, using created characters to explore the effect of Knight’s real life trauma. If the scars are clearly visible on Knight’s body, what draws you in is something altogether beyond that, the trauma playing out in her interior life.… Read the rest

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Silver Haze

Scarred for life

Silver Haze
Directed by Sacha Polak
Certificate 15, 102 minutes
Released 29 March

As a small child in real life, the actor Vicky Knight was burned in a fire. Today, her body still bears the physical scars of the trauma she suffered. In Dirty God (2019), her first film with the director Sacha Polak, Knight delivered a bravura performance as the victim of an acid attack.

Polak wanted to further explore Knight’s trauma. The scars are clearly visible on Knight’s body, but what draws you in in Silver Haze is something deeper, her trauma playing out in her interior life. Knight is a gifted and talented actress; one hopes that Polak and other directors can find more roles for her in the future, not necessarily related to her bodily scars.

Knight plays Franky, a 23-year-old East London nurse who never got over the fire in which she was trapped as a child. The incident, discussed but never shown, has left much of her body scarred by severe burns. Her father was having an affair with a woman who, Franky has convinced herself, started the fire. [Read the rest at Reform magazine…]

Silver Haze is out in cinemas in the UK on Friday, March 29th.… Read the rest

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Bodies Bodies Bodies

Director – Halina Reijn – 2022 – US – Cert. 15 – 94m

*

A make-believe party game of murder turns into horrifying reality when pretend dead bodies turn out to be really dead and the genuine body count continues to mount – out in UK cinemas on Friday, September 9th

Five women, three couples, two exes, one single. Seven people. Six twentysomethings. They gather in the house of one of their number David (Peter Davidson), whose absent parents are rich and the house and grounds reflect that. Sophie (Amandla Stenberg) and Bee (Maria Bakalova) have been together maybe six weeks. David and Emma (Chase Sui Wonders) longer. Alice (Rachel Sennott) and fortysomething Greg (Lee Pace) a mere two weeks. Jordan (Myha’la Herrold) is not coupled.

This is a hurricane party – a party held following a hurricane warning where power outages are likely, so people gather together to pool their perishable resources e.g. food from switched off fridges and avoid the need to travel over several days. The script assumes the audience knows all this, but to people living outside the US this may be a completely new concept; the script here makes much use of power outages but completely fails to exploit the shared resources and lack of travel aspects of the phenomenon.… Read the rest

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The Third Murder
(Sandome
No Satsujin,
三度目の殺人)

Director – Hirokazu Kore-eda – 2017 – Japan – Cert. 15 – 124m

*****

For a director usually associated with family dramas like I Wish, Like Father, Like Son and After The Storm, Hirokazu Kore-eda’s The Third Murder might seem like a change of direction. It begins with a murder, and focussed on a lawyer trying to uncover what actually happened, a narrative template familiar from countless films about journalists in search of a story, detectives trying to solve crimes and courtroom dramas of lawyers at work.

Yet there are plenty of Kore-eda concerns evident here. Ambitious young lawyer Shigemori (Masaharu Fukuyama from Like Father Like Son and John Woo’s thriller ManHunt) is a workaholic estranged from his wife. His daughter commits petty offences like shoplifting. His client Misumi (Koji Yakusho) was imprisoned for a murder over thirty years ago, but since his release has confessed to a second murder. He, too, has a daughter, but she wants nothing to do with him.

As for the murder victim, [Read the remainder of the review at All The Anime…]

Trailer: