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Features Live Action Movies

All of Us Strangers

Director – Andrew Haigh – 2023 – UK – Cert. 15 – 105m

*****

A gay Londoner travels by train to visit his parents in Sanderstead, following their deaths in a car crash when he was 12 years old – out on digital from Tuesday, March 12th

He (Andrew Scott) lives alone in a London tower block. Not only is he the single occupant of his flat, there’s almost no-one else in the building. When he goes outside for a breath of fresh air, he sees a guy in the window of one of the other apartments. Later, there’s a knock at his door. It’s the guy (Paul Mescal), who is slightly drunk, comes on strong and tries to get himself invited in. The visitor’s name is Harry. The occupant introduces himself as Adam, but doesn’t let Harry in.

By day, Adam writes screenplays. But he’s got stuck, so after perusing some personal effects, he takes the train to Sanderstead. There, he watches a boy in a window. He follows a man across an area of parkland. Coming out of a shop, the man spots him and asks him to come over. You think it might be a pickup – but no, it’s his dad (Jamie Bell).… Read the rest

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Art Documentary Features Live Action Movies Music

Exhibition on Screen:
Klimt & the Kiss

Director – Ali Ray – 2023 – UK – Cert. 12a – 90m

*****

A look at one of the world’s favourite paintings, housed in Vienna’s Belvedere Museum, and the wider body of work of the artist who created it – out in UK cinemas on Monday, October 30th for one day only

All lovers of art have their blind spots. That’s partly why we go to exhibitions, to fill in the gaps in our knowledge. Gustav Klimt’s The Kiss is one of those images everyone knows, since it’s been widely reproduced as prints, while movie buffs know it from the opening museum sequence of Bad Timing (Nicolas Roeg, 1980) and as a major influence on the visuals of The Thief And The Cobbler (Richard Williams, 1993). Beyond that, however, my knowledge of both Klimt and the painting itself are sparse. This latest entry in producer Phil Grabsky’s excellent Exhibition On Screen series about art is therefore most welcome since it proves highly informative about both.

Accompanied by a perfectly judged piano score of sequences of notes rising and falling, it opens on out of focus images of gold surfaces before showing us a detail of the two heads in the painting viewed not, as you might expect, straight on, but from a side angle.… Read the rest

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Features Live Action Movies

Blue Jean

Director – Georgia Oakley – 2022 – UK – Cert. 15 – 97m

*****

A woman attempts to keep her LGBTQ lifestyle and her day job as a PE teacher separate, but has reckoned without the widespread anti-gay prejudice of late 1980s Thatcherite Britain – previews in UK cinemas from Monday, February 6thprior to release on Friday, February 10th

“Everything is political”, says her out and proud girlfriend Viv (Kerrie Hayes) to Jean (Rosy McEwen), an LGBTQ woman who has to date managed to compartmentalise her existence so that work and private life are kept separate. She’d like to keep it that way too, because in her job as a teacher there’s an underlying assumption that heterosexuality is the norm. Which is fine if you happen to fit that model, less so if you don’t. Which Jean doesn’t. And a couple of factors are about to break down those carefully constructed compartments of her life.

It’s the late 1980s in Britain, and Margaret Thatcher’s Conservative government is trying to push through Parliament what will eventually become the Local Government Act (1988). Section 28 (or Clause 28) of that Act prohibits councils in England, Wales and Scotland from promoting homosexuality, seen as a deviant behaviour which can be cured.… Read the rest

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Features Live Action Movies

Allelujah

Director – Richard Eyre – 2022 – UK – Cert. 12a – 98m

***

While a small NHS hospital in Wakefield, Yorkshire is in danger of being closed down by the government as inefficient, it seeks to care for its geriatric patients– out in UK cinemas on Friday, March 17th

Based on the 2018 stage play by Alan Bennett, this multiple plot- and character-drama follows the day-to-day lives of assorted, mostly terminal, geriatric patients in The Beth, or the Bethlehem Hospital to give it its full name, in Wakefield, Yorkshire. Dr. Valentine (Bally Gill) whose real Indian name no-one can pronounce (really?) provides a framing device, a man who in an engaging, opening voice-over makes it clear that he genuinely cares for the elderly and who closes the film in a couple of scenes that don’t really work. Of which, more later.

Because what follows is for the most part character- rather than plot-driven, the character of Dr. Valentine doing his rounds and grappling with the inevitable day-to-day crises as they come up provides the main structural spine of the story.

I say ‘the main’ line, but in fact there is one other character who serves a similar function not to mention several subsidiary plots, one of which is considerably weightier than the others.… Read the rest

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Features Live Action Movies

Peter Von Kant
(Peter Von Kant)

Director – François Ozon – 2022 – France – Cert. 15 – 85m

***1/2

A re-imagining of R.W. Fassbinder’s all-female-cast The Bitter Tears Of Petra Von Kant, with the three central gay characters switched from female to male – plays in cinemas from Friday, 30th December

Köln, 1972. Peter von Kant (Denis Ménochet) is a successful film director who resides in his apartment with his personal assistant Karl (Stefan Crepon). He is visited by his old friend, the singer Sidonie (Isabelle Adjani), whose blown up picture adorns one of his walls. She introduces him to young man of Arab extraction and actor wannabe Amir Ben Salem (Khalil Gharbia) with who Peter becomes besotted and who subsequently moves in with him.

Their passionate relationship is, however, doomed, with Amir suddenly leaving some months later on the pretext of visiting his wife when she unexpectedly phones him from a nearby city. After Aamir has left him, Peter becomes an emotional wreck. On his birthday, he waits on the phone, hanging up in seconds when he realises the caller isn’t Amir. He vents his emotional distress on his three birthday visitors: his mother Rosemarie (Hanna Schygulla), his boarding school student daughter Gabrielle (Aminthe Audiard) and Sidonie.… Read the rest

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Features Live Action Movies

Girls Girls Girls
(US: Girl Picture,
Tytöt Tytöt Tytöt)

Director – Alli Haapasalo – 2022 – Finland – Cert. 15 – 100m

****

Three teenage girls’ lives are turned upside down by sex, romance and fledgeling relationships – out in UK cinemas on Friday, September 30th

Ice hockey class. In the spur of the moment, Mimmi (Aamu Milonoff) attacks another girl with her hockey stick. She and her best friend Rönkkö (Eleonoora Kauhanen) talk about it after. They are like two misfits, spurned by everyone else, but happy in each other’s company.

Elsewhere, under the watchful eye of her coach Tarja (Sonya Lindfors), Emma (Linnea Leino) is doing ice skating practice but it’s all going horribly wrong. She seems to have forgotten how to do the Triple Lutz – the build up is fine, the spin into the air is fine, but she keeps coming a cropper on the landing, falling flat on the ice. She tries to calm herself with her meditation app. She talks about it in French with her mum.

Mimmi and Rönkkö are on their shift at the health food drink stand in the local shopping mall. Mimmi takes the mick (or the mimmi) out of customer Emma while Rönkkö plays it so cool with the boy that she fancies when he tries to chat her up at the counter it’s as if nothing happened.… Read the rest

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Documentary Features Live Action Movies

Donna

Director – Jay Bedwani – 2022 – UK – Cert. 15 – 75m

***1/2

A look at the everyday life of Donna Personna, a trans activist from a Baptist background living in San Francisco – released in cinemas and on Bohemia Euphoria on Friday, July 15th

This threw me at first because it appears to be partly Welsh funded yet it’s about someone living in San Francisco. No matter. The seventysomething Donna Personna is first seen powdering her face and telling a story from her youth about getting her sister’s boyfriend to kiss him when she wasn’t around. She seems a genial person, who I would imagine is a lot of fun to be around in real life and a perfect subject for the camera who lights up the screen whenever she’s on it (which is most of the time).

What’s great about this film, for a non-trans viewer, is that it gives an idea of what it‘s like to be trans, both in terms of day to day living and upbringing. It doesn’t seem to have an axe to grind, rather it just wants to show how life is for someone like Donna. Her father was a Christian minister and her mother (not surprisingly) a minister’s wife who between them had a total of 15 kids!… Read the rest

Categories
Art Features Live Action Movies

Benedetta

Director – Paul Verhoeven – 2021 – France – Cert. tbc – 131m

*****

A 17th Century nun subject to religious visions embarks on a lesbian relationship with a novice – exclusively on MUBI from Friday, July 1st

Christianity. The Church. Religion. Treat them the wrong way, and you can get into trouble. Horror The Exorcist (William Friedkin, 1973), drama The Devils (Ken Russell, 1971) and comedy Life Of Brian (Terry Jones, 1971) remain controversial. Lesbian nun relationship drama Benedetta may be about to join their ranks. Or perhaps times have moved on. The film is apparently based on a real 17th Century case.

As a young girl, Benedetta (Elena Plonka) claims to commune with the Divine – convincingly so, too, enough to suggest to a bandit gang about to rob her parents and her that a chirping bird is God’s voice, especially when said bird deposits excrement in the eye of the bandit leader who promptly returns a gold necklace to Benedetta’s mother.

On arrival at the convent in Pescia, Benedetta’s father (David Clavel) must pay the Reverend Mother (Charlotte Rampling who seems to have cornered the market in Reverend Mothers judging by Dune, Denis Villeneuve, 2021) a dowry to enable his daughter to become a novice, which suggests that the institution, like the wealthy Catholic Church under whose umbrella it exists, may have ignored Jesus’ injunction to sell all you have and give to the poor.… Read the rest

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Animation Features Movies

Lightyear

Director – Angus MacLane – 2022 – US – Cert. PG – 107m

**1/2

Stranded on a hostile planet, Buzz Lightyear sets out on a series of missions which eventually lead to his first confrontation with the evil Emperor Zurg – plays in the Annecy Animation Festival 2022 which is taking place in a 100% on-site edition this year right now as a Screening Event on Friday, June 17th, and opens in UK cinemas the same day.

A caption at the start explains that this was the favourite film of child protagonist Andy (from Pixar’s Toy Story franchise) and the reason he got a Buzz Lightyear toy in the first place. Other than that, though, this is a completely separate and self-enclosed film.

As the literal meaning of its title implies, Lightyear delivers a narrative that races through vast periods of time at a stretch, so that we and ace space pilot Buzz Lightyear (voice: Chris Evans) and his colleague Alisha Hawthorne (voice: Uzo Aduba) land their spaceship on an unexplored planet which turns out to be populated with hostile life-forms, specifically (1) plant tendrils which burst out of the planet’s surface and try to drag anything they can back under the ground and (2) giant, flying bugs.… Read the rest

Categories
Features Live Action Movies

Men

Director – Alex Garland – 2022 – UK – Cert. 15 – 100m

***

An urban woman dealing with separation and bereavement encounters several men with the same face in an English village – out in cinemas on Wednesday, June 1st

A face passes before the eyes of Harper (Jessie Buckley) as her husband James (Paapa Essiedu) falls to his death from the balcony above their London flat. It’s the Spring. She drives to a house in the country – strictly speaking, in a small rural village – which she’s rented for two weeks to get away from it all.

There, she meets well-to-do landlord Geoffrey (Rory Kinnear) who shows her round the property and hands over the keys. He’s an affable and chivalrous sort of chap who insists of bringing her bags in from the car and can’t stop talking; he might have walked straight in from the previous century or even the one before. He mentions that the TV reception can be a bit iffy, especially when it’s raining, and also recommends a visit to the village pub.

She’s glad when he’s left and promptly calls her partner Riley (Gayle Rankin), who she will be in touch with this way on and off throughout the narrative and who will eventually drive over to see her, the only time we ever see Riley in the flesh.… Read the rest