Categories
Dance Movies Animation Features

Ana, en Passant
(Ana, en Passant)

Ana, en Passant (Ana, en Passant)

Director – Fernanda Salgado – 2026 – Brazil, Portugal, France – Cert. tbc – 90m

*****

A woman from Paris travels to Belo Horizonte, Brazil where she hopes to unearth something of her family history – from the BFI London Film Festival 2026 which runs from Wednesday, October 7th to Sunday, October 18th in cinemas and on BFI Player

This opens with a profusion of images and a child’s voice asking: “mummy, what is a map?” The images are moving images treated in painterly ways, animated postcard-like holiday snaps putting themselves into order, flashes of memory as if printed on an unusual under-texture. Then an image of a baby scanned in the womb. More images – fish in the ocean, talk by the little girl of whether fish follow maps too – then we settle into the film proper.

Which is to say that, rather than the film’s form constantly shifting, it suddenly settles into a more formal, less abstract, fixed form of 2D animation as Ana (voice: Jéssica Pierina) – the little girl asking the questions earlier, perhaps? – leaves the Paris Metro with its familiar Hector Guimard art deco, wrought iron entrance, wanders satisfyingly along the bank of the Seine and finally enters her apartment, where she tidies broken pieces of china off the floor, binning them.… Read the rest

Categories
Art Exhibitions Movies Documentary Features Live Action

Exhibition on Screen
John Singer Sargent
Fashion & Swagger

Exhibition on Screen:

John Singer Sargent – Fashion & Swagger

Director – David Bickerstaff – 2024 – UK – Cert. U – 93m

****

Late nineteenth century society portrait painter John Singer Sargent was fascinated more by their clothing and the possibilities of paint than he was by the women he painted – documentary is out in UK cinemas for selected screenings from Tuesday, April 16th

Based on the exhibition first at the Museum of Fine Arts, Boston (MFA) and now at Tate Britain, this opens with incidental music that conjures a contemporary dance floor, a soundtrack which provokes a strange tension with paintings hanging on walls and costumes displayed in glass cases as the camera moves through the physical spaces in which they are displayed. But then, the title suggests this might be a little different from Exhibition on Screen’s usual fare.

John Singer Sargent’s A Portrait of Miss Elsie Palmer (A Lady In White), 1889-90, shows the energy and intensity of his portraiture. The brushstrokes are arresting and like nothing else being done at the time. The paintings might be perfect, but the people within them most definitely are not: Sargent captures their imperfections in a most compelling way.… Read the rest